Author: AdamAH
Roaming the Past – Documentaries to Fire Your Passion for History
I don’t know about you, but in this post-holiday time of the year I’m feeling a bit down.
This past week, like many I suspect, I went back to my small square-of-a-cubicle at my day job to get on with ‘regular work’.
That’s always tough, and, despite hitting the weights, yoga, meditation, going to see the new Hobbit movie, and all other manner of uplifting activities, fighting those back-to-work doldrums can make you feel like a lone centurion facing down a Parthian cavalry charge.
But, as ever, there is hope and enlightenment to be found in history.
One thing that I’ve always found is that getting lost in your favourite period of history can wipe out the New Year blues and make you feel like you have some reinforcements at your back.
One way in which I do this is to watch ancient and medieval history documentaries. The combination of knowledge, travel log, archaeological discovery, and ancient innovation always fills a void and reignites my passion for history. And the human stories behind the history never fail to make that Parthian cavalry charge feel smaller and more manageable.
Today I wanted to share with you some of my very favourite documentary series to help temper your own version of cubicle-itis, and get you through the next few weeks as we step into the jaws of Winter (at least in the northern hemisphere).
As with all of these shows, much hangs on the presenter.
Remember, we’re dealing with history here, and most people don’t have very fond memories of their school history classes. Documentaries are dynamic school rooms and it all hangs on the teacher/presenter.
I can’t stand it when a television presenter is overly academic, snooty, blustery, or arrogant. The show should always be about the subject matter, not the host’s ego.
And so, the following shows are on my list not only because of the fascinating topics, but also for the quality of the hosts, their respect and passion for the subject matter.
Michael Wood
For me, Michael Wood has presented some of the most fascinating documentary series since the late 70s. His In Search of series covers everything from the Myths and Heroes, to the Dark Ages, Anglo-Saxon England, and Shakespeare. However, the most fascinating of this series, for me, and for many archaeologists I know, is the six-part In Search of the Trojan War.
Click here for the direct link.
I highly recommend this series. It’s not just about the Trojan War itself, but the Bronze Age in general. You’ll even learn about the Trojans, the Greeks, and the Hittites!
My absolute favourite Michael Wood documentary, however, is his magnificent series entitled In the Footsteps of Alexander the Great.
In this three-part series, we journey with Michael along the entire route taken by Alexander’s army all the way from Macedon and Greece, to Tyre and Egypt, through war zones controlled by the Taliban to the Hindu Kush on into India and back. There are times when Wood was in danger too, but he is intrepid and curious, and you really get a feel for what the journey might have been like, visiting landscapes which few people will ever see in person.
At the time of filming, Wood was unable to visit the battlefield of Gaugamela, but after the second Iraq war, he returned to the area to film a follow-up documentary called Alexander’s Greatest Battle which is also well worth a look.
If you watch any of these videos, and have an interest in Alexander the Great, In the Footsteps of Alexander the Great is the one I recommend you watch. Here is the long trailer for it:
Click here for the direct link.
Bettany Hughes
Next up we have another British historian and broadcaster whose list of documentary credits is just as astounding as Michael Wood’s, perhaps even more varied.
Bettany Hughes has done documentaries on ancient Egypt, Greece, and Rome, and she’s looked at Helen of Troy and Nefertiti, Atlantis, ancient engineering, Democracy, and sex in the ancient world.
She has that passion that is so essential to teaching history, and she doesn’t sugar-coat the past. In fact, she gets down to the nitty-gritty, dirty details, and can tear down with style the romantic images that cloud our view of the past; her documentary Athens: The Dawn of Democracy is one such show.
Bettany seems to have a truly adventurous spirit too, which is great. Just recently she was tweeting out from modern Georgia and the land of Medea and the Golden Fleece where she was shooting for a new show.
My favourite documentary series that I have seen thus far from Bettany is The Spartans. This three-part series provides a fantastic look at the nature of Spartan society, its past glories, and its downfall. You’ll definitely want to see this one!
Click here for the direct link.
Adam Hart Davis
Our next presenter is probably the jolliest character of the group. He is a scientist, a historian, a broadcaster, and much much more. If you look at the range of his work, you’ll see that he covers a wide range of topics besides history.
The reason I’ve put Adam Hard Davis on this list is because his BBC series, What the Romans did for Us, is the most interesting documentary series I’ve ever seen that looks at the practical side of the Roman world.
In this series, Adam shows us numerous inventions and innovations to come out of the Empire. And the cool thing is that these are all things that we still use in some way, shape or form today.
Did you know that a Roman invented the hamburger? Or that the Romans had invented a fire engine? There are all sorts of wonderful surprises in this fantastic series, hosted by a man who loves what he does and has a child-like curiosity and enthusiasm that is truly contagious. You’ve got to watch this!
Click here for the direct link.
John Romer
Our next documentarian is British Egyptologist, historian, and author, John Romer.
He has done several shows on the ancient world, but the one that introduced me to him remains, for me, his very best.
Watching Seven Wonders of the Ancient World is a wonder-full journey to these magnificent sites that have captivated the human imagination for ages.
Romer does not give us the usual academic tour of these ancient tourist attractions. Rather he gets up close and personal with the ruins, the landscape, and the people who lived in those places. He mesmerizes the viewer with his poetic admiration of everything about these places.
In this series, Romer looks at the hidden corners surrounding the Seven Wonders. He’ll admire the grand design and architecture, but also the fine details of a hidden relief that decorates a forgotten piece of history.
Some people might think of Romer as melodramatic, but I think he is more passionate than anything. He loves ancient culture, history, and the people who created these timeless monuments.
https://www.youtube.com/watch?v=oQmIzJwjgEI
Click here for the direct link.
Michael Scott
This next presenter is relatively new to the history documentary scene compared with those I have mentioned above, but when I first saw one of his shows, I knew he would be an ancient history documentarian who would get a whole new generation of students interested in history.
Michael Scott’s style is cool and interested. He is very knowledgeable, and has great passion for the subject matter he is talking about. Definitely not your typical, dry academic!
His most recent series is called Roman Britain from the Air, which began airing last month. I haven’t seen that yet, but I’m looking forward to checking it out.
Most of his documentaries are about ancient Greece, however, and the one that I wanted to mention here is his three-part series Ancient Greece: The Greatest Show on Earth.
This show was a bit of an eye opener for me. Not having studied ancient Greek theatre, it came as something of a surprise that ancient Greek drama was so closely linked to the birth of Democracy, and that it played such an essential, pivotal role in ancient Greek society.
If you want to learn a lot about ancient Greece, in a fascinating and entertaining way, you should definitely watch Michael Scott’s series. After watching this, you’ll want to get yourself on a plane to Greece as soon as you can!
http://youtu.be/xf9cDKqwhQw?list=PLaGnq8H7GaVLH-dDaUlKHpy-JcMqwmI5F
Click here for the direct link.
Richard Harris
Wait! Richard Harris, the actor? Yes.
My last entry here is not an academic or historian, but he sure was an entertainer, and sometimes larger than life.
One of my primary refuges from the madness of the world is the Arthurian realm, and so I could not offer up this list of blues-chasing documentaries without mentioning my favourite Arthurian documentary.
Many of you may have seen Richard Harris in the first couple of Harry Potter movies as Professor Albus Dumbledore. Personally, I liked him as the Emperor Marcus Aurelius in the movie Gladiator, and King Richard the Lionheart in the movie Robin and Marian. Actually, Richard Harris rarely ever disappointed in any of his film roles over the years of his magnificent career, including as King Arthur in the film version of the musical Camelot.
The latter was the reason he was chosen to host this single documentary on Britain’s most famous hero.
Arthur: King of the Britons came out not long before Richard Harris’ death in 2002. This is a wonderful documentary of this myth, history and archaeological discoveries surrounding the person of Arthur.
Rather than seeking to tear down or dismiss the theories about an historical Arthur, this documentary looks at the real possibilities and evidence for the existence of Arthur. This is not about late medieval knights in shining armour.
This documentary is about the search for the person who may have been the historical Arthur, the Romano-British warlord who held off the Saxons for a brief time in the early sixth century A.D.
What I love about this documentary are the visits to Tintagel Castle, and South Cadbury Castle, as well as the digital recreations of these and other sites. It gives a magnificent perspective of them, and the latest research at the time.
If you missed my post on South Cadbury Castle, click HERE to check it out.
As I mentioned in that post, I had been working as an archaeologist on the dig there, which happened to be during the time of the filming of Arthur: King of the Britons!
Unfortunately (well, sort of unfortunately), I was in Greece when the film crew and Richard Harris showed up at the site. So, I missed meeting the great actor himself – and my dig mates made sure to tell me! However, you can see my dig director, Richard Tabor, on the video, which is pretty cool.
Richard Harris is legend, and so what better actor than one who has played Arthur, to present this documentary. He is cool, captivating, and powerful as he tries to unravel the mythical Arthur, and bring us face-to-face with the Arthur of history.
Click here for the direct link.
So there you have it, a selection of magnificent history documentaries, presented by engaging and knowledgeable hosts, to get you through the winter months.
Let us know in the comments if you do watch some, and which ones you enjoy.
Also, if you have any of your favourite documentaries or hosts you would like to share with everyone here, please do tell us in the comments.
Cheers and thank you for reading!
Writing the Past in 2015
Happy New Year to all of you!
Yes, 2015 is here. For an historian especially, I think the passage of time is all the more acute. Maybe that’s because we are a bit more aware of dates and periods in history.
We’ve had a very enjoyable holiday in my house. Lots of food and drink, family and friends, movies, music and of course, reading. The Wassail and mulled wine were especially big hits with the adults! There was definitely a lingering feeling of magic in the air.
However, New Year to me is always a mix of excitement and melancholy. I find it bitter-sweet to let another year go by, but then there is so much more that I want to do, that I look forward to doing, personally and professionally.
For this first post of 2015, I thought I would go over some of the big things I have on my ‘To Write and Publish’ list.
First of all, I’m just about finished the first draft of Thanatos, Carpathian Interlude Part III. This will be the last part of the trilogy and it has definitely taken some unexpected turns, thrusting Gaius Justus Vitalis into realms of darkness and despair.
Secondly, I want to write a prequel novella to the Eagles and Dragons series. This will take readers through Lucius Metellus Anguis’ first years in the Legions and the Parthian campaign in which Emperor Septimius Severus conquered the Parthian Empire and sacked Ctesiphon. It is in this campaign that Lucius comes to the Emperor’s attention and this story will show how Lucius came to be in Alexandria and what led him to be made a tribune in charge of the patrol across Roman North Africa which is where Children of Apollo begins. I’m really looking forward to going back to Lucius’ early, idealistic days.
Third, I’m in the middle of working on the second draft of Warriors of Epona (Eagles and Dragons Book III). This book will be out, I hope, for next summer at the latest. Because I write my first drafts long-hand, I need to type the manuscripts out. This is good for revision but it does slow the process down. So, related to that, I want to try and type directly onto the computer if I can work something out as far as technology. I do most of my writing away from my computer, so, we’ll see how that goes. Writing long-hand, I find, helps me to think and formulate my thoughts as I go. Change is good, however, so here’s to improved processes in 2015!
Fourth, I now have an idea for the second instalment in the Mythologia series. I’m not letting that beast of the bag just yet, suffice it to say it will be full of intrigue and an epic battle that only a great hero can come out of alive. It will not be something you will expect.
Fifth, my research for the tentatively titled ‘Heart of Fire – A story of the Ancient Olympics‘ has begun, but I want to get even more stuck into it. I probably won’t finish writing this book in 2015, but I do want start it. I’ve got a great story idea for this stand-alone novel!
Sixth, after having let it languish for over a year, I’m determined to get back into the Killing a God series about Alexander the Great. With the Amphipolis discovery in Greece over the past several months, the time certainly is ripe for this story. Of course the series is not finished, but I have a few hundred pages which I will probably serialize. This is going to take a good deal of planning, but it will be well-worth the wait as I think I’ve developed a great storyline and take on the Alexander story from a very different point of view.
Seventh, once Warriors of Epona is out, I’m going to jump right into book IV of the Eagles and Dragons series. I’m developing the story more precisely and doing a bit more research, but I do know that it’s going to be a beautiful and intense follow-up to book III.
Those are my writing goals at the moment. I’d be lying if I said I wasn’t daunted by all this work, but in truth my biggest challenge is not writing. After all, I love writing about the past, and it’s always a great joy to me that (Thank the Muses!) comes relatively easily. Time, and my lack thereof, is where I need to strategize. Hopefully 2015 sees an abundance of Roman Legion efficiency for my part.
I’m curious about your own goals for 2015. Do you have any places you would like to travel to this year? What are your reading goals? Do you have your own writing or research goals? Are there any historical films you’re looking forward to this year? Please do share in the comments below!
Whatever you do, or aim to do, I hope that 2015 is a brilliant year for all of us!
I’d like to close this post by saying Thank You to all of you for the e-mails and various other interactions in 2014. I love sharing the past with you all, and look forward to writing more of it.
Cheers and Happy New Year!
Thank you for reading.
Merry Christmas and Happy New Year!
In Insula Avalonia – Camelot: The Fortress of Arthur
At the very south ende of the chirche of South-Cadbyri standith Camallate, sumtyme a famose toun or castelle… The people can tell nothing ther but that they have hard say that Arture much resorted to Camallate. (John Leland, Royal Antiquary, 1532)
Happy Holidays everyone!
Hard to believe we’re at the end of yet another year. How can so much happen in so little time? With time speeding by at such an alarming rate, History is, as ever, my anchor and touchstone.
This will likely be my last post of 2014. When I was trying to think of a suitable topic, it didn’t take me long to decide what better way to get into the holidays than a post about ‘Camelot’.
We haven’t been In Insula Avalonia since the springtime when I spoke about Glastonbury Abbey, and prior to that Gog and Magog, Wearyal Hill and the Holy Thorn, The Chalice Well, and Glastonbury Tor. If you missed those posts, you can read them on the old website. Just click on the names.
For Part VI of In Insula Avalonia, we’re going to look at a site that is just ten miles from Glastonbury itself: South Cadbury Castle.
Now, South Cadbury Castle, like so many of the other places that we have discussed in this blog series, is a site with strong Arthurian associations. As such, its importance and role is hotly debated.
Was South Cadbury Castle the power centre of the historical Romano-British warlord, or dux bellorum, we know as ‘King Arthur’? Was this the actual site of what has come to be known in the popular imagination as ‘Camelot’?
I’ve always been a strong proponent of the theory that there was in fact, an historical ‘Arthur’ who formed the factual basis for all the legends we love and cherish. So, when I look at sites such as South Cadbury, I do so with that in mind. However, that doesn’t mean that I accept a site’s association with Arthur on faith alone.
I know this site pretty well – as I studied it and wrote about it as part of my Master’s dissertation entitled Camelot: Comparing the historical, archaeological, and toponymic evidence for King Arthur’s Capital. As part of this, I looked at three of the main candidates for Camelot that had been put forward at the time – Wroxeter (Roman Viroconium), Roxburgh Castle (in the Scottish Borders), and South Cadbury. There is a copy of the dissertation hidden somewhere in the stacks at the St. Andrews University library in Scotland.
South Cadbury Castle is also where I cut my teeth as an archaeologist as part of the South Cadbury Environs Project team for a couple of seasons under the leadership of Professor Richard Tabor. This was a wonderful experience that helped me to get up close and personal with the site I had studied for so long – I dug test pits, got into bigger trenches in which curious cows came to watch what I was doing, carried out geophysical surveys with a magnetometer, and found some curious objects such as a bronze dolphin that formed the handle of a Roman drinking cup.
Most of all, I was given the chance to spend more time on this amazing, and yes, magical, landscape.
Before I give my thoughts on wandering the slopes of South Cadbury Castle, we should have a look at what it actually is.
South Cadbury Castle is not the late medieval castle with banners flying from tall towers that make up our usual image of Camelot. It is a 500 foot high Iron Age hill fort located in the pre-Roman era lands of the Durotriges. Occupation of the site began in the Neolithic period and it went through various stages of occupation from the 5th century B.C. onward.
By the time of the Roman invasion of Britain, it had four massive defensive ramparts with an inner area of about 18 acres. Access to the top was by two entrances, one to the north-east and the other, larger one to the south-west. The Iron Age occupation of the site came to a violent end around A.D. 43 when Vespasian stormed the southern hill forts of Britannia.
The Romans made little use of the site, though there have been some theories that it was used as a Roman supply station.
In the 3rd and 4th centuries, there was renewed activity with visits being made to a Romano-Celtic temple that was built on the site. During excavations, a bronze letter ‘A’ was found that some believe belonged to this temple, which was perhaps dedicated to Mars, or some other deity.
However, when it comes to South Cadbury Castle, the period that I am concerned with is the 5th and 6th centuries A.D. This period is known as the ‘Arthurian’ period, and it is at this time, after Rome’s legions have left the island, that the archaeology shows a massive refortification of the hill fort.
Though it is much debated, South Cadbury’s association with the Arthurian period stems not just from hearsay and folklore. It has the archaeological evidence to back it up.
There have been a few big excavations of the hill fort over the years, but the biggest of all took place in the late 1960s and was headed by Professor Leslie Alcock. Professor Alcock and his team discovered evidence for a large scale occupation and refortification of the hill fort, during the Arthurian period, which showed repaired defences, including a strong gatehouse at the south-west entrance, and most importantly, several buildings, including a kitchen and a large timber hall on the fort’s high plateau.
The discovery of post holes reveals a finely-built timber hall that was on a large scale, measuring about 63×34 feet. This hall would not have been the great castle hall of late medieval romance, but rather something like the timber drinking halls of the period, more like to the Golden Hall of Meduseld, the seat of King Theoden in Lord of the Rings.
Another very telling discovery at Cadbury Castle was the large quantity of Mediterranean pottery that dates to the Arthurian period of occupation. This is the same pottery type that was discovered at Tintagel Castle in Cornwall, a site that also has strong Arthurian associations. One might think that shards of pottery from wine, olives and olive oil might be pretty mundane, but they anchor the sites strongly in the period, and also show that someone of importance was associated with the site. Not everyone could afford to import such things through trade.
The refortification of the hill fort during the Arthurian period was on a massive scale, and would have required many resources and men to hold it. South Cadbury castle was, in a way, on the front lines of the British struggle against the invading Saxons, and would have been well-placed to meet the Saxons as they advanced westward.
Based on the refortification, and evidence of the gatehouse that linked the ramparts running over the cobbled road at the south-west corner, this place was likely the base for an army that was large by the standards of the period. It may way have been the site of the court of the dux bellorum, or the historical Arthur.
I am only scratching the surface here, as far as the archaeological finds. At a later date, I will do a more ‘academic’ post on the archaeology of South Cadbury Castle. It truly is a fascinating site that was finally abandoned in the early 11th century when it was being used as a royal mint during the reign of the Saxon king, Aethelred.
Today, South Cadbury Castle is a quiet hill in the midst of the Somerset countryside where it lies just south of the A303 motorway. The levels of its steep ring fortifications are now overgrown with trees and scrub, and cows roam the fields surrounding it.
When you visit, you pull your car into the small car park at the south end of the village of South Cadbury, just east of the hill fort. From the lane, you can’t really tell what you’re looking at. It seems like a steep, forested hill with a path leading up.
This path leads up to the north-east gate of the hill fort, and for me, it was always the gateway to another time, another realm.
It’s difficult to approach this site and reconcile the archaeologist/historian side of me with the romantic. Arthurian lore runs deep in my veins, it has a hold on my psyche since I was very young. The first time I visited the site, I could almost hear the call of clear trumpets and the thumping of horses’ hooves upon the ground as knights returned home from their adventures, their horses brightly caparisoned, their armour shining brightly in the light of the Summer Country.
Of course, I know that is not how it was during the Arthurian period, but this is a place and story that fires the imagination. Cadbury Castle’s associations with Arthur include a hollow hill where he sleeps until he is needed again, the site of ‘Arthur’s Well’, a lane on the slopes where his horse drank when he led the Wild Hunt, and of course the location of Camelot.
To me, however, the idea of South Cadbury as the main fortress of a Romano-British warlord leading a group of skilled cavalry in a last stand against the invading Saxons is no less romantic.
During my subsequent visits, I would ascend the dirt and rock path leading up to the north-east gate and pause with reverence for the history of the place. I would imagine looking ahead, up the slope to the central plateau of the hill fort to the great wooden hall where smoke from the hearth of Arthur’s hall wafted into the sky as he and his warriors discussed the fight for their lives and their Romano-British heritage.
The warriors that manned the ramparts of South Cadbury, who dined in the hall, and who rode out to meet the Saxons have been wrapped in the fabric of myth, as much as the Isle of Avalon not ten miles distant. But they certainly left a mark on the place, on history and folklore.
As I walk the grass-covered ramparts of South Cadbury, watching the crows dive in the winds above the steep slopes, I can’t help but wonder if Arthur, Gawain, Bors, Tristan, Bedwyr, Cai and others walked that same path, a wary eye out for a sign of the enemy that would shatter the peace they had fought so hard for at Mons Badonicus.
Rarely have I felt so at peace and nostalgic as I have when walking around this hill fort. I can still smell the damp grass and fell the sun on my face. In my mind, I still watch the puffs of white cloud blowing over the Somerset landscape as I pause to gaze to the north-west and see Glastonbury Tor rising out of the earth.
In ages past, when the levels flooded, the distance between Cadbury Castle and Glastonbury might have been crossed by boat if you knew the way and which rivers to take. Indeed, one of the discoveries found around the hill fort was a boat.
South Cadbury Castle is, in some ways, closely tied to Avalon, and you can feel that as you look from the top of one to the other.
After making a round of the ramparts, and standing on the roadway of the south-west gate, I would always spend a good amount of time on the plateau, watching the sky and letting my imagination take hold.
The beauty of visiting a site, rather than looking at in a book or online, is that direct connection with the past, with the history of the place.
Yes, many of the stories we know and love about Arthur and the Knights of the Round Table are medieval fabrications. But I do believe that every legend has its base in fact, and so it’s a comfort to know that the layers of myth and legend are veined with elements of truth and history.
Many people will disagree, and that’s ok. When it comes to Arthur we will never reach a consensus.
However, considering the archaeological evidence at South Cadbury Castle, along with its location and the apparent activity during the Arthurian period, it seems quite possible that if there was an historical Arthur, he would undoubtedly have been familiar with this magnificent hill fort.
Was this just another strong point in the British defensive network? Or was it the Arthurian power centre that has come to be known as Camelot?
Whatever the answer is, it is surely fascinating, and perhaps unattainable. But then, that is what makes these historical mysteries so intriguing.
If you ever manage to roam the lands In Insula Avalonia, just be sure to make your way to South Cadbury Castle. Walk up the steep slopes, and through the gate, and know that you may just be walking in the footsteps of Arthur.
Thank you for reading and have a wonderful, safe Holiday Season.
See you in 2015!
The World of Children of Apollo – Part IV – Rome: Caput Mundi
Today we’re going back into the world of Children of Apollo.
The second half of the book leaves behind the dunes and swaying palms of Roman North Africa for Italy, particularly Rome, as well as Cumae and Etruria. For this fourth instalment of The World of Children of Apollo we will focus on Rome itself.
Rome was indeed the centre of the world during this period, the omphalos to which all roads led and from which all decisions flowed. It was the ultimate goal in Severus’ civil war with Niger and Albinus and, despite his favouritism of Leptis Magna, the jewel the Emperor knew he must hold with his massive, loyal Praetorian Guard and the legion he had stationed at Albanum, outside of Rome.
It would take a whole book to scratch the surface of Rome so this will only be a very brief look at some of the sites that are a focus of Children of Apollo. Rome is one of my favourite cities, if not for the food then for the history that awaits you around every corner, that towers over you, and lies beneath your feet. Before my first trip to Rome, the glory of Rome, the Empire, had only been something I had read about. It was only when I walked those streets and set foot in the Forum that the idea came fully to life. Even among the ruins of the Forum Romanum, the glory of this ancient capital is keenly felt, whether it is the paving slabs of the Via Sacra, the Arch of Septimius Severus or the temple of the Divine Julius where people still lay flowers.
When Lucius and Argus leave North Africa, they put in at Ostia, the Port of Rome at the mouth of the Tiber. It was here, at Rome’s port where most of the seaborne traffic headed for Rome came. The hexagonal port of Trajan was surrounded by warehouses where grain and goods from all over the Empire would be held. Beyond the warehouses, Ostia was full of well-decorated homes, and tabernae to serve residents and visitors in the prosperous port. Brothels, gambling establishments and fine dining all made for anything but a boring night out!
Those going on to Rome could have taken a barge up the Tiber, or travelled by land. When Lucius and Argus finally arrive in Rome, they find themselves in the Forum Boarium, the cattle market where a Temple of Hercules still stands. In the story, for various reasons, Lucius’ family’s home is now near this smaller forum where, in generations past, they used to live on the Palatine Hill.
In the early 3rd century A.D. the Palatine Hill was virtually one big sprawling Imperial palace complex, with various additions having been made by successive emperors. Severus was no different and built a massive new addition that jutted out from the southern edge of the hill to overlook the Circus Maximus. Front row seats for the chariot races! Looking down on the faint outline of the great circus, I could not resist writing an exciting chariot race scene in the book. The Circus could hold up to 250,000 spectators and their roar must have been deafening.
When walking about on the Palatine Hill, it felt peaceful, a world away from the busy fora of Rome. I imagine it was the same for members of the imperial family who could stroll about the gardens and palaces in peace to the cawing of peacocks and play of water in fountains. One of the main locations of Children of Apollo is the Temple of Apollo on the Palatine Hill, where a crucial event of Lucius’ youth takes place. This temple, built by Augustus beside his palace, was only the second in the city dedicated to that god. If ever you get the chance to visit the Palatine Hill and the museum there, it is a definite treat, a world away from the busy streets below.
Septimius Severus left his mark in many ways on Rome and not only with his massive palace complex. Flanking the palace was a massive, decorative façade that was unveiled during the celebrations of his triumph. This structure, dubbed the ‘Septizodium’, was a huge wall ornamented with elaborate statuary where water flitted from section to section to dazzle spectators. Not much of it remains today but when it was unveiled, the populace must have been well pleased. The arch of Septimius Severus is one of the more impressive sites in the Forum and this can be seen directly in front of the Curia (Senate House) where he had it built as a reminder to the senators of Rome who the real power was. The artwork on the arch differs in style to others, the period heralding a gradual shift to what we recognize more as a Byzantine perspective.
All over Rome, there is so much to see and when there, I walked for days, never tiring of the sights that met my eyes, imagining what Lucius would have seen. From the mausoleums of Hadrian and Augustus, to the Colosseum, the Ludus Magnus and the Temple of Venus and Rome where Lucius has an important rendezvous, Rome is a city where life, past and present, is meant to be felt and enjoyed. One of the great joys of writing Children of Apollo was being able to visit Rome again.
So, I do hope that one day, your road will take you to Rome where, with gelato in hand, you can experience the majesty of this wondrous city.
Be sure to catch Part V of the World of Children of Apollo when we will visit one of the most beautiful places on Earth: Etruria (Tuscany!).
Thank you for reading!
Mythologia – Retelling the Myths
“Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth–penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told.” ( Joseph Campbell, The Power of Myth)
December 7th is launch day for Chariot of the Son, the first book in the new Mythologia series.
Today, I wanted to talk a bit about the importance of myths and of retelling them.
Why is it that myths and legends have stood the test of time? Why are they still as popular today as they ever were?
Those are some wide open questions that I won’t fully answer here, for that kind of discussion, you should read Joseph Campbell’s seminal work, The Hero with a Thousand Faces, as well as the transcript of the discussion between Bill Moyers and Joseph Campbell called The Power of Myth.
“Dream is the personalized myth, myth the depersonalized dream; both myth and dream are symbolic in the same general way of the dynamic of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problems and solutions sown are directly valid for all mankind” (Joseph Campbell, The Hero With a Thousand Faces)
Myth and legend speak to us on a level that is both spiritual and psychological. Humans have always been drawn to tales about gods and heroes, of great deeds done under extreme circumstances.
And as Campbell posits, the archetypes of the hero and the journey he takes are things that cross cultures and eras in human history. No matter the age in which we live upon this earth, we are drawn to elements of the tales that make up our myths and legends. We never tire of them.
Our ancient myths and legends are still going strong, not only because we connect with them in such a deep way, but also because we tell and retell these stories over and over again for successive generations.
When I was little, I loved the story of Perseus and Medusa, and I’m sure that young Greek warriors or Roman lads enjoyed those stories too.
The myths inspire us to be greater, to exceed ourselves, to press on through hardship. We gain strength through hearing them and experiencing them.
You may not enjoy some retellings of myths and legends such as Hercules, Clash of the Titans, or the Percy Jackson novels, but they are important in that they keep these tales alive, they continue to inspire. For the record, I enjoyed all of those I just mentioned!
A young Henry VIII may have enjoyed tales of King Arthur and the Knights of the Round Table, flipping through his copy of Caxton’s printing of Sir Thomas Malory’s Le Morte D’Arthur, as much as a youth would today reading a more recent iteration by Howard Pyle. I know I did, and still do.
Myths and legends throughout our history have also served as ‘teaching tales’ for humanity. We learn, and are reminded of, courage and compassion, humility and goodness, fear and heroism, life and death, and everything in between. Myths and legends show us the good, the bad, the ugly, and the truly divine of mortals and immortals.
These tales brought us closer to our gods and heroes, and as a result help us to come closer to who we are, or have the potential to be.
“The agony of breaking through personal limitations is the agony of spiritual growth. Art, literature, myth and cult, philosophy, and ascetic disciplines are instruments to help the individual past his limiting horizons into spheres of ever-expanding realization. As he crosses threshold after threshold, conquering dragon after dragon, the stature of the divinity that he summons to his highest wish increases, until it subsumes the cosmos. Finally, the mind breaks the bounding sphere of the cosmos to a realization transcending all experiences of form – all symbolizations, all divinities: a realization of the ineluctable void.” (Joseph Campbell, The Hero With a Thousand Faces)
In deciding to retell various myths and legends as part of the Mythologia series, I am on a quest to write new and entertaining versions of these tales. But I also want to get up close and personal with the gods, goddesses, and heroes who have haunted the realms of my imagination since I first became aware of them.
I’m not sure which myth I will explore next, but whichever one it is, I can’t wait to unleash my imagination in the same way as I did with the first one in the Mythologia series.
Chariot of the Son is out this December 7th, 2014, and will be available for just $0.99 cents until the Winter Solstice. So be sure to grab a copy! You can read a lengthy excerpt by clicking HERE.
Also, I’ve been interviewed on the website of a fellow author, Effrosyni Moschoudi, whose book, The Necklace of the Goddess Athena, has been rocking the Amazon charts. If you missed it, be sure to check out Effrosyni’s brilliant guest post from last week on the Goddess Athena and the Parthenon.
If you would like to read a bit more about what inspired the Mythologia series, as well as my other writing projects, head on over to Effrosyni’s Blog to read the interview and find out some behind-the-scenes stuff!
I guess I’ll see you the other side of launch day. I do hope you enjoy my retelling of the Phaethon myth in Chariot of the Son.
For now, I think it nice to leave you with some more words by Joseph Campbell:
“People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think that what we’re seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances with our own innermost being and reality, so that we actually feel the rapture of being alive.” (Joseph Campbell, The Power of Myth)
Thank you for reading.
Interview with Adam (Yup! C’est moi!)
Hi everyone!
This is not my blog post for the week. I just wanted to let you all know that I’ve been interviewed on my previous guest’s website.
Effrosyni has a great blog where she interviews a lot of fantastic authors. Definitely go and check it out!
And if you are curious about what is going on behind the scene in my writing life, do have a read of the interview. Effrosyni asks some great questions!
Click HERE to head on over and read the interview.
Thanks, and I’ll see you all with a fantastic post on mythology in a couple days.
The Goddess Athena and her Sacred Temple, The Parthenon – With Special Guest, Effrosyni Moschoudi
Today we have a very special guest on Writing the Past.
Effrosyni Moschoudi is a fellow author whose books have been making a big splash on the Amazon charts and on book review sites around the web.
I’ve read her book, The Necklace of the Goddess Athena, and it is a wonderful book that is full of mystery, wonder, and goodness. Click HERE to read my review of it.
For a while I’ve wanted to have Effrosyni, a native of Athens, guest post here to talk about the ancient city and the bright-eyed goddess for whom it is named.
So, over to Effrosyni for a magical post…
GODDESS ATHENA AND HER SACRED TEMPLE, THE PARTHENON
A Guest post by Effrosyni Moschoudi
Goddess Athena was greatly revered by the ancient Greeks. One of her many epithets, Pallada (or Pallas), was owed to the peculiarity of her birth. According to legend, she sprang forth from the forehead of her father Zeus, fully armed and shaking her spear fiercely, making a fearsome sound. The word Pallada is derived from the Greek word ‘pallein’ which means ‘to shake’.
This divine young virgin was among other things, the goddess of wisdom and justice. Her sacred symbols include the owl and the olive tree. According to legend, she challenged Poseidon on the Athens Acropolis aiming to win the patronship of the city. The two Gods agreed to each offer a gift before king Cecrops and the witnessing Athenians; the better gift would grant the deity the greatly desired patronship status.
Poseidon went first, striking the Acropolis Rock with his trident to produce the Sea of Erechtheus; a salt spring. As the myth goes, the Athenians weren’t particularly impressed with this gift, as the water wasn’t fit to drink. Poseidon then offered a second gift, a horse, to be used for war. When Athena’s turn came, she struck the ground with her spear and an olive tree sprouted from it swiftly; a magnificent gift to be used for nourishment, beauty and light in the dark. King Cecrops and the people of Athens favored the gift of the olive tree and declared Athena the patron deity of the city that inevitably took on her name.
According to myth, Poseidon was enraged by this and stormed to western Attica, where he flooded the Thriasian Plain. His rivalry with Athena, even though she is his niece, is legendary in Greek mythology. Homer’s Odyssey illustrates it heavily, telling the world of this fearsome uncle and his cunning niece who fight over the fate of Odysseus. The cunning Greek king and his loyal crew roamed the sea for years, going through infamous trials and tribulations as they made their way back home to Ithaca after the Trojan War. Although Poseidon tried to lead Odysseus to his demise, furious with him for blinding his beloved son, The Cyclops Polyphemus, Athena kept going against his will assisting Odysseus out of difficult situations, until he made it safely home back to his palace and faithful wife, Penelope.
The Athenians loved their patron Goddess like no other deity. During the Golden Age of Athens (460-430 BC), under the leadership of Pericles, they built the Parthenon atop the Acropolis hill, along with other glorious edifices; all of them famous through history in their own right as well: The Propylaea, The Erechtheion and The Temple of Athena Nike.
Famous architects Iktinos and Kallikrates took over the construction and the legendary sculptor Phidias was commissioned to create the colossal chryselephantine (gold and ivory) statue of Athena for the interior of the Parthenon, which was named Athena Parthenos (Athena The Virgin). Phidias also sculpted the gigantic bronze statue Athena Promachos (Athena standing in the front line in battle). This statue was placed between The Parthenon and The Propylaea.
The word Parthenon is also derived from the word ‘parthenos’ which means ‘virgin’ as per the epithet ‘Virgin’ for Athena. Once in four years, the Panathinaia Festival took place in honor of the Goddess. Although it also involved athletic events similar to the Olympic Games, the main event was the religious procession that made its way from The Parthenon to the town of Elefsis via Iera Odos (The Sacred Way); today, Iera Odos survives as a busy motorway between Athens and the historical town of Elefsis (also spelled Eleusis in English). This historic town is also the very site of the infamous Eleusinian Mysteries of antiquity that to this day, historians know very little about.
Over the millennia, The Parthenon, one of the seven wonders of the ancient world, has suffered devastation repeatedly and on a large scale. Other than being occupied by the Turks and turned into a mosque in the 1460s, it was also bombed by the Venetians in 1687, cruelly looted by Lord Elgin in 1806 and has even suffered substantial damage by overzealous Christian priests who destroyed the depictions on the friezes that seemed indecent in their eyes.
In order to graphically illustrate the Parthenon back in its glory days as well as its demise through the millennia, I’m including below a remarkable video by the Greek Ministry of Culture. I hope you’ll also enjoy therein, a classic poem by the legendary philhellene, Lord Byron. The great romantic poet’s imagination has captured the wrath of Athena (Minerva, in Roman) further to the merciless destruction of her sacred temple. For the benefit of poetry lovers, I’m also including a link to the whole poem, written in Athens in 1811 by the great British poet.
CLICK HERE to read The Curse of Minerva by Lord Byron