The World of Heart of Fire – Part VI – Boxing in the Ancient Olympic Games

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In Part VI of The World of Heart of Fire, we are going to look at the chosen sport of one of the main characters, the Argive mercenary, Stefanos, son of Talos.

Without giving anything away, Heart of Fire involves a climactic boxing match set during the Olympics of 396 B.C.

When I set out to write this book, I was really only familiar with modern boxing, and I knew that ancient boxing was quite different. So, I thought it would be good for us to take a look at this ancient pugilist sport.

Hellenistic bronze boxer from Rome shows wounds and lascerations to the fighter's face

Hellenistic bronze boxer from Rome shows wounds and lascerations to the fighter’s face

Now, I’ve written more fight scenes than I can count in my stories, some very realistic, others fantastical, some ugly, some inspiring. Most of the time, they have been fought with weapons.

However, boxing is a more visceral sport, especially ancient Greek boxing.

In Heart of Fire, I knew I had to make the fights count, that I wanted to put the reader ‘ringside’ so that she/he could taste the sweat and blood, and feel the impact of every hit.

I’m not a boxer, and though I’ve taken part in some martial arts, I had to admit that I had no idea how a man, or his body, would react during an ancient Greek boxing match.

You see, ancient boxing was not like modern Olympic boxing.

Himantes - from Hellenistic bronze of a boxer

Himantes – from Hellenistic bronze of a boxer

First of all, the ancient Greeks did not cover their fists with soft, padded gloves. Instead, they used something called himantes. These were thick strips of leather, rawhide, or sometimes lead, that were fastened to a fighter’s fists with linen or leather straps. The fingers were not covered, but left free to grab, to poke and jab, as well as punch.

In modern boxing, there are basically four punches: the direct or straight punch, the upper cut, the jab, and the hook. Combinations of these are used variously.

ancient Greek boxers

In contrast, ancient boxing included many more types of hits, including slaps, hammer punches, backhands, chops, pokes, elbows, swipes and many more.

Truthfully, ancient boxing was more like Wing Chun Kung Fu arm techniques than modern boxing. It differed from the pankration mainly in that there were no holds or grappling, and perhaps fewer intentional bone-breaking moves.

Before writing, I had to dispel with my modern ideas of boxing and what it should look like. Also, there were no ‘rounds’ in ancient boxing. The two fighters went at each other until someone was knocked out, or until one of the fighters surrendered. If neither of those two things happened, and if no one died, a fight could go on all day.

When writing an ancient boxing scene, in addition to being accurate, each fight also has to propel the story forward. I started by looking at some famous movie fights, and what better boxing match to look at than the last bout in Rocky I.

Rocky I - Rocky vs. Apollo Creed

Rocky I – Rocky vs. Apollo Creed

It’s one of the most famous modern boxing scenes in movie history and it showed me how the story can be told without speech, but rather the actors’ bodies, how the strain and struggle tell a story without words. It illustrates the all-important, ancient idea of ponos, the toil and passion of an athlete or warrior.

So, Rocky helped me visualize the storyline of my fight scene, and how it would move the characters forward. Next however, I needed to visualize how ancient boxing might look mechanically.

Of course, I can make some pretty good guesses and get creative – that’s the joy of writing after all – but I wanted to find at least a small demonstration to help it sink in. Luckily, I found a video from the Historical European Martial Arts Coalition (HEMAC) conference in Dijon France, demonstrating the art of ancient Greek boxing.

CLICK HERE to watch a demonstration video of ancient boxing!

This is a short video, but I found it very helpful. The men sparring are holding back a little, as it is a demonstration only, but you can easily imagine what it might be like with the rawhide, or lead pieces inserted in the himantes, and the fighters hitting one another full force.

It would be brutal, and oftentimes, quick.

vase showing boxing match with musical accompaniment and judge

If you’ve seen some of the top 20 boxing knock-out videos on YouTube, you’ll know that with one hit to the head, a massive, strong man can crumple like a rag doll. It’s not pretty.

Take off the modern, padded gloves, and substitute them for ancient himantes, and you’ve got yourself a genuine ancient bloodsport.

If you want to learn a bit more about the sorts of injuries that might occur in an ancient boxing match, CLICK HERE to read a fascinating article.

The Diagorids of Rhodes were boxing royalty in Ancient Greece ... as Degeorge, Diagoras porté en triomphe par ses fils, 1814

The Diagorids of Rhodes were boxing royalty in Ancient Greece … as Degeorge, Diagoras porté en triomphe par ses fils, 1814

The men who emerged victorious in boxing at the ancient Olympiad trained hard, as if for war, and if they walked off the skamma, the sand, as the victor, they were able to achieve the sort of immortality reserved for demi-gods and heroes.

I hope you enjoy the boxing scenes in Heart of Fire. Though the book is not specifically about boxing, I did enjoy researching and writing them.

Hopefully, when you do read it, you will feel like you are right there, hearing the bones crack.

In the next post, we are looking at the other sport that takes centre stage in Heart of Fire at the Olympics of 396 B.C. – the chariot race.

Thank you for reading.

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Writing an Ancient Boxing Scene

Hellenistic bronze boxer from Rome shows wounds and lascerations to the fighter's face

This week I thought I would share a little something about my research for, and writing of, my upcoming book Heart of Fire.

As mentioned in the last post, I’m getting close to the end of this book, and it’s going to be fantastic. I can feel it in my bones.

I wanted to touch on a particular scene that I wrote last week.

Without giving anything away, the scene in question is a climactic boxing match set during the Olympics of 396 B.C.

Now, I’ve written more fight scenes than I can count in my stories, some very realistic, others fantastical, some ugly, some inspiring. Most of the time they have been fought with weapons.

However, boxing is a more visceral sport, especially ancient Greek boxing.

I knew I needed to make this fight count, to put the reader ‘ringside’ so that she/he can taste the sweat and blood, and feel the impact of every hit.

I’m not a boxer, and though I’ve taken part in some martial arts, I had to admit that I had no idea how a man, or his body, would react during an ancient Greek boxing match.

You see, ancient boxing was not like modern boxing.

Himantes - from Hellenistic bronze of a boxer

Himantes – from Hellenistic bronze of a boxer

First of all, the ancient Greeks did not cover their fists with soft gloves. Instead, they used something called himantes. These were thick strips of leather, rawhide, or sometimes lead, that were fastened to a fighter’s fists with linen or leather straps. The fingers were not covered, but left free to grab, to poke and jab, as well as punch.

In modern boxing, there are basically four punches: the direct or straight punch, the upper cut, the jab, and the hook. Combinations of these are used variously.

ancient Greek boxers

In contrast, ancient boxing included many more types of hits, including slaps, hammer punches, backhands, chops, pokes, elbows, swipes and many more.

Truthfully, ancient boxing was more like Wing Chun Kung Fu arm techniques than modern boxing. It differed from the pankration mainly in that there were no holds or grappling, and perhaps fewer intentional bone-breaking moves.

Before writing, I had to dispel with my modern ideas of boxing and what it should look like. Also, there were no ‘rounds’ in ancient boxing. The two fighters went at each other until someone was knocked out, or until one of the fighters surrendered. If neither of those two things happened, and if no one died, a fight could go on all day.

When writing an ancient boxing scene, in addition to being accurate, each fight also has to propel the story forward. I started by looking at some famous movie fights, and what better boxing match to look at than the last bout in Rocky I. Click on the image below to watch the fight scene:

Rocky I - Rocky vs. Apollo Creed

Sure, this seems a bit dated now, but it’s one of the most famous modern boxing scenes in movie history. This showed me how the story can be told without speech, but rather the actors’ bodies, how the strain and struggle tell a story without words. It illustrates the all-important, ancient idea of ponos, the toil and passion of an athlete or warrior.

So, Rocky helped me visualize the storyline of my fight scene, and how it would move the characters forward. Next however, I needed to visualize how ancient boxing might look mechanically.

Of course, I can make some pretty good guesses and get creative – that’s the joy of writing after all – but I wanted to find at least a small demonstration to help it sink in. Luckily, I found a video from the Historical European Martial Arts Coalition (HEMAC) conference in Dijon France, demonstrating the art of ancient Greek boxing.

CLICK HERE to watch the HEMAC demonstration!

This is a short video but I found it very helpful. The men sparring are holding back a little, as it is a demonstration only, but you can easily imagine what it might be like with the rawhide, or lead pieces inserted in the himantes, and the fighters hitting one another full force.

It would be brutal, and oftentimes, quick.

If you’ve seen some of the top 20 boxing knock-out videos on YouTube, you’ll know that with one hit to the head, a massive, strong man can crumple like a rag doll. It’s not pretty.

Take off the modern padded gloves, and substitute them for ancient himantes, and you’ve got yourself a genuine ancient bloodsport.

If you want to learn a bit more about the sorts of injuries that might occur in an ancient boxing match, CLICK HERE to read a fascinating article.

The Diagorids of Rhodes were boxing royalty in Ancient Greece ... as Degeorge, Diagoras porté en triomphe par ses fils, 1814

The Diagorids of Rhodes were boxing royalty in Ancient Greece – painting by Degeorge, Diagoras porté en triomphe par ses fils, 1814

The men who emerged victorious in boxing at the ancient Olympiad trained hard, as if for war, and if they walked off the skamma, the sand, as the victor, they were able to achieve the sort of immortality reserved for demi-gods and heroes.

As the year wears on, and I get closer to releasing Heart of Fire, I’ll share more of the story, including some excerpts.

For now, I’ll press on toward the novel’s finish line, bringing this exciting event of the ancient world to life.

Thank you for reading.

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War without the Shooting – Sport and Strife in Ancient Athletic Competition

Wrestling

Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence: in other words it is war minus the shooting.

       (George Orwell, “The Sporting Spirit”, Tribune, 14 December 1945)

I was reminded of the above Orwell quote in a book I’ve been reading lately, entitled The Ancient Olympics, by Nigel Spivey. No, we are not going to be talking about modern warfare or guns, those are not my thing. However, Spivey’s use of the quote is apt for his book, and for the purposes of our short discussion here.

What was the purpose of athletic competition in the ancient world, and what is the purpose of it today? How has it evolved, or has it?

I’m just finishing up the research phase for my novel set during the ancient Olympics. I can’t wait to start typing away at it, but there are a few things I need to decide on, one of them being how I will portray the ancient games.

I’m a romantic, and an idealist, and at first my inclination is to portray the ancient Olympics in an idealized and romantic light. It would make for a great story, but would that be accurate?

Ancient Olympia

Ancient Olympia

Today, when we think of the Olympic Games, we think of amateur sport, sportsmanship and fair play. We believe that just to be able to compete in the Olympics is an honour, a victory already achieved. In some ways, that’s true. The athletes who go to the Olympics today have trained and competed for years. They’ve racked up a list of hard-won victories in their part of the world in order to make it to the Olympiad.

I love the Olympics. In fact, it’s the only time that I really watch sports on TV. I love the Olympic ideals we hold so dear.

But are those the same ideals that were held dear in the ancient world? Perhaps some. But not all. Are the Olympics today the same games that they were in the ancient world? No. Not really.

So, in writing my story set during the ancient Olympics, I’ve got to achieve a major shift in mindset and go somewhere my modern sensibilities will not necessarily enjoy.

Artist re-creation of ancient wrestling

Artist re-creation of ancient wrestling

In the ancient world, men (yes, only men) went to the Olympics to win (women were only permitted to compete insofar as owning the horses in the equestrian events). It was not honourable to just participate. Oftentimes, losers would have to return to their polis by back streets, humiliated that they did not wear the olive crown of victory. Only the winners were hailed as demi-gods. The losers, though participants in the great games, were nothing.

It’s pretty harsh, but that was the nature of the Olympics and other games (including the Isthmian, Pythian, and Nemean games). They were violently competitive, brutal in nature, and though the Olympics were a time of official peace (the ‘Sacred Truce’), they were anything but peaceful.

When I think of the ancient Olympics, I don’t think about gymnastics or synchronized swimming, kayaks, or graceful dives from on high. I think of boxing and the discus, hoplite warrior sprints and the roar of a crowd at the marquee chariot races. When I think of the ancient Olympics, I think of the pankration, that most brutal of events where bones were broken, and faces were smashed with fists covered in lead or leather.

Boxing

Boxing

So, were ancient sports just about a sadistic pleasure in violence, about merely bettering your competitors, about hatred being given a release? Was sport really war on a small scale?

There isn’t really a straight and easy answer to the question, I’m afraid. I suppose the answer is yes, and no. Certainly, when you look at the array of events, the games were in one form, a training ground for war, “war without the shooting”.

The Hoplite Race - Training for War?

The Hoplite Race – Training for War?

As today, there were probably ‘good’ and ‘bad’ men who competed. There were those whose sole purpose was to utterly humiliate and destroy their opponents, to inflict pain and suffering, but there were also men who, in competing in the sacred Olympiad, sought to honour not only their polis and their family, but also to honour the gods themselves.

That said, they all wanted to win. I suspect that athletes today, no matter how much the media proclaims their virtue for simply being there, today’s athletes, once there, can see that victory within their grasp, and so, crave it more than we realize.

A Modern Pankration Bout

A Modern Pankration Bout

There is a duality here that leads us to the nature of Strife in the ancient world, which Spivey touches on in his book.

The ancient poet Hesiod (circa 700 B.C.) spoke of Strife in his Work and Days.

So, after all, there was not one kind of Strife alone, but all over the earth there are two. As for the one, a man would praise her when he came to understand her; but the other is blameworthy: and they are wholly different in nature. For one fosters evil war and battle, being cruel: her no man loves; but perforce, through the will of the deathless gods, men pay harsh Strife her honour due. But the other is the elder daughter of dark Night, and the son of Cronos who sits above and dwells in the aether, set her in the roots of the earth: and she is far kinder to men. She stirs up even the shiftless to toil; for a man grows eager to work when he considers his neighbour, a rich man who hastens to plough and plant and put his house in good order; and neighbour vies with is neighbour as he hurries after wealth. This Strife is wholesome for men. And potter is angry with potter, and craftsman with craftsman, and beggar is jealous of beggar, and minstrel of minstrel. (Hesiod, Works and Days)

Here we see that ‘Strife’, who is named Eris, actually has two faces, or natures.

There is Strife as Eris agathos, the useful, productive aspect of Strife, that which lends itself to creative industry in all things, in people of all stations and trades.

Then there is the Strife known as kakochartos, or ‘exalting in bad things’. This aspect of Strife thrives on war and dissent, a lust for bloodshed and battle.

Both aspects of Strife were present in the ancient Olympics and other competitions, both were present in war.

Javelin Thrower

Javelin Thrower

In his Theogeny, Hesiod names three offspring of Strife. They are: Death, Destruction, and Toil (Ponos).

It is ‘Toil’ that the ancients ascribed goodness to, for in working to the extremes of ones capabilities, and beyond, one became stronger, and so achieved greatness. This sort of Strife, Eris agathos, was pleasing to the gods, it was something to aspire to.

But the two aspects of Strife are not, in my opinion, mutually exclusive.

Spivey mentions the Iliad, and the part of that wondrous foundational text of western literature where Achilles embodies both aspects of Strife. Homer does not differentiate.

Therefore, perish strife both from among gods and men, and anger, wherein even a righteous man will harden his heart- which rises up in the soul of a man like smoke, and the taste thereof is sweeter than drops of honey. Even so has Agamemnon angered me. And yet- so be it, for it is over; I will force my soul into subjection as I needs must; I will go; I will pursue Hector who has slain him whom I loved so dearly, and will then abide my doom when it may please Jove and the other gods to send it. (Home, Iliad 18)

Achilles is by far the greatest hero of the Trojan War, the most skilled. He is godlike. He is what all men aspired to be. He is skilled at war, but can be unbelievably violent in the extreme, such as when he drags Hector’s body behind his chariot. He can, however, be moved to goodness such as when he sets aside his vendetta with Agamemnon to help his brothers again, and when he grants King Priam the return of his son’s body for the rites.

Achilles fighting Hector

Achilles fighting Hector

Greatness is not an easy thing to carry upon one’s shoulders, and we see in ancient literature that the heroes who achieve greatness also have a greater measure of grief. Herakles, Jason, Achilles and so many others all have tragedy in their lives, but Eris agathos was with them too, and this set them apart from the base war-mongers of the age, those who throve on kakochartos.

Olympians would have been weaned on tales of these heroes, and many would have aimed for such heights. One of the most famous of Olympians was Milo of Croton who won numerous wrestling victories at all of the Pan-Hellenic competitions for many years.

This same Olympic hero was also a great warrior who led troops of his native Croton in battle against their enemies of Sybaris.

One hundred thousand men of Croton were stationed with three hundred thousand Sybarite troops ranged against them. Milo the athlete led them and through his tremendous physical strength first turned the troops lined up against him. (Diodorus Siculus XII, 9)

It is said that Milo led the charge against the Sybarites wearing his Olympic crowns, a lion skin, and wielding a club similar to the hero Herakles. It seems that war and athletics were both at their finest in Milo, and I suspect that it was so in many an ancient Olympic champion.

Herakles wearing a victor's wreath - This is how Milo supposedly dressed for the battle with Croton's enemies

Herakles wearing a victor’s wreath – This is how Milo supposedly dressed for the battle with Croton’s enemies

Sport seemed to change with the Romans. The ancient Olympics survived until they were shut down by Emperor Theodosius in A.D. 394 when he banned all pagan festivals.

The Romans, however, were no strangers to blood-sports.

If deliberate killing was frowned upon at the ancient Olympics, it was accepted, and even encouraged, in the amphitheatres and hippodromes of the Roman world.

Olympic Chariot Race - The Most Popular Event of the Games

Olympic Chariot Race – The Most Popular Event of the Games

Chariot races were the main event in such places as the Circus Maximus and, just as at Olympia, both man and beast could suffer terrible fates on the sands.

Similarly, on the amphitheatre floors, gladiators often fought to the death. Whereas in ancient Greek competitions, the participants were hailed as heroes, their bodies trained and taken care of, gladiators in the Roman world were slaves who were bred to deal death and die. The rites that had once been a fight to the death at funeral games to honour the fallen had turned to entertainment.

Roman Gladiators

Roman Gladiators

Audiences had always relished the spilling of blood in competition, but during the Roman age the thirst for blood in sports seemed to have reached new heights. In A.D. 80, at the inaugural games of the Flavian Amphitheatre (The Colosseum), Emperor Titus put on one hundred days of games which included criminal executions, re-enactments of historic battles, and of course gladiatorial combat. This was slaughter on a massive scale and the crowds loved it. It is said that over 4000 animals were killed in a single day during those inaugural games!

Were the gods pleased with that? Are we so different today? I like to thinks so, but…

Various activities in the amphitheatre

Various activities in the amphitheatre

At a hockey game today, when two players start pommeling each other, most of the crowd jumps to its feet to watch. They cheer and jeer the two pugilists. What about UFC and the resurrection of a form of the pankration, a sport that was eventually banned from athletic competition in the 4th century A.D?

Have we made progress, or are we the same as our ancient counterparts? Are we simply denying our inherent thirst for blood? From what we see in the media, I don’t think that’s necessarily true. Again, no easy answers.

I like to think we’ve made progress, in some ways, but I do wonder sometimes if the world had turned more to kakochartos, rather than Eris agathos.

Then again, perhaps in youth today can be found the answer, some hope?

I was at a track and field meet a couple weeks ago, and it was a joy to watch the young school-age boys and girls compete without prejudice or put-downs. Those kids who were on the track did not try to psyche their competitors out. They were focussed only on their lanes, their task, their race. Some sped toward the finish line like cheetahs chasing down deer, others were far behind the rest and still crossed that finish line.

Eris agathos, it seems like a song now to me, a song of beautiful strife.

Nike - The Goddess of Victory

Nike – The Goddess of Victory

I think the young are more pure, and that it is in them that the seeds of Eris agathos are sown. It is nurtured in few.

It’s no wonder that the modern call for the Olympic Games calls on “the youth of the world”.

So, tell me what you think?

Is modern sport so very different from sport in the ancient world?

Is sport and athletic competition today simply war without the shooting? Or is it something more than that?

Share your thoughts with us in the comments below.

For myself, I have yet to decide what direction to go in this next novel. Will the competition on the palaestra and in the stadium be fierce and fill a simple need for violence, or will it transcend that and please the gods?

I suppose I’ll see when I get there.

Thank you for reading!

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