Guest Post: Discovering The Queen of Warriors with author, Zenobia Neil

We’ve got something special for you this week on Writing the Past!

Eagles and Dragons Publishing is thrilled to welcome back historical fiction author, Zenobia Neil, to talk about her latest epic, The Queen of Warriors.

Some of you may remember Zenobia from her previous post here, ‘Love is a Monster’, about the Cupid and Psyche myth and her novel, Psyche Unbound. If you missed that, you can check it out HERE.

In her newest novel, Zenobia takes us into the Hellenistic world for an amazing, epic journey. We’ve read this book, and it’s fantastic.

So, without further ado, let Zenobia take you into the world of The Queen of Warriors.

Discovering The Queen of Warriors

When I started writing The Queen of Warriors over seven years ago, my characters, a Xena: Warrior Princess type Greek warrior woman and a royal Persian rebel, came to me fully formed. However, I had no idea where and when the story took place. In the beginning, I was content with a kind of Xena fanfiction (without knowing what fanfiction was.) I began writing the story in a pseudo Greco-Roman world. That was fun, but I wanted to write real historical fiction. After re-reading Mary Renault’s The Persian Boy (a novel about Alexander the Great told by his eunuch Persian lover, Bagoas) I decided to set my story in the war-torn remains of Alexander the Great’s Empire.

My first serious research for this book yielded a lot of information about Alexander the Great’s life. I read about the Diadochi, the war of his generals. An early timeline I looked at made it seem that the important events that occurred were the conquests of Alexander, the death of Alexander, the War of Succession and then centuries later, Rome. (Sorry, Parthian Empire.) I wondered what life was like for people living in the former empire of Alexander. Ancient history might be recorded in centuries, but people live in decades, in years and days.

What was this period after the death of Alexander like? Alexander’s generals Lysimachus, Cassander, Ptolemy, and Seleucus divided his empire and fought with each other, while struggling to maintain their claims to rule at all. What would this have been like for Persians and Egyptians at this time? Ptolemy was able to condense his power in Egypt, a fairly easy transition compared to the other generals. His line lasted for generations and ended with Cleopatra. But Seleucus attempted to keep the lands Alexander had conquered in Persia—a vast expanse of diverse countries.

Before Alexander came, the Persian Empire created a vast network of satrapies—local governors who ruled over each local kingdom and sent taxes and intel back to the king. The Persian Empire had provided infrastructure. Alexander the Great had largely continued this practice, and he had brought some perks as well. Those who were his friends prospered; those who fought against him risked being killed, enslaved, or crucified.

But what did Seleucus have to offer? Why would any Persian, Mede, Bactrian, or Babylonian bow to him? Who would fight for him and why? These are the questions I wondered while trying to decide where in the former Persian empire my story would take place.

I had a National Geographic map that showed Alexander’s route, which I stared at every day. I tried to imagine where in this great expanse my story could take place. Eventually, it became clear that the story was set in Rhagae, a city near the Caspian Sea in what is now Tehran. I could clearly picture this fortress, the crenelated walls set against the backdrop of the snowy Elburz Mountains. Even before I knew his name, I knew my character Artaxerxes’s personality. As a Persian royal, he had grown up rich. He had golden armbands decorated with lynxes with ruby eyes. He had also learned to ride and shoot a bow as a child. He had trained for war since childhood, and he held truth and integrity above all else.

Writing the character of Alexandra of Sparta was a bit more of a challenge. Although originally inspired by Xena, Alexandra had her own demons, ones that would not be acceptable for daytime TV.

Zenobia with the statue of Leonidas in Sparta

I needed to know Alexandra’s history and how she became a warrior. When I started brushing up on my ancient Greek history, the most recorded information came from Athens. It seemed impossible for an Athenian woman to learn to fight. I couldn’t help but be intrigued by the idea of Sparta, especially in juxtaposition with Persia. The classical age of Sparta was around 500 BCE. This made me wonder the same thing I did about Alexander’s empire after his death—what happened after?

There’s a tendency to think of Sparta as frozen in time, in the height of her power, with Leonidas as one of her two kings and every Spartan citizen a muscular warrior (Thanks, 300!). But that was just one period of time. History is many things, but it is always dynamic. We remember the highlights, but that doesn’t make up the time period of people’s everyday lives.

So what happened to Sparta? After the battle of Leuctra in 371 BCE, they lost their slave population, and with it their power. When he came to power, Alexander the Great forced them to join the League of Corinth. Later, some Spartans, like other Greeks, were offered land in Alexander’s former empire to help the Hellenistic culture continue. This, was how my main character, Alexandra and her friend Nicandor, the Little Red Fox came from Sparta to Asia Minor.

Sparta continued as a polis, though she lost her status as a major fighting force. Decades later when Sparta, like all of Greece and much of the ancient world was a part of the Roman Empire, Sparta became a tourist destination. Wealthy Romans came to watch a famous coming of age ceremony where boys were whipped at the temple of Artemis Orthia. What had once been a real rite of passage became a symbol of entertainment, and Sparta herself became a symbol of a classical strength that had once existed and then become nothing more than an idea of bravery and power.

The world of Sparta

This idea of Spartan hype stayed with me. Even if Sparta didn’t have the power it once did, being a Spartan carried weight and expectations. In The Queen of Warriors, Nicandor, The Little Red Fox, is Alexandra’s general, strategist, and advisor. He helps influence her power by spreading conflicting rumors that she’s an Amazon, a Spartan warrior, the Terror of the East. Being a woman warrior, a woman leader, she knows if she’s ever captured, terrible things will be done to her for daring to venture into a man’s world. So Nicandor makes her into a monster, too cruel to be crossed.

Once I figured out the time and place, I was able to let my characters really come through. I knew Alexandra of Sparta was a cursed warrior woman who wanted to atone for her crimes—I did not initially know what her crimes were—but it’s not hard to imagine a mercenary leader who hasn’t done terrible things. Using the Spartan angle, her advisor the Little Red Fox spreads rumors that she’s ripped out men’s tongues—when he actually finds people who’ve already lost their tongues.

There are no recorded documents of Spartan women warriors, only of the Spartans teaching girls as well as boys. Like any good ancient Greek education, this included physical activities. Unlike Athenian women, Spartan women knew how to manage their lands as well as households since Spartan men were often away. In certain situations, Spartan women could own land.

There have always been women warriors. Queen Tomyris of the Massaegetae, Artemisia I of Caria who fought for Xerxes, and Alexander the Great’s half-sister Cynane grew up in Illyria and was a warrior herself. And there have always been women who entered and competed in roles that were traditionally reserved for men. Readers of Adam Alexander Haviaras’s Heart of Fire will remember Kyniska, the Spartan princess who made Olympic history by winning a chariot race.

We’ve heard stories of women warriors from history, but there are also countless lives that were never recorded or whose positions were changed from leader to wife or concubine, or those whose histories were completely erased.

Alexandra of Sparta is not based on a real known person in history, but that doesn’t mean that someone like her never existed. In addition to learning about the past, imagining what could have been is one of my favorite aspects of writing historical fiction. More and more discoveries are being made showing how women were involved in roles that were traditionally thought of belonging solely to men. I’m delighted my characters came to me and demanded their story be told.

We’d like to thank Zenobia for a fascinating look at the history of this period and for sharing the inspiration behind The Queen of Warriors with us.

If you have any questions for her, please post them in the comments below.

We highly recommend this book, so if you would like to learn more and get a copy, just CLICK HERE.

Be sure to visit Zenobia’s website, and watch the book trailer at the bottom of this post as well.

Thank you, Zenobia!

Historical Fiction Author, Zenobia Neil

Zenobia Neil was named after an ancient warrior queen who fought against the Romans. She writes about the mythic past and Greek and Roman gods having too much fun. The Queen of Warriors is her third book. Visit her at ZenobiaNeil.com

Praise for The Queen of Warriors

“The Queen of Warriors is a full-blooded adventure into the ancient and mythological world of the warrior queen, Alexandra of Sparta.  Imaginative, exciting, and alluring!” – Margaret George, author of Helen of Troy

“A sizzling epic that will tempt you into the Hellenistic age. Neil’s writing is smooth, and anyone would be hard-pressed not to fall in love with her kick-ass heroine, Alexandra of Sparta!” – Adam Alexander Haviaras, Eagles and Dragons Publishing

“Bold, unexpected, and immensely satisfying. The Queen of Warriors is a game changer.”  – Jessica Cale, editor of Dirty, Sexy History

“A surprising tale of retribution but also of redemption. Sexy yet thoughtful . . . unexpectedly moving.”  – L.J. Trafford, author of The Four Emperor Series

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Love is a Monster – A Guest post by Zenobia Neil

Greetings readers and romantics,

Seeing as this is the week of Valentine’s Day, we are going to spice things up a bit with something different.

I’d like to extend a big welcome to my fellow author, Zenobia Neil, who is going to shed some light on the darker side of Love in the ancient world.

This isn’t about red roses and chocolates, though those are quite nice.

As Zenobia will show us, Love can indeed be a monster…

Hale, Edward Matthew; Psyche at the Throne of Venus; Russell-Cotes Art Gallery & Museum; http://www.artuk.org/artworks/psyche-at-the-throne-of-venus-58520

In the modern western world, we tend to think of Cupid as a cherubic angel and that being in love is a wonderful feeling. But in the ancient world, Cupid had a complicated past. Said by some to be one of the oldest gods and by others to be a child of Venus, Eros, who would become the Roman Cupid, was many things. But one thing he was not was romantic.

Like many traditional societies, the Romans arranged marriages to benefit the extended family and make alliances. Only the Romans took it a step further, sometimes forcing couples to get divorced in order to create a better alliance. Falling in love was not seen as a wonderful emotion, but instead a loss of power and control—a terrible thing to happen to a Roman man. Yet, ironically, we get the root of the word romance from the Romans. These ideas intrigued me as I wrote Psyche Unbound, an erotic retelling of the classic story of Cupid and Psyche.

The original tale of Cupid and Psyche was recorded in The Golden Ass by Lucius Apuleius, which is the only existing fully intact Roman novel. The Golden Ass tells an incredible first person story about Lucius, a Roman from Africa who is interested in magic. Attempting to become a bird, he gets turned into an ass, which is only the beginning of his misery. Before he can get turned back into a man, he is taken by robbers. As the robbers’ stolen property, he overhears an old slave woman recount the story of Cupid and Psyche to an abducted virgin to help calm her.

A mythical princess in a city by the sea, Psyche is said to be more beautiful than Venus. If you know anything about the Greek gods, you know this is an unforgivable crime. Psyche herself does not boast of her beauty, yet she is the one to pay the price.

In Ancient Greece and Rome, a girl’s marriage was symbolic of the death of her childhood. She was leaving her father’s home for her husband’s, a man usually much, much older who would have almost complete control of her life.

In my novel, Psyche Unbound, I highlighted this idea by having Psyche be sacrificed to a monster. In the original story, she was taken to a mountain top to be married to a creature “feared by Jupiter.”

Cupid and Psyche flying

Similar to Beauty and the Beast, the mysterious monster Psyche is to be sacrificed to lives in an enchanted palace. Invisible musical instruments play, and invisible servants make and serve delicious meals. Unlike Beauty and the Beast, in my version, Psyche is fed an aphrodisiac of wild hyacinth bulbs soaked in honey. She is then blindfolded and bound to the bed where she awaits the monster.

He comes to her in the dark of night and makes her his wife after she promises to never look at him. He tells her she can’t see him because he’s a monster, but after spending the night with him, she does not really believe him. In the magical palace, in the dark, they get to know each other and fall deeply in love. But, Psyche wonders how she can love him if she cannot know him completely. Like all mortals in myths, she is overcome with curiosity and risks losing it all for just one peek.

I’ll skip the next part of Psyche Unbound and the Psyche myth and say that after being banished from the magical palace, Psyche must face her nemesis—Venus—a goddess who does not believe in mercy. Although we now think of love as a warm, fuzzy feeling, the ancient gods were—to quote the introduction of Xena Warrior Princess—“petty and cruel.”

What better villain is there than the Goddess of Love and Beauty? Although we now celebrate love with ideas of sweetness and kindness, it is also said that people don’t experience real love until their first heartbreak. That pain and fury is the other side of love—the aspect represented by beautiful, fickle Venus.

Psyche looking at Cupid while he sleeps

The story of Cupid and Psyche has many exciting aspects, a Roman princess, a renegade god, a vengeful goddess, and an epic quest. However, the most intriguing idea to me was that Psyche, a lowly albeit beautiful mortal, was the one who knew more about love than either Venus or Cupid. The ancient gods and goddesses did not really understand the things they stood for in that they had often never experienced them.

And this beautiful irony is part of what has always drawn me to Greek myths. For many of the gods, there is an amazing juxtaposition: Diana, Goddess of Childbirth, is an eternal virgin; Juno, Goddess of Marriage, was tricked into marriage by her brother and then watched him be unfaithful for centuries; Hades, King of the Dead, is immortal and in many ways has never even been alive; Apollo, God of Healing, can also cause plagues; Mars, God of War, the perfect companion to Venus, fights but never dies. He knows the rage of war but not the cost of loss. And Venus, the Goddess of Love and Beauty, does not understand what we would think of as true love, and her fickle shallowness is not what many people think of as true beauty. And lastly, Cupid, God of Love, had shot his arrows into many unsuspecting victims without ever falling prey to love himself. Until Psyche. Until a mortal taught him and the gods what it was to find love and helped changed love from a monster into something we now celebrate.

I’d like to thank Zenobia for taking the time to write this great piece for us, and for showing us a different side of Love.

I’m actually reading her book, Psyche Unbound, now, and I have to say that it’s a spicy, wonderfully-written retelling of the Eros and Psyche myth.

If you like a bit of erotica and Greek and Roman mythology, then you have to check out Zenobia’s book.

CLICK HERE to learn more.

Also, be sure to sign-up for her newsletter so that you can be notified when her next book comes out: https://www.zenobianeil.com/

Thank you for reading!

Author, Zenobia Neil

Zenobia Neil was born with a shock of red hair and named after an ancient warrior woman who fought against the Romans. In college, Zenobia studied Ancient Greece, Voodoo, and world mythology. Realizing she needed a job, she got a master’s in teaching English in Monterey, California.

Needing an escape from the unrelenting though joyous nature of motherhood, Zenobia returned to one of her first loves, writing fiction. Having always been interested in Greek and Roman mythology, she became obsessed with reading and writing about the ancient world and began writing Greek god erotica.

Still an English teacher, Zenobia spends her time imagining interesting people and putting them in terrible situations. She lives with her husband, two children, and dog in an overpriced hipster neighborhood of Los Angeles.

 

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