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The World of Warriors of Epona – Part II – Trimontium: The Place of Three Peaks

The Legions are on the move once more in this second part of The World of Warriors of Epona.

In this post, we’re going to take a brief look at the site of Trimontium, which is located at Newstead.

Trimontium is the site of a Roman fort in what are today the Scottish Borders, north of Hadrian’s Wall. This was not a full legionary base, but rather a fort that housed about 1500 troops at its peak usage, cavalry in particular!

Trimontium fort site, below Eildon Hill

However, it was a major stopping point on the route north, located as it was along Dere Street, the major Roman road in the region.

I first became aware of Trimontium as part of my master’s degree thesis research while at St. Andrew’s University. In researching a theory about the activities of an historical ‘Arthur’ in the region, I came across this remarkable Roman fort set in a beautiful and dramatic setting.

A site visit was definitely in order!

If you have ever been to the Borders, you will know that the region’s pastoral beauty belies its warlike past.

Scott’s View

As I drove south from Edinburgh on the A68 (which follows the line of Roman Dere Street, bulbous green and treeless landscapes gave way to fertile fields lined with hedges and accented with summer wildflowers. It was a bright, sunny day, which was often not the case in Scotland, and so I could see for some distance.

As we approached the River Tweed, the three peaks of the Eildon Hills came into view with the river sparkling in the summer sun. I was finally there, having followed in the footsteps of the legions.

Trimontium from the A68 with Tweed river and bridge

This area is loaded with wonderful places to see such as Scott’s view, a favourite place of reflection for Sir Walter Scott and a great spot from which to see the Eildon Hills, Dryburgh Abbey, Melrose Abbey (where the heart of Robert the Bruce’s heart is buried), and myriad country paths.

But it was the Roman presence that concerned me on this trip.

Eildon Hill from the ruins of Melrose Abbey

The fort at Trimontium was used as a marching camp by Agricola’s troops c. A.D. 80 and had eight subsequent phases of Roman occupation all the way to the time of Septimius Severus’ campaigns into Caledonia in the early 3rd century, the latter being the time in which Warriors of Epona takes place.

Trimontium is so-named because of the three peaks of the Eildon Hills that overshadow it. It was on the marching route to the north and provided a visible and central meeting place for the legions and auxiliaries. Some of the most important finds to come from the area are the horse harness and ornamental cavalry armour of the troops that were stationed there.

2nd century Roman cavalry auxiliaries (illustrated by Kawaleria Rzymska)

These finds are wonderful and some can be seen in the museum in Melrose, but mainly in the National Museum of Scotland in Edinburgh. The cavalry masks discovered at Trimontium inspired some tweaks to Lucius Metellus Anguis’ own armour in the book.

The Newstead Cavalry Mask (wikimedia commons)

It was the obvious presence of Roman auxiliary cavalry that gripped my imagination then, and so it quickly became obvious that Lucius and his Sarmatian cavalry ala would be based at Trimontium during a portion of Severus’ Caledonian campaign, the final phase of use for Trimontium.

Crop marks showing outline of fort at Newstead

Though today almost nothing remains of the Roman fort (it’s mainly a great field), during the Antonine period, the fort at Trimontium had three defensive ditches and a rampart, a principia (headquarters building) that may also have served as an exercise hall just off of the via Decumana, barracks, stables, a commander’s house, and granaries.

There were also annexes on every side of the fort with a parade ground on the east side, and a mansio (a sort of hostel) and bath house on the west side.

Plan of the site and successive fort(s) at Trimontium (from Newstead 1996 – The Northern Vicus and the Amphitheatre Excavations and Survey; University of Bradford)

Trimontium did not only have a military presence. Wherever the Roman army went, there were others who followed – wives and children, merchants, prostitutes and others.

Outside the walls of the fort, as with many Roman forts, there was a vicus, a civilian settlement on the north side where the people mentioned above would have lived.

But one of the most interesting features of Trimontium’s fort is the presence of an amphitheatre beyond the north-east corner of the fortress, near the banks of the River Tweed. The outlines indicate that it was elliptical rather than round, and because of its location next to the military installation, it was likely used not only for games, but also for drills.

Artist impression of Newstead Amphitheatre

When you visit a site like the fort of Trimontium, there actually isn’t much to see when you are ‘on the ground’. It helps to do a bit of research beforehand so you know what you are looking at.

For someone like me, who is interested not only in the site, but the smell of the air, the sound of the wind and the view of the surroundings, it is magic for my creativity. But it also helps to get a bird’s eye view of the site.

If you don’t have a helicopter or bi-plane, the best way to do that is to climb Eildon Hill North, the biggest, broadest peak of the three and that which overlooks Melrose and the fort at Trimontium.

Eildon Hill North (Wikimedia Commons)

I drove the car as close as I could get to the base of the hill, having left the fort behind, parked, and began to climb.

From a distance, Eildon Hill North doesn’t seem so big, but when you get up close, you realized you have quite a workout ahead of you. I was glad of my hiking boots, let me tell you.

Once at the top, the world opens up before you. The view is magnificent.

But after the calm beauty of the farmlands down around the fort, the howling winds at the top of Eildon Hill North made for quite a contrast. It wasn’t a place to picnic when I finally got up there.

View from the top of Eildon Hill

This was a sacred hill to the Britons during the Bronze and Iron ages, and was the site of a hill fort that housed up to two-thousand people of the Selgovae, the tribe against which Lucius does battle at the beginning of the book.

When Rome came to the region and took the hill, they constructed a signal station at the top which had a round enclosure about it. However by the time of the Severan invasion of Caledonia, it seems that the signal station might have been out of use. That’s not to say I didn’t have plans for Eildon Hill North in Warriors of Epona!

After the long trek up and back down again, I made my way into Melrose for lunch, after which I visited the lovely little Trimontium Trust Museum.

If you have the time, you should definitely visit this little museum, if only to try on some Roman arms and armour, heft a scutum, unsheathe a gladius, and sit on a four-horned Roman cavalry saddle.

When I finally sat down to write Warriors of Epona, my memories of the fort at Triumontium, the setting, and the wind atop Eildon Hill North all rushed back into my mind as if it were only yesterday.

The site features at the beginning of the book, and though my time there is at an end, the memories of it will always be fresh and inspiring.

Be sure to join me for Part III of The World of Warriors of Epona when we will be looking at the various combatants in our story.

Thank you for reading.

Warriors of Epona (Eagles and Dragons – Book III) is out now in e-book! CLICK HERE to get your copy from Amazon, Kobo, or Apple.

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The World of Killing the Hydra – Part IV – Horse Warriors: The Sarmatians

The World of Killing the Hydra

In this fourth installment of The World of Killing the Hydra, we’re going to look at a group of warriors who also have ties to myth, and who, as a fighting force, became legendary in the Roman world.

We are, of course, going to talk about the Sarmatians.

In Killing the Hydra, Lucius Metellus Anguis finds himself getting to know the men of the cavalry ala of Sarmatians who have been sent to join the III Augustan Legion at Lambaesis, in Numidia.

Artist impression of Sarmatian Cavalry

Artist impression of Sarmatian Cavalry

The leader of this fighting force is Mar, a king of his people who led them against Rome in the wars with Emperor Marcus Aurelius. Mar is joined by his royal nephew, Dagon, and both men play a key part in the story.

But who were the Sarmatians?

The average person has not heard about this group of warriors that came to form the elite heavy cavalry of the Roman Empire. Most people probably know of them only from the role they play in the movie King Arthur, with Clive Owen.

Researching Sarmatian warrior culture was a fascinating part of the research for Killing the Hydra.

The Sarmatians were a Scythian-speaking people from north of the Black Sea, and the high point of their civilization spanned from the 5th B.C. to the 4th century A.D. when they eventually went into decline because of pressure from the Huns and Goths.

Lance head of a Sarmatian 'contos', a 16 foot lance

Lance head of a Sarmatian ‘contos’, a 16 foot lance

The Sarmatians were a nomadic Steppe culture whose lands extended from the Black Sea to beyond the Volga in western Scythia.

Herodotus believed the Sarmatians (or ‘Sauromatae’) were descended from intermarriage between Scythian men and Amazon women, and that ever since the two peoples joined:

“the women of the Sauromatae have kept their old ways, riding to the hunt on horseback sometimes with, sometimes without, their men, taking part in war and wearing the same sort of clothes as men… They have a marriage law which forbids a girl to marry until she has killed an enemy in battle; some of their women, unable to fulfill this condition, grow old and die unmarried.” 

(Herodotus, The Histories, Book IV)

Indeed Sarmatian grave discoveries have revealed armed women warriors, so it seems likely that such tales would easily have given rise to the Greek perception that the Sarmatians were descended from the Amazons, those beautiful and terrible daughters of Ares.

Amazons in battle

Amazons in battle

 In Killing the Hydra, Mar, in conversation with Lucius, relates to the young Roman how the women of their people also fought:

“The women of our land are brave souls. We do not lock them up before the hearths of our homes. They are free to ride with us and wield the sacred sword. Some are priestesses and others have been gifted by our gods with foresight. Sarmatian women are nobler than what your Latin word ‘noble’ implies.”

(Mar, in Killing the Hydra)

And what of the men? Sarmatian men were fierce warriors and skilled horsemen, and according to the Roman writer Ammianus Marcellinus, they:

“…have very long spears and cuirasses made from smooth and polished pieces of horn, fastened like scales to linen shirts; most of their horses are made serviceable by gelding, in order that they may not at sight of mares become excited and run away, or when in ambush become unruly and betray their riders by loud neighing. And they run over very great distances, pursuing others or themselves turning their backs, being mounted on swift and obedient horses and leading one, or sometimes even two, to the end that an exchange may keep up the strength of their mounts and that their freshness may be renewed by alternate periods of rest.” (Ammianus Marcelinus, Roman History, Book XVII)

A Sarmatian crown

A Sarmatian crown

Sarmatian art and culture is also very rich.

Animal imagery was common in their artwork and often included such totem animals as dragons, griffins, eagles, sphinxes, snake women, and of course, horses. Often, these images were tattooed on their bodies.

The characters of Mar and Dagon are naturally curious about the dragon imagery on Lucius’ armour and weapons. They see it as a sign.

Also, if you remember the Sibyl’s prophecy from Children of Apollo, you will know that Lucius’ meeting with the Sarmatians is no coincidence.

The Sarmatians take their gods very seriously, but the one they most revered was their war god who was represented by the Sacred Sword.

Sarmatian Warriors on Trajan's Column

Sarmatian Warriors on
Trajan’s Column

The Sarmatians’ favourite trial of strength was single combat.

They believed that there was mystical power in battle, and when they defeated their enemies, it’s said they often took the heads, scalps, and beards of the vanquished, drinking blood from the skulls of the slain.

Ancient cultures often did have what we might perceive as barbaric rituals, but it’s sometimes difficult to detect truth in the midst of Greek and Roman propaganda or storytelling.

The picture painted does make for a wonderfully colourful group of warriors.

Despite the tales of fighting women, magic swords, scalping, and the drinking of blood, there is one fact that remains certain – the Sarmatians were some of the best cavalry the world had ever seen.

They were sometimes known as ‘lizard people’ because of their scale armour which covered both the horse and rider almost completely.

The Sarmatians were heavy cataphracts, the shock troops that were used to ride down the enemy while wielding their long swords, and the contos, a lance of about five meters, or sixteen feet long.

Artist impression of a Draconarius carrying a Draco

Artist impression of a
Draconarius carrying a Draco

The image that the Sarmatians are probably most known for, however, is the draconarius.

This was their war standard which they carried into battle. It consisted of a bronze dragon’s head with a long wind sock attached to it. It was held on a pole and carried at a gallop. When the wind passed through the draco, it made a loud howling sound that was said to terrify the enemy.

The draco was adopted as a standard by all Roman cavalry in the 3rd century A.D.

It’s amazing that, as a highly disciplined fighting force, the Sarmatians remained active for as long as nine centuries.

When Marcus Aurelius won a decisive victory over the Sarmatians in A.D. 175, he obtained an elite heavy cavalry for Rome that would make the auxiliaries much more of a force to be reckoned with.

Coin of Marcus Aurelius showing Sarmatian captives

Coin of Marcus Aurelius showing Sarmatian captives

As ever, the Romans knew a good thing when they saw it.

In the aftermath of Rome’s victory, Marcus Aurelius obtained 8000 heavy Sarmatian cataphracts which became the most skilled cavalry of the age.

It is these warriors, descended from the Amazons and mighty Scythians of the Steppes, who now step into The World of Killing the Hydra.

Mar, Dagon, and their warriors turn the tides of war against the nomads in Numidia, and become an important new force in the life of Lucius Metellus Anguis.

Draco standard

Draco standard

The Dragons are now in the thick of it with the Eagles of Rome.

Thank you for reading.

 

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