Victory for Heart of Fire!

Eagles and Dragons Publishing has some big news to share today!

As many of you know, 2024 is an Olympic year, and so it is fitting that today we share some wonderful news about Heart of Fire: A Novel of the Ancient Olympics.

First of all, The Historical Fiction Company (HFC) recently awarded Heart of Fire Five Stars and the ‘Highly Recommended’ Award of Excellence.

As the HFC one of the premier reviewers of historical fiction in the world, this is indeed an honour that we are all proud of.

In addition to the award, the HFC’s editorial review of Heart of Fire rendered us speechless with extremely high praise for the story, for Adam’s knowledge and storytelling abilities, and for our amazing editor at Beautiful Ink Editing whose work is “top-notch, making for a smooth reading experience.”

Below are some excerpts from The Historical Fiction Company’s review of Heart of Fire

“…Haviaras grabs the reader’s interest right away with an engaging and evocative opening. The first sentence immediately immerses the reader in antiquity and establishes the epic tale’s setting. This intriguing hook reveals the author’s skill in drawing readers in from the beginning of the narrative. 

In Heart of Fire, Adam Alexander Haviaras transports us to the vibrant heart of ancient Greece through a story that is both a realistic recreation of the ancient Olympic Games and a voyage of personal salvation. Haviaras is an engrossing, poignant story that is full of the essence of human struggle and victory through the perspective of Kyniska, a Spartan princess with dreams of Olympic glory, and Stefanos, an Argive mercenary with a turbulent background. 

Heart of Fire brings the most famous athletic event in ancient history to serve as the backdrop for a brilliant fusion of romance, mythology, and history. The plot is intriguing, drawing us in with a blend of deep personal stakes and wider historical ramifications. Haviaras explores what it means to pursue glory and redemption in a civilization constrained by strict conventions and long-standing rivalries via the weaving of a tale of love, honor, and ambition…

… The next strong suit of the book is the character development. It’s very well done and we’re able to relate to Stefanos and Kyniska’s challenges and goals because of the nuanced and intricate writing. Stefanos has a fascinating and complex path from a violent existence to one filled with honor and purpose. Kyniska defies the norms of her era and epitomizes strength and resolve. Their growth throughout the book is evidence of Haviaras’ talent for developing believable and incredibly inspirational characters. 

The plot keeps up a smooth flow, with each chapter adding to the story’s increasing energy. Haviaras skillfully strikes a balance between the personal and historical aspects, allowing the story to flow naturally toward its conclusion. Heart of Fire’s continuity is a crucial component that keeps you interested and ready to find out what happens to the characters.”

Green olive wreath on white. Top view

“Another positive of this book is the uniqueness. Heart of Fire is notable for how differently it portrays the historical Olympic Games. Haviaras provides a novel viewpoint on a well-known historical era by contrasting the grandeur of the Olympics with the intimate tales of its protagonists. The novel’s examination of concepts like love, competition, and atonement via the prisms of athletics and combat brings a noteworthy level of uniqueness…

Heart of Fire‘s narrative arc is expertly written, following a precise path that heightens suspense and expectation. The story moves along at a good clip, striking a pleasing mix of action and emotional nuance from Stefanos’ early search for atonement to the pivotal events of the Olympic Games. The storyline comes to a dramatic climax that not only settles the main problems but also has a long- lasting effect on the reader. 

With vivid descriptions and real dialogue, Haviaras’ writing eloquently and precisely captures the spirit of Ancient Greece. The author’s skill in fusing vivid storytelling with historical detail is astounding, resulting in an engaging and educational story. Heart of Fire is an excellent example of Haviaras’ storytelling ability and his in-depth knowledge of antiquity. 

Heart of Fire ends in a way that is both thought-provoking and satisfying. The conclusion, which will not give away any plot points, sums up the themes of sacrifice and triumph and leaves readers with a strong impression of the characters’ travels. For anyone who has ever dared to dream large, it is a fitting conclusion to the novel’s examination of reaching greatness despite all circumstances. 

In summary, Adam Alexander Haviaras’ Heart of Fire: A Novel of the Ancient Olympics is a magnificent story that vividly and emotionally captures the world of ancient Greece. Haviaras explores the ageless human search for greatness and significance via the connected destiny of Kyniska and Stefanos, as well as the spirit of the ancient Olympics. For those who enjoy historical fiction as well as those who are enthralled with Ancient Greece and its lasting influence, this book is a must-read.”

We’re thrilled by this wonderful award and the amazing review which The Historical Fiction Company has bestowed on Adam and Heart of Fire.

To read the full review on The Historical Fiction Company’s website, CLICK HERE.

If you are looking for an exciting summer read in this year of the Olympiad, then look no further than Heart of Fire: A Novel of the Ancient Olympics!

Heart of Fire is available in e-book, paperback and special edition hardcover from all major online retailers, independent bookstores, brick and mortar chains, and your local public library.

CLICK HERE to buy a copy or get ISBN# information for the edition of your choice.

Remember… There can be no victory without sacrifice.

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Mythologia: From Zero to Hero – The Story of an Epic Race

Then he [Pelops] said unto him: ‘Lo now, O Poseidon, if the kind gifts of the Cyprian goddess are anywise pleasant in thine eyes, restrain Oinomaus’ bronze spear, and send me unto Elis upon a chariot exceeding swift, and give the victory to my hands. Thirteen lovers already hath Oinomaus slain, and still delayeth to give his daughter in marriage. Now a great peril does not take hold of a coward: and forasmuch as men must die, wherefore should one sit vainly in the dark through a dull and nameless age, and without lot in noble deeds? Not so, but I will dare this strife… 

(Pindar, Olympian Ode 1)

Greetings lovers of ancient history and mythology!

This week on the blog, we’re going to be taking a brief look at one of the most important heroes of Greek myth, but one who is often overlooked in popular culture today.

We are going to be looking at the myth of Pelops and Hippodameia and the events that led to the naming of the Peloponnesian peninsula after this hero.

Pelops and Hippodameia racing

Though the myth of Pelops may not be well-known to the average person today, it was an important part of the mythological and religious canon in the world of ancient Greece and Rome. Several ancient writers wrote about it, including Homer, Pindar, Apollonius of Rhodes, Apollodoros, Diodorus Siculus, Pausanias and Pliny the Elder. Even Sophocles and Euripides wrote plays on the subject.

One of the foundation myths of the Olympic Games relates to Pelops and involves his famous chariot race against Oinomaus, the king of Elis.

On my first visit to ancient Olympia many years ago, I discovered Pelops’ story for the first time, having been amazed that it was so important that one of the statue groups on the pediment of the great temple of Zeus was dedicated to the myth.

Subsequently, I discovered that one of the hero shrines at ancient Olympia was dedicated to this eponymous hero.

East pediment of the temple of Zeus at Olympia showing Zeus between Oinomaus and Pelops, just before their race

But who was Pelops, and what did he do to deserve such adulation and remembrance?

These are the questions that I wanted to explore in Wheels of Fate, Book II in the Mythologia fantasy series.

SPOILER ALERT!

If you are planning on reading Wheels of Fate, you may wish to do so before going any further as this post discussed some of the key plot points in the myth that are explored in the book.

Here is a short synopsis of the myth…

The ancient kingdom of Elis, was ruled by Oinomaus who was the son of Ares and, apparently, quite brutal. He had a daughter by the name of Hippodameia, and every suitor who came for his daughter’s hand in marriage had to try and beat him in a chariot race across what became known as the Peloponnese, or, the ‘Isle of Pelops’.

Eighteen suitors had raced Oinomaus and been killed by him before Pelops laid down his challenge.

According to the legend, Pelops, a young prince from Lydia, was the son of Tantalus, the arrogant king who was punished by the Gods for his grievous sin and sent to Tartarus. After being greatly abused by his father (that’s an understatement!) Pelops was was taken in by Poseidon himself who taught him about horses. Eventually, Poseidon gave him a team of swift-footed horses so that he could race against Oinomaus.

In order to ensure that Oinomaus did not win, Hippodameia also convinced her father’s man, Myrtilus, to sabotage the chariot so that Oinomaus would crash.

After Pelops’ victory, it was said that he began the Olympic Games in thanks to Zeus for his win. Another theory is that the Olympics were begun by Pelops as funeral games for the deceased Oinomaus who died in the race, or for Myrtilus, whom Pelops killed.

Whatever the ‘truth’ about these Olympic beginnings, one thing is certain – Chariot racing and horses had a deep connection to the Olympic Games.

This is a great simplification of the story. The book, Wheels of Fate, goes into much greater detail in exploring the myth. However, this particular foundation myth points to the Games as an event to commemorate Pelops’ victory.

Pelops and Hippodameia

As far as we know, the very first event of the Olympic Games was the stade race sprint, and boxing became a part of the Olympic roster in the fourteenth Olympiad.

So when did chariot racing become a part of the Games?

It is generally agreed that chariot racing first made an appearance in the ancient Olympics during the twenty-fifth Olympiad in the year 680 B.C.

In tandem with the Olympic Games, said to be established by Pelops in this instance, Hippodameia was said to have established the Games of Hera, the Heraia, in thanks to the goddess for granting the victory as well. You can read more about the Heraia HERE.

The chariot race was the marquee event at the Olympic Games, and central to the story of Wheels of Fate, as well as our historical fantasy epic Heart of Fire: A Novel of the Ancient Olympics.

Olympia map showing hippodrome at bottom right.

There was much testament to this particular foundation myth around the Altis of Olympia as well, the sacred precinct at the heart of the sanctuary. As mentioned, one of the pediments from the temple of Zeus shows Oinomaus and Pelops with their chariots, on either side of Zeus, getting ready to race.

Also, in the hippodrome, the chariot racing track of Olympia, a statue of Hippodameia overlooked the track, and one of the turns called the Taraxippos, was said to be haunted by the angry ghost of Oinomaus who would spook horses as they passed. Also, one of the posts in the turns was said to be made from a beam from Oinomaus’ burnt house.

In the middle of the Altis, there was also the Pelopion, the burial mound of Pelops which became a shrine to the hero who would become the father of Atreus, and grandfather of Agamemnon and Menelaus, those well-known kings of Mycenae and Sparta who sailed to war at Troy.

Pelopion (digital model created by University of Melbourne)

There is no denying the importance of Pelops among the ranks of ancient Greek heroes, and so it was a joy to explore his life in Wheels of Fate, to explore the dark corners of his life beyond what the sources tell us.

He was a grandson of immortals, the son of a king, and the father and grandfather of some of the most powerful kings of the Greek heroic age.

And his name lives on in the land itself, the ‘Peloponnese’ or, the ‘Isle of Pelops’.

If you want to explore this myth more deeply, you can check out our epic retelling of this myth in Book II of the Mythologia series, Wheels of Fate: The Story of Pelops and Hippodameia.

If you are interested in learning more about the ancient Olympic Games, you can check out The World of Heart of Fire blog series in which we look at all of the foundation myths of the ancient Olympics (yes, there are more than one!), the original athletic events, the archeology of ancient Olympia and more. You can also join me on a video tour of the archaeological site! You can read that series of blog posts for free by CLICKING HERE.

Lastly, if you haven’t checked out any of the titles in the Mythologia series, you can get the first three in the Mythologia: First Omnibus Edition HERE or directly from Eagles and Dragons Publishing.

Thank you for reading.

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The World of Heart of Fire – Part X – A Novel of the Ancient Olympics

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This is the final post in The World of Heart of Fire blog series.

I sincerely hope you have enjoyed it.

Writing Heart of Fire has been a tremendous journey into the world of Ancient Greece. Yes, I am an historian and I already knew much of the material, but I still learned a great deal.

The intense, and in-depth, research, some of which you have read about in this ten-part blog series, made me excited to get stuck in every day. A lot of people, after an intensive struggle to write a paper or book, are fed up with their subject afterward, but that is not the case for me.

In writing this story, and meeting the historical characters of Kyniska, Xenophon, Agesilaus, and Plato, in closely studying their world, I have fallen even more in love with the ancient world. I developed an even deeper appreciation of it than I had before.

Altis sunlight

In creating the character of Stefanos of Argos, and watching him develop of his own accord as the story progressed (yes, that does happen!), I felt that I was able to understand the nuances of Ancient Greece, and to feel a deeper connection to the past that goes beyond the cerebral or academic.

I’ve come to realized that in some ways we are very different from the ancient Greeks. However, it seems to me that there are more ways in which we have a lot in common.

Sport and the ancient Olympics are the perfect example of this.

We all toil at something, every day of our lives. Few of us achieve glory in our chosen pursuits, but those who do, those who dedicate themselves to a skill, who sacrifice everything else in order to reach such heights of glory, it is they who are set apart.

Athens 2004 runners 2

Hoplite runners

In writing, and finishing, Heart of Fire, I certainly feel that I have toiled as hard as I could in this endeavour. My ponos has indeed been great.

There is another Ancient Greek idea that applies here, that comes after the great effort that effects victory. It is called Mochthos.

Mochthos is the ancient word for ‘relief from exertion’.

Athens 2004 - Mochthos

Athens 2004 – Mochthos

My moment of mochthos will come when I return soon to ancient Olympia. I have been there many times before, but this time will be different, for I will see it in a new light – the stadium, the ruins of the palaestra and gymnasium, the Altis, and the temples of Zeus and Hera… all of it.

For me, Olympia has exploded with life.

When I next walk the sacred grounds of the Altis, I’ll be thinking about the Olympians who competed this summer and in the years to come.

They deserve our thoughts, for to reach the heights of prowess that they do to get to the Games, they have indeed sacrificed.

Athens 2004

Athens 2004

I always feel a thrill when I see modern Olympians on the podium, see them experience the fruit of their toils, their many sacrifices.

It is possible that they may have been shunned by loved ones or friends for their intense dedication and focus. It can be a supremely lonely experience to pursue your dreams.

Whatever their situation, Olympic competitors deserve our respect, and just as in Ancient Greece, their country of origin should matter little to us.

Yes, we count the medals for our respective countries, but what really matters is that each man and woman at the Games has likely been to hell and back to get there.

Athens 2004 proud winner

Athens 2004 proud winner

When I see the victors on the podium, when I witness the agony and the ecstasy of Olympic competition, I can honestly say that I have tears in my eyes.

Perhaps you do too? Perhaps the ancient Greeks did as well, for in each individual victor, they knew they were witnessing the Gods’ grace.

It’s been so for thousands of years, and it all started with a single footrace.

It is humbling and inspiring to think about.

Heart of Fire – A Novel of the Ancient Olympics is out now, and I hope that I have done justice to the ancient Games and the athletes whose images graced the Altis in ages past.

Heart of Fire

A Mercenary… A Spartan Princess… And Olympic Glory…

When Stefanos, an Argive mercenary, returns home from the wars raging across the Greek world, his life’s path is changed by his dying father’s last wish – that he win in the Olympic Games.

As Stefanos sets out on a road to redemption to atone for the life of violence he has led, his life is turned upside down by Kyniska, a Spartan princess destined to make Olympic history.

In a world of prejudice and hate, can the two lovers from enemy city-states gain the Gods’ favour and claim Olympic immortality? Or are they destined for humiliation and defeat?

Remember… There can be no victory without sacrifice.

Krypte

Be sure to keep an eye out for some short videos I will be shooting at ancient Olympia in the places where Heart of Fire takes place. I’m excited to share this wonderful story with you!

Thank you for reading, and whatever your own noble toils, may the Gods smile on you!

 

 If you missed any of the posts on the ancient Olympic Games, CLICK HERE to read the full, ten-part blog series of The World of Heart of Fire!

 

If Heart of Fire – A Novel of the Ancient Olympics sounds like a story you enjoy, you can download the e-book or get the paperback from Amazon, Kobo, Create Space and Apple iBooks/iTunes. Just CLICK HERE.

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The World of Heart of Fire – Part VII – From Legend to Life: Chariot Racing in the Ancient Olympics

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In this seventh post of The World of Heart of Fire, we are going back to the legend of Pelops and Hippodameia, to a time of gods and heroes.

In the previous post, we looked at boxing in the ancient Olympics and how it differed from today.

In this post we are going to explore the sport of ancient chariot racing, an event that is central to the story of Heart of Fire.

Pelops and Hippodameia racing

Pelops and Hippodameia racing

The foundation myth of the Olympic Games as it relates to Pelops involves the latter’s chariot race from Olympia to Argos, for the hand of Hippodameia in marriage.

Hippodameia’s father, Oinomaus, was apparenlty quite brutal, and every suitor who came for his daughter’s hand in marriage had to try and beat him in a chariot race across what became known as the Peloponnese, or, the ‘Isle of Pelops’.

Eighteen suitors had raced Oinomaus and been killed by him before Pelops laid down his challenge.

According to the legend, Pelops was trained by Poseidon himself about horses, and given a team of swift-footed horses by the god so that he could succeed in beating Oinomaus.

In order to ensure that Oinomaus did not win, Hippodameia also convinced her father’s man, Myrtilus, to replace the wheel pins with wax ones so that Oinomaus’ chariot would crash.

Figure of Mytilus on East Pediment of Temple of Zeus - See him kneeling to switch the pins of Oinomaus' chariot wheel?

Figure of Mytilus on East Pediment of Temple of Zeus – See him kneeling to switch the pins of Oinomaus’ chariot wheel?

The Theban, epinikion poet, Pindar, describes the contest:

Then he [Pelops] said unto him: ‘Lo now, O Poseidon, if the kind gifts of the Cyprian goddess are anywise pleasant in thine eyes, restrain Oinomaus’ bronze spear, and send me unto Elis upon a chariot exceeding swift, and give the victory to my hands. Thirteen lovers already hath Oinomaus slain, and still delayeth to give his daughter in marriage. Now a great peril allopath not of a coward: and forasmuch as men must die, wherefore should one sit vainly in the dark through a dull and nameless age, and without lot in noble deeds? Not so, but I will dare this strife… (Pindar, Olympian Ode 1)

After Pelops’ victory, it was said that he began the Olympic Games in thanks to Zeus for his win. Another theory is that the Olympics were begun by Pelops as funeral games for the deceased Oinomaus who died in the race, or for Myrtilus, whom Pelops had killed.

Whatever the ‘truth’ about these Olympic beginnings, one thing is certain – Chariot racing and horses had a deep connection to the Games.

As far as we know, the very first event of the Olympic Games was the stade race sprint. As mentioned before, boxing became a part of the Olympic roster in the fourteenth Olympiad.

So when did chariot racing become a part of the Games?

It is generally agreed that chariot racing first made an appearance in the ancient Olympics during the twenty-fifth Olympiad in the year 680 B.C., almost three hundred years before Heart of Fire takes place.

Olympic Chariot Race - The Most Popular Event of the Games

Olympic Chariot Race – The Most Popular Event of the Games

In the ancient Olympics, there were two types of chariot race that took place in the hippodrome of Olympia – the synoris (two-horse chariot race), and the tethrippon (the four-horse chariot race).

In Heart of Fire, we are concerned with the tethrippon race, which was the marquee event of the ancient games.

However, this was not like the chariot racing you’ve seen in the movies. Forget about Ben Hur, and the massive chariots that were pulled around the track in that classic movie.

The Chariot Race scene from the movie Ben Hur

The Chariot Race scene from the movie Ben Hur

Ancient Olympic chariots were meant for speed. They were basically a small platform on wheels, with a skinny rail, and yoked to the horse team of two or four.

Ancient chariots were small, light, and fast, and driving them required a lot of skill. It wasn’t just about controlling the horses. A charioteer had to know his team well, to determine their strengths and weaknesses, where they could pull ahead of the pack, and how to keep them out of danger without giving ground.

In ancient chariot racing, the drivers did not compete naked like the rest of the Olympic athletes. Rather, they wore a long, Ionic chiton called a xystis which was belted high with leather straps criss-crossing over the back and chest so as to prevent the garment from ballooning out at speed and slowing the team down.

The Charioteer of Delphi

The Charioteer of Delphi

The hippodrome at Olympia, which lies somewhere at the southeast corner of the sanctuary, was about four stades long (780 meters), and one stade, four plethra wide (320 meters).

When visiting Olympia the stadium seems big, but you can imagine how it would have been dwarfed in size by the hippodrome.

Artist impression of the Olympic Hippodrome and Hyspleges

Artist impression of the Olympic Hippodrome and Hyspleges

Once again, the ancient writer, Pausanias, gives us a description:

When you have passed beyond the stadium, at the point where the umpires sit, is a place set apart for the horse-races, and also the starting-place for the horses. The starting-place is in the shape of the prow of a ship, and its prow is turned towards the course. At the point where the prow adjoins the porch of Agnaptus it broadens and a bronze dolphin on a rod has been made at the very point of the ram.

Each side of the starting-place is more than four hundred feet in length, and in the sides are built stalls. These stalls are assigned by lot to those who enter for the races. Before the chariots or race-horses is stretched a cord as a barrier. An altar of unburnt brick, plastered on the outside, is made at every Festival as near as possible to the center of the prow, and a bronze eagle stands on the altar with his wings stretched out to the fullest extent. The man appointed to start the racing sets in motion the mechanism in the altar, and then the eagle has been made to jump upwards, so as to become visible to the spectators, while the dolphin falls to the ground.

First on either side the barriers are withdrawn by the porch of Agnaptus, and the horses standing thereby run off first. As they run they reach those to whom the second station has been allotted, and then are withdrawn the barriers at the second station. The same thing happens to all the horses in turn, until at the ram of the prow they are all abreast. After this it is left to the charioteers to display their skill and the horses their speed.

(Pausanias, Description of Greece, 6.20)

The hippodrome could accommodate over one-hundred thousand spectators along its embankments, and one can imagine the roar of the crowd combined with the pounding of hooves of twenty to forty chariot teams. It would have been spectacular!

The Hellanodikai, the judges, sat on the West side of the hippodrome, and, as ever, there were sacrifices before the race. As the marquee event of the Games, there was a lot of ceremony around this event.

Once the charioteers brought their teams into the hippodrome, a sacrifice was performed at an altar on the track. Then the teams made a slow circuit of the track so that the spectators could see them and hear their names, and those of their cities, announced.

Olympia map showing hippodrome

Olympia map showing hippodrome

When the introductory circuit was complete, each team lined up in his appointed starting gate, or hysplex, which was overlooked by a statue of Hippodameia high above them.

What is fascinating is that the ancient Greeks had engineered the starting gates (hyspleges) so that each team shot off the line at the same time, but in order to do this, they staggered the positions so that the teams at the rear were released first and all reached the lead team just as their rope dropped. This was a great piece of ancient ingenuity!

The Olympic starting gates, or 'hyspleges'

The Olympic starting gates, or ‘hyspleges’

The Tethrippon, or the four-horse race, involved twelve laps of the massive course. The deadliest parts of the hippodrome course were the nyssa, the turns where so many accidents tended to happen.

One of the turns in particular at Olympia was especially dangerous because it was said to be haunted by an evil spirit, some say the wicked shade of Oinomaus, the cruel father of Hippodameia who had killed so many of her suitors. This turn was called the Taraxippos, which literally means ‘horse-frightener’.

The race-course has one side longer than the other, and on the longer side, which is a bank, there stands, at the passage through the bank, Taraxippus, the terror of the horses. It has the shape of a round altar, and as they run along the horses are seized, as soon as they reach this point, by a great fear without any apparent reason. The fear leads to disorder; the chariots generally crash and the charioteers are injured.

(Pausanias, Description of Greece 6.20)

After each lap of the course, one of twelve suspended bronze dolphins tipped over or dropped to indicate the completion of that lap, allowing the drivers and the spectators to see where they were in the race.

Olympia's Hippodrome shown in supposed location

Olympia’s Hippodrome shown in supposed location

The climactic scene of Heart of Fire, and one of the most fun and challenging for me to write, was the chariot race of the 396 B.C. Olympiad.

This was a games that went down in Olympic, and Ancient Greek, history.

In the next post, we’ll find out why the 396 B.C. Olympics were so important, and how one person managed to change the face of sport forever.

Thank you for reading!

Now that the 2016 Olympic Games are underway, the very best of luck to all the athletes in their competitions… May Nike smile on you!

Heart of Fire – A Novel of the Ancient Olympics is out in e-book and paperback formats. Grab your copy today!

Heart of Fire

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The World of Heart of Fire – Part IV – Ancient Olympia in 396 B.C.

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The ancient Olympics took place where the rivers Kladeos and Alpheios met, on a lush green plain flanked by ancient hills.

There has been human activity, and worship of the gods here for ages, long before the Olympic Games, but the ancient Olympiad is the reason we know this sort of paradise.

At least that is what it feels like to me when I visit the site. To me, ancient Olympia is a place of peace, a place for thought and feeling where one can still hear the roar of the crowds and the chanting of priests in worship of Zeus, Hera and others.

Ancient Olympia Aerial View

Ancient Olympia Aerial View

The site today is riddled with ruins, with column drums and statue bases surrounded by blooming flowers in spring, and dry grasses in high summer.

However, it is important to remember that ancient Olympia is a living entity. While it has been a sanctuary for ancient traditions from the days of Gods and Titans, it has also been a place of constant change.

One might even say that ancient Olympia was the Greek world in microcosm.

Columns of Palaestra

Columns of Palaestra

When one visits the site today, there are many remains of monuments and structures that were not there for the 396 B.C. Olympiad, when Heart of Fire takes place.

The remains of hostels, the south bath house, the Echo Colonnade running along the entire east side of the Altis, and the Exedra of Herodes Atticus were yet to be built. The area of the great gymnasium of Olympia, the massive square of the Leonidaion and its pool, or the round Tholos built by Philip and Alexander of Macedon, known as the Philippeion, were only thoughts in time.

Many of the monumental remains that we see so clearly today were simply not there in 396 B.C.

At the dawn of the fourth century, however, ancient Olympia was thriving. Though many future structures had yet to come into being, many had already been there for over a hundred years.

It goes without saying that the great stadium and hippodrome of Olympia existed in 396 B.C., as did the Archaic temples of Zeus and Hera in the Altis, the religious heart of the Olympic sanctuary, where much of Heart of Fire takes place.

In writing Heart of Fire, I wanted to make the setting for the story as accurate as possible for the time period, so it was important to weed out the Hellenistic and Roman additions to the sanctuary.

Artist impression of ancient Olympia - many of the buildings in this picture were not there in 396 B.C.

Artist impression of ancient Olympia – many of the buildings in this picture were not there in 396 B.C.

Today, we enter the sanctuary from the North, along the later gymnasium, but in the ancient world, the main entrance to the sanctuary was through the south stoa which faced the line of the Alpheios River.

Behind that was the Bouleuterion, the administrative and ceremonial offices of the Hellanodikai, the official judges of ancient Olympia. It was here that the athletes and coaches took their Olympic oath before a statue of Zeus Horkios (Zeus of Oaths), and sacrificed a wild boar.

All of the religious ceremonies at ancient Olympia were overseen by the Theokoloi, the priests of Olympia, who lived in the Theokoleon, which was located to the West of the Temple of Zeus and the sacred olive grove where crowns were cut. To the northwest of the Theokoleon were the ancient baths and a swimming pool, and to the South of the Theokoleon was the workshop of Pheidias, the sculptor who crafted the chryselephantine statue of Olympian Zeus, one of the Seven Wonders of the ancient world.

Statue of Zeus

Statue of Zeus

Today, the remains of Pheidias’ workshop are well-intact. Beside this workshop was the house of the Phaidryntai, those whose sacred duty it was to maintain the statue of Zeus built by Pheidias.

The Altis was the inner sanctuary of ancient Olympia, the sacred heart of the place where the Temple of Zeus rose out of the ground, the pediments illustrating the race of Pelops and Oinomaus, and a battle between the Lapiths and Centaurs overseen by Apollo, the first legendary victor in the Games.

Pediments of the Temple of Zeus at Olympia

Pediments of the Temple of Zeus at Olympia

Located between the remains of the temples of Zeus and Hera was the Pelopion, the burial mound of the hero Pelops, which stood beside the Great Altar of Zeus, a cone-shaped mound that was built up over time with the bones and ashes of ages of offerings to the King of the Gods.

Illustration showing temple and great altar of Zeus

Illustration showing temple and great altar of Zeus

Overlooking the Altis was the Hill of Kronos, and at its base stood the treasuries of various city-states, structures shaped like small temples where offerings were made by those cities, and where citizens of those cities could stay or gather. Before these were the Zanes. These were the statues of Zeus made from fines levied upon those who committed sacrilege and broke the rules of Olympia.

At the northwest corner of the Altis was the Prytaneion. This was the place where the eternal Olympic flame burned at the altar of the Goddess Hestia, and where banquets were given to honour Olympic victors.

Olympia map my markings - the circles indicate structures that were there in 396 B.C.

Olympia map my markings – the circles indicate structures that were there in 396 B.C.

As you can see, in 396 B.C. there were many buildings at ancient Olympia. The Altis would have been packed with epinikion statuary, bronze statues erected by Olympic victors as was their right, as well as sixty-nine altars where priests, attendees, and competitors honoured the gods.

After the temples of Zeus and Hera, which now dominate the Altis, most visitors today are drawn to the stadium which stretches out like a sleeping giant on the northeast side.

At one point in time, the vault of the Krypte, the tunnel leading to the stadium, was roofed, similarly so at Nemea. But in 396 B.C. there was no roof over the Krypte.

The Krypte which leads into the stadium

The Krypte which leads into the stadium

The length of an ancient Greek stade, the measurement that gives us the word ‘stadium’, was about two hundred meters. So, the stade race, the original Olympic sprint, was the two hundred meters.

When you step out of the Krypte and onto the dirt of the stadium, it’s quite awe-inspiring to stare down to the other end from the stone starting line which is still there. Through the heat haze you can just see the far end, and on either side the embankments, where over 40,000 Greeks watched the Olympiad, provide a smooth outline. In the middle of the embankment is the area where the Hellanodikai sat, as well as a spot of the Priestess of Demeter Chamayne, the only woman permitted to watch the Games.

It is easy to be tricked into thinking the scene in this serene setting was similar to what it was like in 396 B.C. But nothing could be further from the truth.

It would have been extremely noisy, and smelly with the stink of man-sweat everywhere. One might liken it to a football match today with the various city-state factions being seated together in different sections of the stadium.

Despite a reverence for the gods that most would have shared at Olympia, the Mastigophoroi, the whip-bearing police force of Olympia, must have been busy, especially during the games of 396 B.C. when everyone was still licking their wounds and nursing their bitterness after the Peloponnesian War.

Olympia's Hippodrome

Olympia’s Hippodrome

The Tethrippon, the great four-horse chariot race, is central to the story of Heart of Fire, and this event, as well as the two-horse chariot race, the Synoris, would have taken place in the hippodrome of Olympia.

The hippodrome of Olympia, one of the largest in ancient Greece, was located at the southeast corner of the Olympic sanctuary, along the banks of the Alpheios River. Sadly, the remains of the hippodrome have not been excavated, and a large portion of it has apparently been swept away by the river.

Odd to think of considering that this was a venue for one of the main events of the Olympics, with space for over a hundred thousand spectators. When you gaze across the field in the direction of the hippodrome today, you will not hear the thunder of hooves of the cries of thousands of Greeks, but rather the constant whirr of cicadas, and the flutter of songbirds’ wings among the dry grass. For me, as an author, it was a lot of fun to write about the chariot event of the Olympiad of 396 B.C., an event that made Olympic history.

I hope to be posting short videos giving a tour of the sanctuary of ancient Olympia, and the sites that play a role in Heart of Fire, so stay tuned for those.

In the meantime, CLICK HERE to see a fantastic drone video of the sanctuary at ancient Olympia.

The next post in The World of Heart of Fire blog series will look at religion in the Olympic Games.

Thank you for reading!

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The World of Heart of Fire – Part II – 776 B.C. – The Historical Beginnings of the Olympic Games

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In the last post we looked at the mythological origins of the Olympic Games.

In part two, we are going to take a brief look at the Olympic Games as history remembers them, but that too is a hazy undertaking.

Most historians agree that the first recorded Olympic Games took place in 776 B.C. and ran for almost twelve centuries until they were banished as a pagan practice by the Christian, Roman emperor, Theodosius I in c. A.D. 394.

When the games began in the eighth century, the city-states of Greece were on the rise, and so it was inevitable that politics would enter into the Games early on. Olympia was actually fought over, and an example of this was the ongoing argument between Elis and Pisa, an argument in which Sparta eventually became involved.

Control of Olympia passed back and forth between Elis and Pisa, but the Eleans eventually won out. Nevertheless, the Olympic Games were a place where city-states met and declared their strength, their grievances, and their alliances.

Artist impression of Ancient Olympia

Artist impression of Ancient Olympia

Despite the occasional rancour and politicizing of the Games, the Olympiad remained a sincere religious ritual overseen by the Gods themselves and in honour of Olympian Zeus.

There were other ‘crown games’, as they were known. These included the Pythian Games in honour of Apollo at Delphi, the Nemean Games in at Nemea, and the Isthmian Games in honour of Poseidon at ancient Isthmia, near Corinth.

Many men competed in all of the crown games, but the Olympiad was the greatest and most revered of these games. A victory there made a man all but immortal.

Modern IOC symbol for Olympic Truce - the tradition continues!

Modern IOC symbol for Olympic Truce – the tradition continues!

When the Olympic Games were declared, the entire Greek world was supposed to come to a standstill during a peace known as the Sacred Truce, or Ekecheiria, which means a ‘laying down of arms.’

To violate the peace of the Sacred or Olympic Truce, was to dishonour the Gods and risk their anger.

This would have been difficult during a time such as the Peloponnesian War when the city states were at each other’s throats and tearing their world apart. It is no surprise that Olympic competition could turn deadly, but more on that later.

Greek hoplite battle

Greek hoplite battle

Only freeborn, Greek men were permitted to compete in the Olympiad, and at first, it was mainly men from the Peloponnese, as evidenced by the high number of Arkadians on the early victor lists.

Women, as mentioned in the previous post, were only permitted within the sanctuary during the Games of Hera, the Heraia, the first officially recorded one of which took place in the sixth century B.C.

The banishment of women from the Games, it is said, began around 720 B.C. when men began to compete in the nude rather than loin cloths.

Initially, the Olympic Games took place over a single day, and the only event was the stade race. This was a sprint of about 200 meters, which was the length of the stadium at Olympia, said to have been measured after the steps of Herakles himself.

So, the original Olympic event was the two-hundred meter sprint!

Ancient greek runners

Ancient greek runners

Over time, as Greek colonies began to spread across the Mediterranean world, and the Games grew in popularity, Greeks from outside of the Peloponnese, much farther afield, began to travel to Olympia to compete. More days, and more events were added to the games until we arrive at the year in which Heart of Fire takes place – 396 B.C.

This was a brutal period in Greece’s history. All of the city states were bitter and reeling from the Peloponnesian War (c. 431-404 B.C.), and they were still having at each other, even in the midst of a supposed peace, called the Peace of Nicias.

Sparta and Athens were at the forefront of the aggressions, as were Thebes, Corinth, Argos and others. The Olympiad of 396 B.C. has certainly been an interesting and complex period to write about. We’ll explore the politics of the period more in the next post.

Greek Colonies of Mediterranean (in blue)

Greek Colonies of Mediterranean (in blue)

By the time of the 396 B.C. Olympiad, the Games were five days long, rather than the original one, and had many more events. Here is the most agreed-upon order of events:

Day 1 – This was the day for the equestrian events, including bareback horse races, the two-horse chariot race, the Synoris, and the marquee event, the Tethrippon, or four-horse chariot race.

Chariot racing in the ancient Olympics

Chariot racing in the ancient Olympics

Day 2 – This was the day for the Pentathlon which was an event that tested the best, all-around, warriors, It included a stade race of 200 meters, standing long jump with the use of weights called halteres, the discus, the javelin or akontismos where throws could soar over 100 meters, and lastly wrestling.

Javelin thrower

Javelin thrower

Day 3 – The third day was reserved for the foot races. By 396 B.C., these included the stade race (200 meters), the diaulos (400 meters), and the dolichos (a long distance race that could be anywhere from 2,400 to 5000 meters). About twenty runners competed at a time, having chosen lots to determine their heat. They stood on the starting line of the stadium and waited until the judge yelled “Apite!”

Runners

Runners

Day 4 – This was the day of the fighting events, and make no mistake, these were brutal. Men died. These included the wrestling, boxing, and the no-holds-barred Pankration.

Pankration

Pankration

Day 5 – The last event of the ancient Olympics is one that has faded away into the pages of history, but which has its origin, some believe, in the foundation myth of Daktylos Herakles, mentioned before, and the armoured Daktyloi who were charged with protecting the baby Zeus on Mt. Ida in Crete in the age of Kronos. This final event was a hoplite race, a sprint for men dressed in full hoplite armour and each running with one the twenty sacred shields that were stored in the Temple of Hera at Olympia. This was known as the Hoplitodromos, and in Heart of Fire, we get to experience this unique and almost forgotten Olympic event.

The Hoplite Race

The Hoplite Race

So, there you have it! Those are the events of the ancient Olympic Games. Much has changed, though it is fantastic to think that some of the Olympic events we have today started so very long ago.

But sport was only a part of the ancient Olympics. It’s important to remember that overall, this was a major religious ritual that commanded respect from all Greeks, despite the politics of the day.

In Part III of The World of Heart of Fire, we are going to look at the importance of athletics in Ancient Greece and delve a bit more into the political atmosphere of the year 396 B.C.

Thank you for reading, and see you next week.

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The World of Heart of Fire – Part I – Ancient Origins: The Mythological Beginnings of the Olympic Games

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Greetings readers and history-lovers!

I’m pleased to welcome you to the very first post in this new blog series about the ancient Olympics and Eagles and Dragons Publishing’s newest book, Heart of Fire – A Novel of the Ancient Olympics.

Over the next ten weeks or so, we will be looking at all aspects of the Olympic Games from their foundation and religious ceremonies, to ancient athletics, individual sports, and the actual site of ancient Olympia as it relates to the Olympiad of 396 B.C. when Heart of Fire takes place.

In this first post, we are looking at the mythological beginnings of the Olympic Games as given in three traditions.

Battle between the Gods and the Titans

Battle between the Gods and the Titans

There are three myths related to the foundation of the Olympic Games, and the first begins with the war between the Gods and the Titans.

Ancient Olympia is dominated by an ancient hill known as the Hill of Kronos. Now, Kronos, a Titan, as we know, was the father of Zeus who, along with his siblings, waged war on Kronos and the Titans.

One of the legends associated with Olympia is that it was where Zeus wrestled with, and defeated, his titanic father. Some believe the games were established to commemorate that victory, and that the site at the base of the Hill of Kronos was where Zeus himself wrestled and defeated Kronos.

Hill of Kronos overlooking sanctuary of Olympia

Hill of Kronos overlooking sanctuary of Olympia

Another tradition around the Olympic Games is that they were founded by Herakles in thanks to his father, Zeus, for granting him victory in war.

The great epinikion poet, Pindar, speaks of this in his Olympian Ode #10:

With the help of a god, one man can sharpen another who is born for excellence, and encourage him to tremendous achievement. Without toil only a few have attained joy, a light of life above all labors. The laws of Zeus urge me to sing of that extraordinary contest-place which Heracles founded by the ancient tomb of Pelops with its six altars, after he killed Cteatus, the flawless son of Poseidon and Eurytus too, with a will to exact from the unwilling Augeas, strong and violent, the wages for his menial labor…

…But the brave son of Zeus gathered the entire army and all the spoils together in Pisa and measured out a sacred precinct for his supreme father. He enclosed the Altis all around and marked it off in the open, and he made the encircling area a resting-place for feasting, honoring the stream of the Alpheus along with the twelve ruling gods. And he called it the Hill of Cronus; it had been nameless before, while Oenomaus was king, and it was covered with wet snow. But in this rite of first birth the Fates stood close by, and the one who alone puts genuine truth to the test, Time. Time moved forward and told the clear and precise story, how Heracles divided the gifts of war and sacrificed the finest of them, and how he established the four years’ festival with the first Olympic Games and its victories.

We will hear more about the Theban poet, Pindar, later throughout this blog series. For now, this small part of the ode mentions several things we should note. There is reference to Pelops whose tumulus was located in the middle of the Olympic sanctuary and whose story is big part of Heart of Fire.

Pindar also references one of Herakles’ labours which was to clean out the stables of King Augeas. More importantly, Pindar paints us a picture of the Olympic sanctuary and the Altis, which was marked out by Herakles as a place for rest and feasting at the base of the Hill of Kronos, and where every four years the Olympic festival was held.

At the first Olympics begun by Herakles, it is said that the gods themselves competed, with Apollo defeating Hermes in a foot race, and also defeating Ares, the God of War, in boxing.

The God Hermes running

The God Hermes running

But there is another tradition about Herakles…a different Herakles.

There were two Herakles?

Apparently so. The second was not the son of Zeus and Alcmene. He was known as Daktylos Herakles and it seems that the tradition around this second Herakles could be even older.

In the age of Kronos, when Zeus was a baby, Kronos was devouring his children (that’s a whole other story!). To keep the baby Zeus safe, his mother Rhea gave her son into the care of five Daktyloi, daimones whose duty it was to protect Zeus in a cave on Mt. Ida in Crete. To drown out the cries of the baby, the danced wildly and clashed their spears and shields together so that Kronos would not find Zeus.

Supposely, Daktylos Herakles was the leader of the five Daktyloi, who established the Olympic Games in the age of Kronos (Cronus). One of the oldest Olympic events, as we shall see in a later post, was the hoplite race in armour, and this aligns with the use of spears and shields by the five Daktyloi who were often pictured as armoured youths.

Baby Zeus and Idaean Daktyloi dancing and making noise to protect the infant Zeus

Baby Zeus and Idaean Daktyloi dancing and making noise to protect the infant Zeus

Pausanias, in his Description of Greece, touches on the Daktyloi here:

As for the Olympic Games, the most learned antiquarians of Elis say that Kronos was the first king of heaven, and that in his honour a temple was built in Olympia by the man of that age, who were named the Golden Race. When Zeus was born, Rhea entrusted the guardianship of her son to the Daktyloi of Ida, who are the same as those called Kouretes (Curetes). They came from Kretan (Cretan) Ida–Herakles (Heracles), Paionaios (Paeonaeus), Epimedes, Iasios and Idas. Herakles being the eldest, matched his brothers, as a game, in a running-race, and crowned the winner with a branch of wild olive, of which they had such a copious supply that they slept on heaps of its leaves while still green. It is said to have been introduced into Greece by Herakles from the land of the Hyperboreans, men living beyond the home of Boreas . . . Herakles of Ida, therefore, has the reputation of being the first to have held, on the occasion I mentioned, the games, and to have called them Oympiakos (the Olympics). So he established the custom of holding them every fifth year, because he and his brothers were five in number.

Now some say that Zeus wrestled here with Kronos himself for the throne, while others say that he held the games in honour of his victory over Kronos. The record of victors include Apollon, who outran Hermes and beat Ares at boxing . . .

(Pausanias, Description of Greece 5. 7. 6 – 10)

Over time, the association of Daktylos Herakles with the Games became merged with the more famous Herakles, the son of Zeus and Alcmene, whose Twelve Labours were illustrated on the frieze of the Temple of Zeus at Olympia.

Herakles

Herakles

So much for Daktylos Herakles.

There is a final myth associated with the foundation of the Olympic Games, and that is the legendary chariot race between Oinomaus, son of Ares, king of Pisa and father of Hippodameia, and the hero, Pelops, after whom the Peloponnese is named.

King Oinomaus was supposedly a cruel ‘wine-loving’ man and father who continuously slew all the suitors for his daughter Hippodameia’s hand in a chariot race from Olympia to Argos.

When Pelops, a prince from Lydia arrived to take up the challenge with the aid of some divine horses given him by Poseidon, Oinomaus’ reign of terror came to an end, and Pelops and Hippodameia were married.

Pelops and Hippodameia

Pelops and Hippodameia

Now I have really simplified the story here because we will look at it more closely in a later post. However, this particular foundation myth points to the Games as an event to commemorate Pelops’ victory.

In tandem with the Olympic Games, said to be established by Pelops in this instance, Hippodameia was said to have established the Games of Hera, the Heraia, in thanks to the goddess for granting the victory as well. You can read more about the Heraia HERE.

The chariot race was the marquee event at the Olympic Games, and central to the story of Heart of Fire, as is the tale of Pelops and Hippodameia.

There was much testament to this particular foundation myth around the Altis of Olympia as well. One of the pediments from the temple of Zeus shows Oinomaus and Pelops with their chariots, on either side of Zeus, getting ready to race.

East pediment of the temple of Zeus at Olympia showing Zeus between Oinomaus and Pelops, just before their race

East pediment of the temple of Zeus at Olympia showing Zeus between Oinomaus and Pelops, just before their race

Also, in the hippodrome, the chariot racing track of Olympia, a statue of Hippodameia overlooked the track, one of the turns called the Taraxippos, was said to be haunted by the angry ghost of Oinomaus, and one of the posts in the turns was said to be made from a beam from Oinomaus’ burnt house.

In the middle of the Altis there was also the Pelopion, the burial mound of Pelops which became a shrine to the hero who would become the father of Atreus, and grandfather of Agamemnon and Menelaus, those well-known kings of Mycenae and Sparta.

I know this is a lot of information to take in, but it just goes to show the complexity and richness of the traditions attached to Olympia and the mythological foundation of the Olympic Games.

As we explore this ancient event, we will be travelling through a world where myth, religion, history and sport are all melded together to give us one of the greatest legacies passed down to us from Ancient Greece.

I hope you will join me next week for Part II of The World of Heart of Fire.

Thank you for reading.

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Heraia – The Games of the Goddess Hera

Runners in Heraia

When history-lovers hear the name of Olympia, the first thing that comes to mind is the Olympic Games. As the birthplace of the Games, the sacred sanctuary near the confluence of the Alpheios and Kladeos rivers holds a special place in our hearts.

Olympia is a place of legend.

I’ve just finished another draft of my upcoming book, Heart of Fire: A Novel of the Ancient Olympics, and so, I’m currently immersed in the ancient Olympiad and the legends that surround its origins.

My mind is a maelstrom of chariot races, boxing, running, religious ceremony, and cries of victory and defeat – and I love it!

Recently, the Olympic flame was lit once more at ancient Olympia before the lovely ruins of the temple of Hera.

The 2016 torch-lighting ceremony at ancient Olympia

The 2016 torch-lighting ceremony at ancient Olympia

In the coming months, men and women who have struggled for years to perfect their abilities so that they peak at the right moment, will compete in this ancient tradition.

However, things were different in the original Olympiad. The ancient Olympics were closed to women as competitors and spectators, except when it came to the owning and training of horse teams.

Chariot racing in the ancient Olympics - the one sport in which women could participate as owners and trainers of horses

Chariot racing in the ancient Olympics – the one sport in which women could participate as owners and trainers of horses

During the Olympic Games women were not allowed to set foot within the sanctuary to watch their teams compete. An exception to this was the priestess of Demeter Chamayne, who had her own seat of honour at the Games.

However, there was a time when women were permitted within the sanctuary at Olympia, as competitors and spectators.

In the sanctuary of Olympia, not far from the Temple of Zeus, there stands the Temple of Hera, Queen of the Gods and also the goddess to whom another ancient competition was dedicated: The Heraean Games.

The ancient Heraean Games, or the Heraia, were the first official games for women’s athletic competition to be held in the stadium at Olympia. Here is Pausanias’ description of the Heraia, from his perspective in the second century A.D.:

Every fourth year there is woven for Hera a robe by the Sixteen women, and the same also hold games called Heraea. The games consist of foot-races for maidens. These are not all of the same age. The first to run are the youngest; after them come the next in age, and the last to run are the oldest of the maidens. They run in the following way:

 their hair hangs down, a tunic reaches to a little above the knee, and they bare the right shoulder as far as the breast. These too have the Olympic stadium reserved for their games, but the course of the stadium is shortened for them by about one-sixth of its length. To the winning maidens they give crowns of olive and a portion of the cow sacrificed to Hera. They may also dedicate statues with their names inscribed upon them. Those who administer to the Sixteen are, like the presidents of the games, married women.

 The games of the maidens too are traced back to ancient times; they say that, out of gratitude to Hera for her marriage with Pelops, Hippodameia assembled the Sixteen Women, and with them inaugurated the Heraea.

(Pausanias, Description of Greece 5.16 2-4)

The Heraia were certainly a religious ritual, and the foundation myth indicates that the event was originally a ritual of thanks to the goddess Hera.

The Temple of Hera at ancient Olympia

The Temple of Hera at ancient Olympia

This myth is central to Heart of Fire’s story, but I will post more about that in the coming weeks. The short of it is that Pelops (after whom the Peloponnese is named) was victorious in a legendary chariot race against Hippodameia’s cruel father, Oinomaus. In thanks to the goddess Hera, Hippodameia held the first Heraia, and the rest is history.

Girls in ancient Greece, with the exception of Spartans, were not encouraged to be athletic. It was frowned upon. But the Heraia continued to gain in popularity and some historians wonder if this was an indication of changing social views and a less restricted life for women. One theory is that this is partly due to the increasing influence of Rome.

In Rome, girls from well-to-do families could participate in men’s festivals. The Capitoline Games in Rome in the second half of the 1st century A.D. included women’s races.

Roman women exercising

Roman women exercising

So, this year as you enjoy the build-up to, and watch, the 2016 Olympic Games in Rio, be sure to remember ancient Olympia, the Heraean Games, and the unsung heroes whom Nike crowned with olive.

Remember the ancient female athletes who were the forerunners of modern female Olympians. They likely would have been awed by what they had begun.

Women's 1500 meter runners in Athens 2004

Women’s 1500 meter runners in Athens 2004 (Getty Images)

Heart of Fire will be coming in late June, if the Gods smile on it, but before the release, I’ll begin posting a ten-blog series on the ancient Olympics.

See you in the stadium!

Thank you for reading.

 

If you are interested, below is the full video of the 2016 Olympic torch lighting ceremony which took place last week at ancient Olympia, outside the temple of Hera.

 

https://www.youtube.com/watch?v=_08vOWJMT0Y

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