Victory for Heart of Fire!

Eagles and Dragons Publishing has some big news to share today!

As many of you know, 2024 is an Olympic year, and so it is fitting that today we share some wonderful news about Heart of Fire: A Novel of the Ancient Olympics.

First of all, The Historical Fiction Company (HFC) recently awarded Heart of Fire Five Stars and the ‘Highly Recommended’ Award of Excellence.

As the HFC one of the premier reviewers of historical fiction in the world, this is indeed an honour that we are all proud of.

In addition to the award, the HFC’s editorial review of Heart of Fire rendered us speechless with extremely high praise for the story, for Adam’s knowledge and storytelling abilities, and for our amazing editor at Beautiful Ink Editing whose work is “top-notch, making for a smooth reading experience.”

Below are some excerpts from The Historical Fiction Company’s review of Heart of Fire

“…Haviaras grabs the reader’s interest right away with an engaging and evocative opening. The first sentence immediately immerses the reader in antiquity and establishes the epic tale’s setting. This intriguing hook reveals the author’s skill in drawing readers in from the beginning of the narrative. 

In Heart of Fire, Adam Alexander Haviaras transports us to the vibrant heart of ancient Greece through a story that is both a realistic recreation of the ancient Olympic Games and a voyage of personal salvation. Haviaras is an engrossing, poignant story that is full of the essence of human struggle and victory through the perspective of Kyniska, a Spartan princess with dreams of Olympic glory, and Stefanos, an Argive mercenary with a turbulent background. 

Heart of Fire brings the most famous athletic event in ancient history to serve as the backdrop for a brilliant fusion of romance, mythology, and history. The plot is intriguing, drawing us in with a blend of deep personal stakes and wider historical ramifications. Haviaras explores what it means to pursue glory and redemption in a civilization constrained by strict conventions and long-standing rivalries via the weaving of a tale of love, honor, and ambition…

… The next strong suit of the book is the character development. It’s very well done and we’re able to relate to Stefanos and Kyniska’s challenges and goals because of the nuanced and intricate writing. Stefanos has a fascinating and complex path from a violent existence to one filled with honor and purpose. Kyniska defies the norms of her era and epitomizes strength and resolve. Their growth throughout the book is evidence of Haviaras’ talent for developing believable and incredibly inspirational characters. 

The plot keeps up a smooth flow, with each chapter adding to the story’s increasing energy. Haviaras skillfully strikes a balance between the personal and historical aspects, allowing the story to flow naturally toward its conclusion. Heart of Fire’s continuity is a crucial component that keeps you interested and ready to find out what happens to the characters.”

Green olive wreath on white. Top view

“Another positive of this book is the uniqueness. Heart of Fire is notable for how differently it portrays the historical Olympic Games. Haviaras provides a novel viewpoint on a well-known historical era by contrasting the grandeur of the Olympics with the intimate tales of its protagonists. The novel’s examination of concepts like love, competition, and atonement via the prisms of athletics and combat brings a noteworthy level of uniqueness…

Heart of Fire‘s narrative arc is expertly written, following a precise path that heightens suspense and expectation. The story moves along at a good clip, striking a pleasing mix of action and emotional nuance from Stefanos’ early search for atonement to the pivotal events of the Olympic Games. The storyline comes to a dramatic climax that not only settles the main problems but also has a long- lasting effect on the reader. 

With vivid descriptions and real dialogue, Haviaras’ writing eloquently and precisely captures the spirit of Ancient Greece. The author’s skill in fusing vivid storytelling with historical detail is astounding, resulting in an engaging and educational story. Heart of Fire is an excellent example of Haviaras’ storytelling ability and his in-depth knowledge of antiquity. 

Heart of Fire ends in a way that is both thought-provoking and satisfying. The conclusion, which will not give away any plot points, sums up the themes of sacrifice and triumph and leaves readers with a strong impression of the characters’ travels. For anyone who has ever dared to dream large, it is a fitting conclusion to the novel’s examination of reaching greatness despite all circumstances. 

In summary, Adam Alexander Haviaras’ Heart of Fire: A Novel of the Ancient Olympics is a magnificent story that vividly and emotionally captures the world of ancient Greece. Haviaras explores the ageless human search for greatness and significance via the connected destiny of Kyniska and Stefanos, as well as the spirit of the ancient Olympics. For those who enjoy historical fiction as well as those who are enthralled with Ancient Greece and its lasting influence, this book is a must-read.”

We’re thrilled by this wonderful award and the amazing review which The Historical Fiction Company has bestowed on Adam and Heart of Fire.

To read the full review on The Historical Fiction Company’s website, CLICK HERE.

If you are looking for an exciting summer read in this year of the Olympiad, then look no further than Heart of Fire: A Novel of the Ancient Olympics!

Heart of Fire is available in e-book, paperback and special edition hardcover from all major online retailers, independent bookstores, brick and mortar chains, and your local public library.

CLICK HERE to buy a copy or get ISBN# information for the edition of your choice.

Remember… There can be no victory without sacrifice.

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Mythologia: From Zero to Hero – The Story of an Epic Race

Then he [Pelops] said unto him: ‘Lo now, O Poseidon, if the kind gifts of the Cyprian goddess are anywise pleasant in thine eyes, restrain Oinomaus’ bronze spear, and send me unto Elis upon a chariot exceeding swift, and give the victory to my hands. Thirteen lovers already hath Oinomaus slain, and still delayeth to give his daughter in marriage. Now a great peril does not take hold of a coward: and forasmuch as men must die, wherefore should one sit vainly in the dark through a dull and nameless age, and without lot in noble deeds? Not so, but I will dare this strife… 

(Pindar, Olympian Ode 1)

Greetings lovers of ancient history and mythology!

This week on the blog, we’re going to be taking a brief look at one of the most important heroes of Greek myth, but one who is often overlooked in popular culture today.

We are going to be looking at the myth of Pelops and Hippodameia and the events that led to the naming of the Peloponnesian peninsula after this hero.

Pelops and Hippodameia racing

Though the myth of Pelops may not be well-known to the average person today, it was an important part of the mythological and religious canon in the world of ancient Greece and Rome. Several ancient writers wrote about it, including Homer, Pindar, Apollonius of Rhodes, Apollodoros, Diodorus Siculus, Pausanias and Pliny the Elder. Even Sophocles and Euripides wrote plays on the subject.

One of the foundation myths of the Olympic Games relates to Pelops and involves his famous chariot race against Oinomaus, the king of Elis.

On my first visit to ancient Olympia many years ago, I discovered Pelops’ story for the first time, having been amazed that it was so important that one of the statue groups on the pediment of the great temple of Zeus was dedicated to the myth.

Subsequently, I discovered that one of the hero shrines at ancient Olympia was dedicated to this eponymous hero.

East pediment of the temple of Zeus at Olympia showing Zeus between Oinomaus and Pelops, just before their race

But who was Pelops, and what did he do to deserve such adulation and remembrance?

These are the questions that I wanted to explore in Wheels of Fate, Book II in the Mythologia fantasy series.

SPOILER ALERT!

If you are planning on reading Wheels of Fate, you may wish to do so before going any further as this post discussed some of the key plot points in the myth that are explored in the book.

Here is a short synopsis of the myth…

The ancient kingdom of Elis, was ruled by Oinomaus who was the son of Ares and, apparently, quite brutal. He had a daughter by the name of Hippodameia, and every suitor who came for his daughter’s hand in marriage had to try and beat him in a chariot race across what became known as the Peloponnese, or, the ‘Isle of Pelops’.

Eighteen suitors had raced Oinomaus and been killed by him before Pelops laid down his challenge.

According to the legend, Pelops, a young prince from Lydia, was the son of Tantalus, the arrogant king who was punished by the Gods for his grievous sin and sent to Tartarus. After being greatly abused by his father (that’s an understatement!) Pelops was was taken in by Poseidon himself who taught him about horses. Eventually, Poseidon gave him a team of swift-footed horses so that he could race against Oinomaus.

In order to ensure that Oinomaus did not win, Hippodameia also convinced her father’s man, Myrtilus, to sabotage the chariot so that Oinomaus would crash.

After Pelops’ victory, it was said that he began the Olympic Games in thanks to Zeus for his win. Another theory is that the Olympics were begun by Pelops as funeral games for the deceased Oinomaus who died in the race, or for Myrtilus, whom Pelops killed.

Whatever the ‘truth’ about these Olympic beginnings, one thing is certain – Chariot racing and horses had a deep connection to the Olympic Games.

This is a great simplification of the story. The book, Wheels of Fate, goes into much greater detail in exploring the myth. However, this particular foundation myth points to the Games as an event to commemorate Pelops’ victory.

Pelops and Hippodameia

As far as we know, the very first event of the Olympic Games was the stade race sprint, and boxing became a part of the Olympic roster in the fourteenth Olympiad.

So when did chariot racing become a part of the Games?

It is generally agreed that chariot racing first made an appearance in the ancient Olympics during the twenty-fifth Olympiad in the year 680 B.C.

In tandem with the Olympic Games, said to be established by Pelops in this instance, Hippodameia was said to have established the Games of Hera, the Heraia, in thanks to the goddess for granting the victory as well. You can read more about the Heraia HERE.

The chariot race was the marquee event at the Olympic Games, and central to the story of Wheels of Fate, as well as our historical fantasy epic Heart of Fire: A Novel of the Ancient Olympics.

Olympia map showing hippodrome at bottom right.

There was much testament to this particular foundation myth around the Altis of Olympia as well, the sacred precinct at the heart of the sanctuary. As mentioned, one of the pediments from the temple of Zeus shows Oinomaus and Pelops with their chariots, on either side of Zeus, getting ready to race.

Also, in the hippodrome, the chariot racing track of Olympia, a statue of Hippodameia overlooked the track, and one of the turns called the Taraxippos, was said to be haunted by the angry ghost of Oinomaus who would spook horses as they passed. Also, one of the posts in the turns was said to be made from a beam from Oinomaus’ burnt house.

In the middle of the Altis, there was also the Pelopion, the burial mound of Pelops which became a shrine to the hero who would become the father of Atreus, and grandfather of Agamemnon and Menelaus, those well-known kings of Mycenae and Sparta who sailed to war at Troy.

Pelopion (digital model created by University of Melbourne)

There is no denying the importance of Pelops among the ranks of ancient Greek heroes, and so it was a joy to explore his life in Wheels of Fate, to explore the dark corners of his life beyond what the sources tell us.

He was a grandson of immortals, the son of a king, and the father and grandfather of some of the most powerful kings of the Greek heroic age.

And his name lives on in the land itself, the ‘Peloponnese’ or, the ‘Isle of Pelops’.

If you want to explore this myth more deeply, you can check out our epic retelling of this myth in Book II of the Mythologia series, Wheels of Fate: The Story of Pelops and Hippodameia.

If you are interested in learning more about the ancient Olympic Games, you can check out The World of Heart of Fire blog series in which we look at all of the foundation myths of the ancient Olympics (yes, there are more than one!), the original athletic events, the archeology of ancient Olympia and more. You can also join me on a video tour of the archaeological site! You can read that series of blog posts for free by CLICKING HERE.

Lastly, if you haven’t checked out any of the titles in the Mythologia series, you can get the first three in the Mythologia: First Omnibus Edition HERE or directly from Eagles and Dragons Publishing.

Thank you for reading.

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The World of Heart of Fire – Part VI – Boxing in the Ancient Olympic Games

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In Part VI of The World of Heart of Fire, we are going to look at the chosen sport of one of the main characters, the Argive mercenary, Stefanos, son of Talos.

Without giving anything away, Heart of Fire involves a climactic boxing match set during the Olympics of 396 B.C.

When I set out to write this book, I was really only familiar with modern boxing, and I knew that ancient boxing was quite different. So, I thought it would be good for us to take a look at this ancient pugilist sport.

Hellenistic bronze boxer from Rome shows wounds and lascerations to the fighter's face

Hellenistic bronze boxer from Rome shows wounds and lascerations to the fighter’s face

Now, I’ve written more fight scenes than I can count in my stories, some very realistic, others fantastical, some ugly, some inspiring. Most of the time, they have been fought with weapons.

However, boxing is a more visceral sport, especially ancient Greek boxing.

In Heart of Fire, I knew I had to make the fights count, that I wanted to put the reader ‘ringside’ so that she/he could taste the sweat and blood, and feel the impact of every hit.

I’m not a boxer, and though I’ve taken part in some martial arts, I had to admit that I had no idea how a man, or his body, would react during an ancient Greek boxing match.

You see, ancient boxing was not like modern Olympic boxing.

Himantes - from Hellenistic bronze of a boxer

Himantes – from Hellenistic bronze of a boxer

First of all, the ancient Greeks did not cover their fists with soft, padded gloves. Instead, they used something called himantes. These were thick strips of leather, rawhide, or sometimes lead, that were fastened to a fighter’s fists with linen or leather straps. The fingers were not covered, but left free to grab, to poke and jab, as well as punch.

In modern boxing, there are basically four punches: the direct or straight punch, the upper cut, the jab, and the hook. Combinations of these are used variously.

ancient Greek boxers

In contrast, ancient boxing included many more types of hits, including slaps, hammer punches, backhands, chops, pokes, elbows, swipes and many more.

Truthfully, ancient boxing was more like Wing Chun Kung Fu arm techniques than modern boxing. It differed from the pankration mainly in that there were no holds or grappling, and perhaps fewer intentional bone-breaking moves.

Before writing, I had to dispel with my modern ideas of boxing and what it should look like. Also, there were no ‘rounds’ in ancient boxing. The two fighters went at each other until someone was knocked out, or until one of the fighters surrendered. If neither of those two things happened, and if no one died, a fight could go on all day.

When writing an ancient boxing scene, in addition to being accurate, each fight also has to propel the story forward. I started by looking at some famous movie fights, and what better boxing match to look at than the last bout in Rocky I.

Rocky I - Rocky vs. Apollo Creed

Rocky I – Rocky vs. Apollo Creed

It’s one of the most famous modern boxing scenes in movie history and it showed me how the story can be told without speech, but rather the actors’ bodies, how the strain and struggle tell a story without words. It illustrates the all-important, ancient idea of ponos, the toil and passion of an athlete or warrior.

So, Rocky helped me visualize the storyline of my fight scene, and how it would move the characters forward. Next however, I needed to visualize how ancient boxing might look mechanically.

Of course, I can make some pretty good guesses and get creative – that’s the joy of writing after all – but I wanted to find at least a small demonstration to help it sink in. Luckily, I found a video from the Historical European Martial Arts Coalition (HEMAC) conference in Dijon France, demonstrating the art of ancient Greek boxing.

CLICK HERE to watch a demonstration video of ancient boxing!

This is a short video, but I found it very helpful. The men sparring are holding back a little, as it is a demonstration only, but you can easily imagine what it might be like with the rawhide, or lead pieces inserted in the himantes, and the fighters hitting one another full force.

It would be brutal, and oftentimes, quick.

vase showing boxing match with musical accompaniment and judge

If you’ve seen some of the top 20 boxing knock-out videos on YouTube, you’ll know that with one hit to the head, a massive, strong man can crumple like a rag doll. It’s not pretty.

Take off the modern, padded gloves, and substitute them for ancient himantes, and you’ve got yourself a genuine ancient bloodsport.

If you want to learn a bit more about the sorts of injuries that might occur in an ancient boxing match, CLICK HERE to read a fascinating article.

The Diagorids of Rhodes were boxing royalty in Ancient Greece ... as Degeorge, Diagoras porté en triomphe par ses fils, 1814

The Diagorids of Rhodes were boxing royalty in Ancient Greece … as Degeorge, Diagoras porté en triomphe par ses fils, 1814

The men who emerged victorious in boxing at the ancient Olympiad trained hard, as if for war, and if they walked off the skamma, the sand, as the victor, they were able to achieve the sort of immortality reserved for demi-gods and heroes.

I hope you enjoy the boxing scenes in Heart of Fire. Though the book is not specifically about boxing, I did enjoy researching and writing them.

Hopefully, when you do read it, you will feel like you are right there, hearing the bones crack.

In the next post, we are looking at the other sport that takes centre stage in Heart of Fire at the Olympics of 396 B.C. – the chariot race.

Thank you for reading.

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The World of Heart of Fire – Part IV – Ancient Olympia in 396 B.C.

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The ancient Olympics took place where the rivers Kladeos and Alpheios met, on a lush green plain flanked by ancient hills.

There has been human activity, and worship of the gods here for ages, long before the Olympic Games, but the ancient Olympiad is the reason we know this sort of paradise.

At least that is what it feels like to me when I visit the site. To me, ancient Olympia is a place of peace, a place for thought and feeling where one can still hear the roar of the crowds and the chanting of priests in worship of Zeus, Hera and others.

Ancient Olympia Aerial View

Ancient Olympia Aerial View

The site today is riddled with ruins, with column drums and statue bases surrounded by blooming flowers in spring, and dry grasses in high summer.

However, it is important to remember that ancient Olympia is a living entity. While it has been a sanctuary for ancient traditions from the days of Gods and Titans, it has also been a place of constant change.

One might even say that ancient Olympia was the Greek world in microcosm.

Columns of Palaestra

Columns of Palaestra

When one visits the site today, there are many remains of monuments and structures that were not there for the 396 B.C. Olympiad, when Heart of Fire takes place.

The remains of hostels, the south bath house, the Echo Colonnade running along the entire east side of the Altis, and the Exedra of Herodes Atticus were yet to be built. The area of the great gymnasium of Olympia, the massive square of the Leonidaion and its pool, or the round Tholos built by Philip and Alexander of Macedon, known as the Philippeion, were only thoughts in time.

Many of the monumental remains that we see so clearly today were simply not there in 396 B.C.

At the dawn of the fourth century, however, ancient Olympia was thriving. Though many future structures had yet to come into being, many had already been there for over a hundred years.

It goes without saying that the great stadium and hippodrome of Olympia existed in 396 B.C., as did the Archaic temples of Zeus and Hera in the Altis, the religious heart of the Olympic sanctuary, where much of Heart of Fire takes place.

In writing Heart of Fire, I wanted to make the setting for the story as accurate as possible for the time period, so it was important to weed out the Hellenistic and Roman additions to the sanctuary.

Artist impression of ancient Olympia - many of the buildings in this picture were not there in 396 B.C.

Artist impression of ancient Olympia – many of the buildings in this picture were not there in 396 B.C.

Today, we enter the sanctuary from the North, along the later gymnasium, but in the ancient world, the main entrance to the sanctuary was through the south stoa which faced the line of the Alpheios River.

Behind that was the Bouleuterion, the administrative and ceremonial offices of the Hellanodikai, the official judges of ancient Olympia. It was here that the athletes and coaches took their Olympic oath before a statue of Zeus Horkios (Zeus of Oaths), and sacrificed a wild boar.

All of the religious ceremonies at ancient Olympia were overseen by the Theokoloi, the priests of Olympia, who lived in the Theokoleon, which was located to the West of the Temple of Zeus and the sacred olive grove where crowns were cut. To the northwest of the Theokoleon were the ancient baths and a swimming pool, and to the South of the Theokoleon was the workshop of Pheidias, the sculptor who crafted the chryselephantine statue of Olympian Zeus, one of the Seven Wonders of the ancient world.

Statue of Zeus

Statue of Zeus

Today, the remains of Pheidias’ workshop are well-intact. Beside this workshop was the house of the Phaidryntai, those whose sacred duty it was to maintain the statue of Zeus built by Pheidias.

The Altis was the inner sanctuary of ancient Olympia, the sacred heart of the place where the Temple of Zeus rose out of the ground, the pediments illustrating the race of Pelops and Oinomaus, and a battle between the Lapiths and Centaurs overseen by Apollo, the first legendary victor in the Games.

Pediments of the Temple of Zeus at Olympia

Pediments of the Temple of Zeus at Olympia

Located between the remains of the temples of Zeus and Hera was the Pelopion, the burial mound of the hero Pelops, which stood beside the Great Altar of Zeus, a cone-shaped mound that was built up over time with the bones and ashes of ages of offerings to the King of the Gods.

Illustration showing temple and great altar of Zeus

Illustration showing temple and great altar of Zeus

Overlooking the Altis was the Hill of Kronos, and at its base stood the treasuries of various city-states, structures shaped like small temples where offerings were made by those cities, and where citizens of those cities could stay or gather. Before these were the Zanes. These were the statues of Zeus made from fines levied upon those who committed sacrilege and broke the rules of Olympia.

At the northwest corner of the Altis was the Prytaneion. This was the place where the eternal Olympic flame burned at the altar of the Goddess Hestia, and where banquets were given to honour Olympic victors.

Olympia map my markings - the circles indicate structures that were there in 396 B.C.

Olympia map my markings – the circles indicate structures that were there in 396 B.C.

As you can see, in 396 B.C. there were many buildings at ancient Olympia. The Altis would have been packed with epinikion statuary, bronze statues erected by Olympic victors as was their right, as well as sixty-nine altars where priests, attendees, and competitors honoured the gods.

After the temples of Zeus and Hera, which now dominate the Altis, most visitors today are drawn to the stadium which stretches out like a sleeping giant on the northeast side.

At one point in time, the vault of the Krypte, the tunnel leading to the stadium, was roofed, similarly so at Nemea. But in 396 B.C. there was no roof over the Krypte.

The Krypte which leads into the stadium

The Krypte which leads into the stadium

The length of an ancient Greek stade, the measurement that gives us the word ‘stadium’, was about two hundred meters. So, the stade race, the original Olympic sprint, was the two hundred meters.

When you step out of the Krypte and onto the dirt of the stadium, it’s quite awe-inspiring to stare down to the other end from the stone starting line which is still there. Through the heat haze you can just see the far end, and on either side the embankments, where over 40,000 Greeks watched the Olympiad, provide a smooth outline. In the middle of the embankment is the area where the Hellanodikai sat, as well as a spot of the Priestess of Demeter Chamayne, the only woman permitted to watch the Games.

It is easy to be tricked into thinking the scene in this serene setting was similar to what it was like in 396 B.C. But nothing could be further from the truth.

It would have been extremely noisy, and smelly with the stink of man-sweat everywhere. One might liken it to a football match today with the various city-state factions being seated together in different sections of the stadium.

Despite a reverence for the gods that most would have shared at Olympia, the Mastigophoroi, the whip-bearing police force of Olympia, must have been busy, especially during the games of 396 B.C. when everyone was still licking their wounds and nursing their bitterness after the Peloponnesian War.

Olympia's Hippodrome

Olympia’s Hippodrome

The Tethrippon, the great four-horse chariot race, is central to the story of Heart of Fire, and this event, as well as the two-horse chariot race, the Synoris, would have taken place in the hippodrome of Olympia.

The hippodrome of Olympia, one of the largest in ancient Greece, was located at the southeast corner of the Olympic sanctuary, along the banks of the Alpheios River. Sadly, the remains of the hippodrome have not been excavated, and a large portion of it has apparently been swept away by the river.

Odd to think of considering that this was a venue for one of the main events of the Olympics, with space for over a hundred thousand spectators. When you gaze across the field in the direction of the hippodrome today, you will not hear the thunder of hooves of the cries of thousands of Greeks, but rather the constant whirr of cicadas, and the flutter of songbirds’ wings among the dry grass. For me, as an author, it was a lot of fun to write about the chariot event of the Olympiad of 396 B.C., an event that made Olympic history.

I hope to be posting short videos giving a tour of the sanctuary of ancient Olympia, and the sites that play a role in Heart of Fire, so stay tuned for those.

In the meantime, CLICK HERE to see a fantastic drone video of the sanctuary at ancient Olympia.

The next post in The World of Heart of Fire blog series will look at religion in the Olympic Games.

Thank you for reading!

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