The World of An Altar of Indignities – Part VI – The Hill of Ardittos and the Temple of Artemis Agrotera

Happy New Year, and welcome back to The World of An Altar of Indignities, the blog series in which we look at some of the research that went into our latest novel set in the Roman Empire.

If you missed Part V on the Roman Agora of Athens, you can read that by CLICKING HERE.

In Part VI, we’re going to be exploring two ancient sites that are not really known to the average tourist but which were important in the world of ancient Athens: the Hill of Ardittos, and the Temple of Artemis Agrotera.

We hope you find it interesting…

In deciding to set An Altar of Indignities in Athens, I came to discover a history of the neighbourhood of Pangrati which I had not been aware of. Our family home is located in Pangrati, where I had been coming for over twenty-five years, and yet it was the research for this dramatic and romantic comedy of ancient Rome and Athens that helped me to truly discover its ancient past.

Pangrati is located on the lower slopes of Mount Hymettos, just the other side of the sacred Ilissos river which now runs from the shadow of the Temple of Olympian Zeus and then curves around beneath the modern streets of Ardittou and Vasileos Konstantinou. It is a neighbourhood of local families who have inhabited it for generations, and who now share their streets with artists and immigrants. The streets are lined with apartment blocks where people and drying laundry hang over the edges of run-down balconies watching the world go by and listening to the chorus coming from the weekly farmer’s markets, or laiki as they are called.

To me, however, beneath the grubby veneer of graffiti, trash, and construction dust, I can now see the rich and wondrous history of this ancient neighbourhood. And I don’t mean the beautiful curves of the massive Panathenaic stadium at Pangrati’s edge, first built by Lycurgus in 339 B.C.E, which we mentioned in Part III of this blog series.

Rather, I mean the mysterious hills of Agras and Ardittos that flank the stadium in the Ilissos river valley, particularly, the Hill of Ardittos, and the Temple of Artemis Agrotera beside it.

These are the two sites we will focus on.

The Panathenaic Stadium at the edge of Pangrati, with the Hill of Ardittos on the right

The hill of Ardittos in Athens lies directly beside the Panathenaic Stadium, to your right as you stand before the ancient athletic monument, between Archimidous and Arditou streets. It is about two-hundred and thirty-five meters high and can only really be accessed from behind the stadium at the entrance on Archimidous street.

The Hill of Ardittos is a small green oasis in the middle of the chaotic city, and it is often overlooked, despite its guarded stance beside the Panathenaic Stadium. Its pathways and slopes are dotted with massive agave plants and eucalyptus, cacti, pine, olive, almond, cypress and carob trees where crows – the birds of Apollo – keep a watchful eye.

Admittedly, I had walked by the hill many times over the years, simply noting its ancient slopes, the gnarled vegetation and the rocks protruding from beneath the soil. To be sure, the fence around it dissuaded me before, even as I walked by the hill on my way to the Temple of Olympian Zeus and the neighbourhood around the Acropolis, the Plaka.

Ardittos is a community park where locals jog, walk their dogs, workout, make-out, sneak a peek of paid events in the stadium, or just hold to a little peace at the heart of the city.

If you can find your way there through the steep and winding roads and pathways of Pangrati, you are rewarded with magnificent views of the stadium, the Acropolis, and the Olympeion, the Temple of Olympian Zeus.

View of the Acropolis from the Hill of Ardittos (photo source: ekathimerini.com – Irene Anastasiadis)

Apparently, Ardittos was named after a hero of ancient Athens named, Arditis. In ancient times, there were several sanctuaries in the vicinity, along the shores of the Ilissos, including sanctuaries of the Nine Muses, Pan, and Herakles.

But the Hill of Ardittos itself was also a religious and legal centre. It is believed that there were temples to Pan, Hecate, and Hera on or near the hill, but the remains that are visible today are thought to belong to the Temple of Tyche, the Goddess of Luck, who was a daughter of the Titans, Oceanus and Tethys.

Remains of the Temple of Tyche on the Hill of Ardittos (Wikimedia Commons)

Archaeologists and historians believe it possible that the Temple of Tyche on Ardittos was the site of offerings to Demeter and Persephone during the lesser Eleusinian Mysteries when piglets were offered, purified in the Ilissos River beforehand. There were also rites carried out here in honour of Dionysos during the festival of the Anthesteria.

There is no doubt that the Hill of Ardittos holds many mysteries, including a tradition that Herodes Atticus, that great Greco-Roman patron of the city, may even have been buried on it.

As I walk around Pangrati, a part of me doesn’t see the broken marble sidewalks or the apartment buildings that jut up to provide shade from the hot Athenian sun. Rather, I imagine and see the wooded lower slopes of Hymettos thick with pine and cypress, bees flitting about wild thyme, and boar crashing through the scrub while ancient Athenians made their offerings, or herded their goats and sheep on the mountainside.

It must have been beautiful and calm.

Artemis – The Huntress

According to legend, it was not only the Athenians who roamed the wooded slopes of Ardittos, Agras, and Hymettos.

This was also said to be the domain of Artemis Agrotera, the Huntress.

Just the other side of the Hill of Ardittos, there is another site that provides one of the settings for An Altar of Indignities, and that is the Temple of Artemis Agrotera.

Pausanias described the setting in the second century C.E:

The rivers that flow through Athenian territory are the Ilissos and its tributary the Eridanus, whose name is the same as that of the Celtic river. This Ilissos is the river by which Oreithyia was playing when, according to the story, she was carried off by the North Wind. With Oreithyia he lived in wedlock, and because of the tie between him and the Athenians he helped them by destroying most of the foreigners’ warships. The Athenians hold that the Ilissos is sacred to other deities as well, and on its bank is an altar of the Ilissian Muses. The place too is pointed out where the Peloponnesians killed Codrus, son of Melanthus and king of Athens.

Across the Ilissos is a district called Agrae and there is a temple of Artemis Agrotera (the Huntress). They say that Artemis first hunted here when she came from Delos, and for this reason the statue carries a bow. A marvel to the eyes, though not so impressive to hear of, is a race-course of white marble, the size of which can best be estimated from the fact that beginning in a crescent on the heights above the Ilissos it descends in two straight lines to the river bank. This was built by Herodes [Herodes Atticus], an Athenian, and the greater part of the Pentelic quarry was exhausted in its construction.

(Pausanias; Description of Greece, 1.19)

Antiquarian plate of facade of the Temple of Artemis Agrotera (by Stuart and Revett)

When we went in search of the Temple of Artemis Agrotera, it was on a hot Athenian morning when the temperature had already reached a blistering 45 degrees Celsius. Our path took us down the hill from Pangrati to the back of the Panathenaic Stadium, along Archimidous street, and then past the entrance to the Hill of Ardittos. We sweat our way up and down the steep side streets of the ancient district of Agrae until, arriving at Ardittou street, we found a lot where no apartment blocks stood.

We had arrived at the site of the Temple of Artemis Agrotera to find this:

Modern site of the Temple of Artemis Agrotera wit the Acropolis in the background

It was indeed a shock to behold this, but before we go any further, here is bit of history of the once-graceful temple that stood on this site…

The Temple of Artemis Agrotera was built between 435-430 B.C.E above the left or southern bank of the Ilissos river. But the temple was not only built here because this wood was thought to be the goddess’ first hunting ground.

Apparently, before the great Battle of Marathon in 490 B.C.E, when the Athenians crushed a more numerous invading Persian force, the Athenians made a vow to Artemis Agrotera – they were going on the hunt, after all! – that a goat would be sacrificed to her for every enemy killed in battle. The Athenians slew 6,400 Persian invaders.

Needless to say, the Athenians could not find enough goats to fulfill their vow to the goddess, but 500 goats were offered every year on the anniversary of the battle in early September.

For when the Persians and their followers came with a vast array to blot Athens out of existence, the Athenians dared, unaided, to withstand them, and won the victory. And while they had vowed to Artemis that for every man they might slay of the enemy they would sacrifice a goat to the goddess, they were unable to find goats enough; so they resolved to offer five hundred every year, and this sacrifice they are paying even to this day. 

(Xenophon, Anabasis, 3.2)

Antiquarian plate of the plan of the Temple of Artemis Agrotera (by Stuart and Revett)

The temple to honour Artemis Agrotera, who had helped the Athenians, was built some years later by Callicrates, who also designed the Temple of Athena Nike on the Acropolis, and for which it provided the precedent.

There were no precise, ancient descriptions of the temple of Artemis Agrotera. Thankfully, in the 1750s, two curious architects by the names of James Stuart and Nicholas Revett, went in search of the temple and recorded the details of what they saw, sketching what they could. Thanks to them, we know what the temple looked like.

Antiquarian plate of Temple of Artemis Agrotera architectural details (by Stuart and Revett)

On the southern bank of the Ilissos… stands a little Ionic temple, the mouldings of which differ much from all the examples of that order, hitherto published; their forms are extremely simple, but withal so elegant, and the whole is so well executed, that it may doubtless be reckoned among those works of antiquity which best deserve our attention.

(Stuart and Revett, The Antiquities of Athens, Volume l, 1762, Chapter 2, Page 7)

From Revett and Stuart’s records, it was a simple temple with four Ionic columns on the front porch, or tetrastyle, as well as four at the back. It had a deep pronaos, and a square cella, or inner sanctum, something that is thought to be unique to this temple. There was also a continuous frieze about the temple, fragments of which are now in the Staatliche Museum in Berlin.

There was also a temple precinct created by a low retaining wall, remains of which, along with parts of the temple foundations, are visible on-site today.

As happened with many ancient temples, the Temple of Artemis Agrotera was converted into a Christian basilica in the 5th century C.E. Sadly, it was later destroyed for building materials by the Ottomans when they occupied Athens.

Gouache painting of the Temple of Artemis Agrotera’s ruins (by Stuart)

As you stand on the site today, it is difficult to imagine the temple as it once was, on the edge of the wood, offerings crowding its altars, inside and out. Where the sacred Ilissos once flowed, sparkling in the Athenian sun, cars and mopeds now shake the ground. But you can still stand at the edge of the ancient wall of the temple precinct and gaze across the modern layer of the city to see the Temple of Olympian Zeus with the soaring beacon of the Acropolis beyond. What a site it must have been!

3D recreation of the Temple of Artemis Agrotera with the Temple of Olympian Zeus and the Acropolis in the background (Dimitris Tsalkanis & Chrysanthos Kanellopoulos – www.AncientAthens3d.com)

When you are finished reading this article, be sure to watch our video tour of this archaeological site!

In researching and writing An Altar of Indignities, I came to discover the Hill of Ardittos and the Temple of Artemis Agrotera, and their importance in the mythology and history of the landscape of ancient Athens. Both became settings in the book and the story is the richer for it.

When I make my way around Athens today, I don’t follow the names of streets, but rather use the city’s ancient sites as my markers to guide me to where I want to go. Now, in addition to the stadium, I also have the Hill of Ardittos and the Temple of Artemis Agrotera to guide me on my way.

Thank you for reading.

An Altar of Indignities is now available in ebook, paperback and deluxe hardcover edition from all major online retailers, independent bookstores, brick and mortal chains, and your local public library.

CLICK HERE to buy a copy and get ISBN#s information for the edition of your choice.

 

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New Video Tour! – The Temple of Artemis Agrotera

Greetings History-Lovers and Hellenophiles!

Eagles and Dragons Publishing is proud to present a new video tour on our YouTube and Rumble pages.

The Temple of Artemis Agrotera was a small Ionic temple that once sat on the hill the other side of the sacred Ilissos river

This is a site that most visitors to Athens never see, and also one which many locals don’t even know about. It is also one of the settings in An Altar of Indignities, Book II in our award-winning series, The Etrurian Players.

This beautiful temple on the lower slopes of Hymettos, beside the Hill of Ardittos, was built by the Athenians between c.435-430 B.C.E. in honour of the Goddess Artemis Agrotera (Artemis the Huntress) in thanks for their mighty victory at the battle of Marathon years before, in 490 B.C.E.

For when the Persians and their followers came with a vast array to blot Athens out of existence, the Athenians dared, unaided, to withstand them, and won the victory. And while they had vowed to Artemis that for every man they might slay of the enemy they would sacrifice a goat to the goddess, they were unable to find goats enough; so they resolved to offer five hundred every year, and this sacrifice they are paying even to this day.

(Xenophon, Anabasis, 3.2)

This temple was of the same order and style as the Temple of Athena Nike on the Acropolis of Athens for both of them were designed and built by the architect, Callicrates.

It occupied a prominent position on the other side of the Ilissos river as Plutarch relayed in the first century C.E…

Across the Ilisos is a district called Agrae and a temple of Artemis Agrotera the Huntress). They say that Artemis first hunted here when she came from Delos, and for this reason the statue carries a bow. A marvel to the eyes, though not so impressive to hear of, is a race-course of white marble, the size of which can best be estimated from the fact that beginning in a crescent on the heights above the Ilisos it descends in two straight lines to the river bank. This was built by Herodes, an Athenian, and the greater part of the Pentelic quarry was exhausted in its construction.

(Plutarch, Description of Greece, 1.19)

In the 5th century C.E. the temple was converted into a Christian basilica. Centuries later, it was destroyed by the Turkish invaders for building materials.

Today, on the edge of the neighbourhood of Pangrati, the temple remains are scant and in sad disrepair, but they still have an echo of Athens’ ancient and sacred past.

Now, without further ado, join us on a short tour of the archaeological site of the Temple of Artemis Agrotera.

*Eagles and Dragons Publishing would like to thank Dimitris Tsalkanis & Chrysanthos Kanellopoulos of Ancient Athens 3D for permitting the use of their amazing 3D renderings of this beautiful temple for the video. Visit their website at: www.AncientAthens3d.com

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New ‘Special Edition’ Hardcover Release for the Holidays!

Salvete Readers and Romanophiles!

Eagles and Dragons Publishing is thrilled to announce the release of a new, ‘Special Edition’ hardcover of our Roman holiday, fan-favourite, Saturnalia: A Tale of Wickedness and Redemption in Ancient Rome!

This new edition is the perfect gift for the history-lover and fan of Ancient Rome on your list!

It features a beautiful dust jacket with a Gorgon head and acanthus borders on an ancient, Roman plaster background. Underneath the jacket, the hardcover case features a stunning, red fresco from the ruins of Pompeii, giving the book an added feel of antiquity for the holidays.

If you’re looking for a wonderful book for the history lover your life, this is it!

The Saturnalia, Special Edition Hardcover (as well as the ebook, audiobook, and paperback editions) is available from all major bookstore chains, independent shops, and all major on-line stores. Get the ISBN# for the edition of your choice by CLICKING HERE.

Order yours now so that you get it in time for the holidays!

Step into the world of Saturnalia for a Roman Holiday you will never forget!

*PLEASE NOTE: if you are shopping on Amazon, the cover images for the new Special Edition Hardcover are not showing. However, if you order the hardcover, the images above show you what it is like. It’s absolutely beautiful!

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Press Release – Heart of Fire is Victorious in NYC!

Adam Alexander Haviaras receives international recognition

 through the

 NYC BIG BOOK AWARD®!

Stratford, Ontario, Canada — The NYC Big Book Award recognized Heart of Fire: A Novel of the Ancient Olympics in the category of Historical Fiction as a ‘Distinguished Favourite’.

The competition is judged by experts from different aspects of the book industry, including publishers, writers, editors, designers, booksellers, librarians and professional copywriters. Winners are based on overall excellence.

Heart of Fire: A Novel of the Ancient Olympics

A Mercenary… A Spartan Princess… And Olympic Glory…

When Stefanos, an Argive mercenary, returns home from the wars raging across the Greek world, his life’s path is changed by his dying father’s last wish – that he win in the Olympic Games.

As Stefanos sets out on a road to redemption to atone for the life of violence he has led, his life is turned upside down by Kyniska, a Spartan princess destined to make Olympic history.

In a world of prejudice and hate, can the two lovers from enemy city-states gain the Gods’ favour and claim Olympic immortality? Or are they destined for humiliation and defeat?

Remember… There can be no victory without sacrifice.

The NYC Big Book Award received book submissions worldwide. Journalists, well established authors, small and large press, and first time indie authors participated in record numbers.  Entries this year were received from the United States as well as countries such as Australia, Canada, China, Cyprus, France, Germany, India, Ireland, Israel, Italy, Mexico, New Zealand, Scotland, Singapore, Sweden, Switzerland, Taiwan, and the United Kingdom.  Cities represented included Asheville, Beijing, Colorado Springs, Dublin, Hong Kong, Los Angeles, Melbourne, New York, Portland, San Francisco, Singapore, Tel Aviv, and Vancouver were among the entries.

Publishers included Atmosphere Press, Berrett-Koehler Publishers, Beaufort Books, Beyond Words Publishing, Blackstone Publishing, Eagles and Dragons Publishing, Familius Publishing, Flatiron Books, Hachette Go, HarperCollins Leadership, Oceanview Publishing, Old Stone Press, Rowman & Littlefield, Simon & Schuster, Ulysses Press, Watkins Publishing, Westminster John Knox Press to name a few.

“We were delighted to see so many quality publishers and authors from around the world participate this year. I can’t wait to share these books with a global readership,” said awards sponsor Gabrielle Olczak.

To view the list of NYC Big Book winners and distinguished favourites, please visit: https://www.nycbigbookaward.com/

End of Press Release

Click the image to check out Heart of Fire and other books in the 2024 Announcement Issue of the NYC Big Book Award

Here at Eagles and Dragons Publishing we’re thrilled that Heart of Fire has received this award. It really is an honour as this year’s competition involved a great many authors and publishers from around the world!

To commemorate this event, Eagles and Dragons Publishing has designed a special edition ‘Heart of Fire Olympic Hero’ t-shirt which is now available in the Eagles and Dragons Publishing AGORA on Etsy! You can check that out by CLICKING HERE. This elegant, unisex t-shirt is 100% cotton and features the Corinthian helmet and olive crown that grace the cover of the book.

This is the second accolade given to Heart of Fire: A Novel of the Ancient Olympics.

In the Spring of 2024, Heart of Fire also received the prized ‘Highly Recommended’ award from The Historical Fiction Company in another international competition!

To read The Historical Fiction Company’s full 5-Star review of Heart of Fire, CLICK HERE.

Thank you for your support, and thank you for reading!

Heart of Fire is available in e-book, paperback and special edition hardcover from all major online retailers, independent bookstores, brick and mortar chains, and your local public library.

CLICK HERE to buy a copy or get ISBN# information for the edition of your choice.

Remember… There can be no victory without sacrifice.

Thank you for reading…

 

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Nemea – The Myth and Place

There is one race of men, one race of gods; and from a single mother we both draw our breath. But all allotted power divides us: man is nothing, but for the gods the bronze sky endures as a secure home forever. Nevertheless, we bear some resemblance to the immortals, either in greatness of mind or in nature, although we do not know, by day or by night, towards what goal fortune has written that we should run…

(Pindar, Nemean Ode #6)

For those who love history and archaeology, travelling through Greece is an absolute joy. There is something around every corner, bend in the road, mountain top or valley. History, and its remains, are everywhere.

For me, however, the thing I like the most about this ancient land is how history and mythology are so closely linked, and how they are indelibly tied to the landscape itself.

The Peloponnese is especially rich in this way.

It would take a whole lifetime to visit every historical and archaeological site and landscape that has strong links to the stories of myth and legend from Ancient Greece.

This past summer, we returned to one such place, and I was reminded of how rich and deeply moving this connection between myth, history, and the land can be.

This place is Ancient Nemea.

I first visited Nemea almost twenty years ago, just prior to the 2004 Athens Olympics. At the time, I was unfamiliar with the history and mythology of the site. I was more caught up with this gathering of mysterious ruins set among the undulating vineyards of Nemea’s Wine Country, the largest wine region in Greece where the variety is sometimes known as the ‘Blood of Herakles’.

The myths are as much a part of the Agiorgitiko wine as are the fragrant aromas of raspberry or cherry.

Returning to the site in 2023, I explored the site with a great deal more knowledge of what I was looking at, but also with an awareness of the poignant reason for the creation of the site and the Nemean Games, one of the four Crown Games of Ancient Greece, which were held here.

First, a bit about the myths…

Perhaps the most famous myth related to Nemea is in relation to the first labour of Herakles in which the hero defeated the Nemean Lion. It’s a fantastic and exciting myth, but the Nemean Games were not started in honour of Herakles’ great labour.

In legend, the Nemean Games are related to the ‘Seven Against Thebes’, the group of warriors who went with Polynices to take back Thebes from his brother, Eteocles. On their way to Thebes, the Seven stopped in Nemea where King Lykourgos ruled with his queen, Eurydike.

The king and queen had a newborn son named Opheltes, whom they were told by the Oracle at Delphi that they could not let touch the ground until he could walk.

However, one day, the baby’s nurse, Hypsipyle, was walking with the baby when the Seven stopped in Nemea. The Seven asked where the nearest well was, and so Hypsipyle put the baby Opheltes down on a bed of wild celery while she took the generals to the well.

The baby was set upon the ground in contradiction of the Oracle of Delphi’s warning, and so a snake came along and killed the child.

The Seven saw this as a bad omen and sought to honour the soul of the slain child, and propitiate the Gods by holding funeral games on site.

Thus were the Nemean Games born as funeral games for the deceased child, Opheltes.

The victory crown for the Nemean Games, was a crown of wild celery.

The slaying of the Opheltes by the serpent

The first historical games at Nemea were held in 573 B.C., and they took place every two years. There was no settlement at Nemea, and the games were most often under the auspices of Argos, moving to that ancient city to the south for long stretches of time, except during the period of Macedonian hegemony.

The sanctuary at Nemea was important in the ancient world, but somehow experienced more neglect than others when the Games were moved to Argos. Pausanias, in his second century A.D. tour of Greece, describes the run-down ruins of the site during the Roman period:

In Nemea there is a temple of Zeus Nemeios worth visiting, although the roof has collapsed and there is no longer any statue. Around the temple is a sacred cypress grove. Here was Opheltes, put on the grass by his wet-nurse, killed by the snake, according to the story. The inhabitants of Argos sacrifice to Zeus also in Nemea and choose a priest of Zeus Nemeios. They organize a running contest for men in armour at the festival of the Winter Nemea. So there is the grave of Opheltes, with a stone enclosure around it and inside the enclosure altars. There is also a tumulus as a monument for Lykourgos, the father of Opheltes.

(Pausanias II 15, 2-3)

The Temple of Zeus at Nemea with the great Altar of Zeus in the foreground

Unlike the sanctuary at Ancient Olympia, the archaeological site of Nemea is quiet and uncrowded. You can roam at will where you like without running into any other tourists. It is almost a meditation to visit this place, and that’s good, for the air is heavy with tragedy and toil, and the songs of victory.

The archaeological site is actually two different sites: the Sanctuary of Zeus, and the Ancient Stadium.

The main site, the Sanctuary of Zeus, where the wonderful museum is located, includes the remains of houses, baths, and a hero shrine or heroon dedicated to the child, Opheltes. It also includes the ruins of the xenon, a sort of ancient hotel for visitors or participants in the Games, and a series of nine oikoi, or ‘clubhouses’ sponsored by specific city-states to house their athletes and coaches during the Games.

The most impressive part of the Nemean sanctuary, however, is the temple of Nemean Zeus which was built c.330 B.C.

The lovingly restored ruins of this temple are truly inspiring and, unlike other sites such as the Parthenon, you can walk through the temple to get a better sense of its scale and its magic. Uniquely, the temple contains the remains of a sunken crypt accessed through the cella, or inner chamber. It is believed the crypt was either used as the site of an oracle, or as a treasury for the sanctuary.

On the east side of the temple is another feature that is unique to Nemea, and Isthmia (an altar to Poseidon), and that is a very long altar to Zeus where athletes and trainers swore their oaths and made sacrifices prior to the competitions. This altar dates to the fifth century B.C.

When we visited the site this time, we were armed with a 4K video camera and so, rather than tell you about all the minute details of the sanctuary, we can now show you in the video Nemea – A Tour of the Sanctuary of Zeus

After roaming the Sanctuary of Zeus, we got in the car and drove the very short distance down the road to the second part of the archaeological site of Ancient Nemea, the Stadium.

This site is much smaller than the sanctuary, taking less time to visit, but it is well worth it.

Participants in the Nemean Games would have sworn their oaths and made their offerings to Zeus at the long altar in the sanctuary before processing to the stadium for the actual athletic competitions.

Nemea’s stadium is smaller than Olympia’s, but it’s still substantial, as it should have been for a location of one of the four Crown Games. It could seat up to 40,000 spectators in its day on the roughly hewn stone seats and embankments.

There are some fascinating remains to be seen at Nemea’s stadium, including the starting line and its mechanism, as well as the channels that flow around the stadium, once fed by mountain springs, so that athletes and spectators could drink and stay hydrated during the competitions.

The apodyterion, or ‘locker room’ where athletes prepared

Perhaps the most fascinating parts of the stadium, however, are the remains of the apodyterion, or ‘locker room’, and the barrel-vaulted tunnel which led from there to the stadium. One can still see the graffiti carved by waiting athletes on the stone walls of the tunnel.

When you visit this site, you can walk everywhere at will, including on the stadium floor, and then on a path high on the treed embankments for a magnificent view of the stadium and surrounding countryside.

Even more so than the massive stadium at Ancient Olympia, the stadium at Nemea really does give one a sense of the competitions and sacred games that took place here. And for those of you who want to deepen your experience of the Nemean Games, you can participate for yourselves in the modern, revived Nemean Games which are actually taking place in the summer of 2024! CLICK HERE for more information!

Once again, we visited this amazing archaeological site with our video camera in hand. You can take a full virtual tour of the stadium in Nemea – A Tour of the Ancient Stadium

I firmly believe that it is well worth revisiting sites such as Ancient Nemea, for as the years go by, as we experience more of this life, as we learn more, our new perspectives allow us to see such places in a different light.

For me, Ancient Nemea is one such place.

If you ever get the chance to visit, I highly recommend it. 

Who would have thought that so much could come out of the death of a small child? Then again, tragedy and glory are interwoven in the myths and places of Ancient Greece.

Thank you for reading.

If you are interested in visiting Ancient Nemea for yourself, be sure to check out the deals that are available from Eagles and Dragons Publishing’s subsidiary, Ancient World Travel here: https://www.ancientworldtravel.net/travel-resources-1

Check out our specially-curated deals on visits, tours and tickets to Ancient Nemea, and Nemean Wine Tours at the following link:

  https://viator.tp.st/V9XO4E5D   

Also, read the review of La Petite Planète in the nearby village of Mycenae which is a great place to spend the night: 

https://www.ancientworldtravel.net/post/hotel-review-la-petite-planète-a-warm-welcome-in-the-shadow-of-ancient-mycenae 

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Victory for Heart of Fire!

Eagles and Dragons Publishing has some big news to share today!

As many of you know, 2024 is an Olympic year, and so it is fitting that today we share some wonderful news about Heart of Fire: A Novel of the Ancient Olympics.

First of all, The Historical Fiction Company (HFC) recently awarded Heart of Fire Five Stars and the ‘Highly Recommended’ Award of Excellence.

As the HFC one of the premier reviewers of historical fiction in the world, this is indeed an honour that we are all proud of.

In addition to the award, the HFC’s editorial review of Heart of Fire rendered us speechless with extremely high praise for the story, for Adam’s knowledge and storytelling abilities, and for our amazing editor at Beautiful Ink Editing whose work is “top-notch, making for a smooth reading experience.”

Below are some excerpts from The Historical Fiction Company’s review of Heart of Fire

“…Haviaras grabs the reader’s interest right away with an engaging and evocative opening. The first sentence immediately immerses the reader in antiquity and establishes the epic tale’s setting. This intriguing hook reveals the author’s skill in drawing readers in from the beginning of the narrative. 

In Heart of Fire, Adam Alexander Haviaras transports us to the vibrant heart of ancient Greece through a story that is both a realistic recreation of the ancient Olympic Games and a voyage of personal salvation. Haviaras is an engrossing, poignant story that is full of the essence of human struggle and victory through the perspective of Kyniska, a Spartan princess with dreams of Olympic glory, and Stefanos, an Argive mercenary with a turbulent background. 

Heart of Fire brings the most famous athletic event in ancient history to serve as the backdrop for a brilliant fusion of romance, mythology, and history. The plot is intriguing, drawing us in with a blend of deep personal stakes and wider historical ramifications. Haviaras explores what it means to pursue glory and redemption in a civilization constrained by strict conventions and long-standing rivalries via the weaving of a tale of love, honor, and ambition…

… The next strong suit of the book is the character development. It’s very well done and we’re able to relate to Stefanos and Kyniska’s challenges and goals because of the nuanced and intricate writing. Stefanos has a fascinating and complex path from a violent existence to one filled with honor and purpose. Kyniska defies the norms of her era and epitomizes strength and resolve. Their growth throughout the book is evidence of Haviaras’ talent for developing believable and incredibly inspirational characters. 

The plot keeps up a smooth flow, with each chapter adding to the story’s increasing energy. Haviaras skillfully strikes a balance between the personal and historical aspects, allowing the story to flow naturally toward its conclusion. Heart of Fire’s continuity is a crucial component that keeps you interested and ready to find out what happens to the characters.”

Green olive wreath on white. Top view

“Another positive of this book is the uniqueness. Heart of Fire is notable for how differently it portrays the historical Olympic Games. Haviaras provides a novel viewpoint on a well-known historical era by contrasting the grandeur of the Olympics with the intimate tales of its protagonists. The novel’s examination of concepts like love, competition, and atonement via the prisms of athletics and combat brings a noteworthy level of uniqueness…

Heart of Fire‘s narrative arc is expertly written, following a precise path that heightens suspense and expectation. The story moves along at a good clip, striking a pleasing mix of action and emotional nuance from Stefanos’ early search for atonement to the pivotal events of the Olympic Games. The storyline comes to a dramatic climax that not only settles the main problems but also has a long- lasting effect on the reader. 

With vivid descriptions and real dialogue, Haviaras’ writing eloquently and precisely captures the spirit of Ancient Greece. The author’s skill in fusing vivid storytelling with historical detail is astounding, resulting in an engaging and educational story. Heart of Fire is an excellent example of Haviaras’ storytelling ability and his in-depth knowledge of antiquity. 

Heart of Fire ends in a way that is both thought-provoking and satisfying. The conclusion, which will not give away any plot points, sums up the themes of sacrifice and triumph and leaves readers with a strong impression of the characters’ travels. For anyone who has ever dared to dream large, it is a fitting conclusion to the novel’s examination of reaching greatness despite all circumstances. 

In summary, Adam Alexander Haviaras’ Heart of Fire: A Novel of the Ancient Olympics is a magnificent story that vividly and emotionally captures the world of ancient Greece. Haviaras explores the ageless human search for greatness and significance via the connected destiny of Kyniska and Stefanos, as well as the spirit of the ancient Olympics. For those who enjoy historical fiction as well as those who are enthralled with Ancient Greece and its lasting influence, this book is a must-read.”

We’re thrilled by this wonderful award and the amazing review which The Historical Fiction Company has bestowed on Adam and Heart of Fire.

To read the full review on The Historical Fiction Company’s website, CLICK HERE.

If you are looking for an exciting summer read in this year of the Olympiad, then look no further than Heart of Fire: A Novel of the Ancient Olympics!

Heart of Fire is available in e-book, paperback and special edition hardcover from all major online retailers, independent bookstores, brick and mortar chains, and your local public library.

CLICK HERE to buy a copy or get ISBN# information for the edition of your choice.

Remember… There can be no victory without sacrifice.

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The Tombs of Mycenae

Greetings History and Mythology-Lovers!

We are heading back to Mycenae in this post to explore the domiciles of the Dead outside the walls of the ancient citadel, that is, the great tombs of Mycenae.

In our previous post, we walked through the entire fortress of Mycenae, discussed what it was like and how it felt to return to that ancient and, some would say, menacing, fortress after twenty years.

To read the previous post, Return to Mycenae, CLICK HERE.

Likewise, to go on a full tour of the archaeological site, check out our video Mycenae: A Tour of the Ancient Citadel, HERE.

Grave Circle ‘A’ within the walls of Mycenae’s citadel.

In our tour of the fortress, and the video, we explored what is known as ‘Grave Circle A’ which is located within the walls of Mycenae and was the location of the royal cemetery. It was here that graves pre-dating the Trojan War were located, and where many of the magnificent finds of Mycenae were discovered, including the golden death mask Heinrich Schliemann mistakenly took to be the ‘Face of Agamemnon’.

In this post, we are going outside the fortress walls of Mycenae to explore four of the most astonishing tombs of the Greek Bronze Age: the Lion Tomb, the Tomb of Aegisthus, the Tomb of Klytemnestra, and of course, the Treasury of Atreus.

But first, let us take a brief look at the types of tombs these represented.

Parts of a Mycenaean chamber tomb, drawn up by Piet de Jong in 1920–1923

The graves located within ‘Grave Circle A’ are what are known as ‘shaft graves’ and, within the citadel, these were used to bury royalty with their astounding grave goods.

The tombs which we are looking at here are known as ‘chamber tombs’, of which there are many in the hills about Mycenae. These consisted of rock-cut chambers underground which were achieved by way of a passage called the dromos, which means ‘road’.

These chamber tombs could vary in size and shape, but when it came to the royal chamber tombs, or ‘beehive tombs’, they were meant to impress!

Artist representation of a Mycenaean tholos or ‘beehive’ tomb

The royal beehive tombs outside the walls of Mycenae were built into the hillsides and approached each by a long dromos, the largest being thirty-seven meters in length!

They had elaborate doorways and entranceways known as the stomion, beyond which are the vast, round burial chambers. These beehive tombs were roofed by a stone vault of horizontal rings which diminished in diameter until the roof closed at the top. They were true feats of engineering at the time. They were also referred to as tholos tombs because of their round shape. In some cases, such as the Lion Tomb, rectangular cists were cut into the floors of these tombs to accommodate bodies and valuable grave goods.

At Mycenae, there are approximately nine tholos or ‘beehive’ tombs that are known to date, dating from roughly around 1550 B.C.E to the end of the 13th century B.C.E.

Unfortunately, the grave robbers had cleaned all of them out, but the tombs themselves remained largely intact, and we are going to explore four of them today.

Map of Tombs at Mycenae

There is the grave of Atreus, along with the graves of such as returned with Agamemnon from Troy, and were murdered by Aegisthus after he had given them a banquet… Klytemnestra and Aegisthus were buried at some little distance from the wall. They were thought unworthy of a place within it, where lay Agamemnon himself and those who were murdered with him.

(Pausanias, Description of Greece, 2.16)

In his ‘Description of Greece’, the second century C.E. traveller and historian, Pausanias, makes mention of the tombs outside of the fortress walls, and three of them were on our list to visit after we finished our long, hot journey through the ruins of the fortress that dominated the area.

When we came out of the Lion Gate of Mycenae, cutting our way through the army of invading tourists, we turned left immediately and followed the dirt path down to where we knew there were two of the tombs we wanted to see.

Over twenty years ago, when we were last in Mycenae, these had been closed to the public because of their state of disrepair and the risk of stone falling upon one’s head. However, this time, we were thrilled to discover that these first two tombs, the tombs of Aegisthus and of Klytemnestra, were open!

Entrance to the ‘Tomb of Aegisthus’

The Tomb of Aegisthus was the first into which we ventured. It is the smaller tomb, and seemed to have born the brunt of time as much of the beehive roof was missing, leaving its golden sandstone walls open to sky. The chamber of this is still an impressive thirteen meters wide and the dromos is twenty-two meters long and five meters wide.

What struck me about this tomb – aside from the fact that this grand house of the dead may have been built for the murderer of Agamemnon – was the size of the lintel above the deep entrance.

There was a scaffold beneath this, supporting the entrance, which forced us to look carefully as we walked beneath and into the sun-drenched inner chamber.

The interior of the ‘Tomb of Aegisthus’ viewed from above with the plain of Argos in the distance.

When we emerged from the Tomb of Aegisthus, we turned right and went a short distance downhill to the site of the Tomb of Klytemnestra, King Agamemnon’s queen, and the mother of Electra and Orestes.

I would be lying if I didn’t note that I felt strange approaching the supposed tomb of this legendary character of Greek legend. Yes, Klytemnestra was said to be an adulterer with Aegisthus, but she was also daughter of King Tyndareus of Sparta, the older half-sister of the famed Helen, a jilted wife, and a tragically vengeful mother whose daughter was sacrificed by her husband.

I felt for the tragic, yet powerful spirit of Klytemnestra as I approached her final resting place.

The ‘Tomb of Klytemnestra’

The Tomb of Klytemnestra is thought to be the latest in date at Mycenae, constructed around 1220 B.C.E. The dromos of the tomb is thirty-seven meters long and six meters wide, and is lined with massive rectangular blocks.

The triangle over the lintel and the rest of the entrance would have been faced with marble slabs that were covered with elaborate carvings of spirals, rosettes and more, and the stromion seems to have contained a great wooden door about midway through its depth.

When we entered the Tomb of Klytemnestra, it was dark and sad, a feeling that was no doubt added to by what looked like a dead body at a glance, but which turned out to be a sad stray dog come to cool itself from the 45+ Celsius degree day.

The chamber of this tomb is only slightly larger that that of Aegisthus’ at thirteen and a half meters, but the beehive vault is fully intact and disappears into the darkness thirteen meters overhead.

This truly is an impressive monument and well-worth the visit if you have the strength after visiting the citadel. To be able to see even more, consider bringing a good flashlight the better to view the stonework inside.

Interior of the ‘Tomb of Klytemnestra’

After the Tomb of Klytemnestra, we climbed back up the hill toward the Lion Gate and then down toward the site museum.

To our surprise, there was yet another tholos tomb to the left of the museum. Without delay, we went down the rocky slope to its dromos, delighted to find that no one else was there.

Entrance to ‘The Lion Tomb’ of Mycenae

The ‘Lion Tomb’ is thus named because of its proximity to the famed  ‘Lion Gate’ of Mycenae’s citadel. This is believed to have been constructed some time in the middle of the fourteenth century B.C.E. and has a dromos that is twenty-two meters long and almost five-and-a-half meters wide.

Sadly, the roof of this tomb is no longer intact, but it is estimated that its dome soared to a height of fifteen meters. It is still an impressive work, the chamber of which is fourteen meters wide and contained three pit graves which were found to be empty upon its discovery.

We stood in the middle of this chamber, our voices carrying around the bright, poros stone, and marvelled at its beauty, wondered who had been buried here. Had they been warriors of Mycenae, or members of the royal family who were not fit to be buried within the citadel, as Pausanias points out was the case for Klytemnestra and Aegisthus?

We will never know, but it certainly felt like a gift to be there with no one else around.

Interior of ‘The Lion Tomb’

From the Lion Tomb, we made our way to the museum to view many of the wonderful artifacts discovered at Mycenae. It is worth a visit, if anything to cool off from the Greek summer heat. The most important finds from Mycenae, including the golden death masks and bronze daggers, can be seen at the National Archaeological Museum in Athens, which everyone should visit.

After a refreshing, and overpriced, cup of freshly squeezed Argive orange juice in the parking lot, we got in our car and bid farewell to Mycenae’s walls. 

But not before one final stop.

A short distance down the road to the modern village of Mykines, you will find on the right the entrance to the great ‘Treasury of Atreus’, or, as the locals have called it in the past, the ‘Tomb of Agamemnon’.

The Treasury of Atreus is accessed by way of a separate entrance to the main archaeological site, but it is no less impressive.

Artist impression of the ‘Treasury of Atreus’

The Treasury of Atreus – named for the legendary son of Pelops and Hippodameia, and father of King Agamemnon, and King Menelaus of Sparta – is one of the most impressive monuments of the Mycenaean Age. It is completely preserved with only the decoration of the facade and interior missing.

Approaching the tomb, one is filled with a sense of awe and wonder. Who was truly buried here, and why did their people believe they deserved such a monument? What was the burial ceremony like, and what magnificent grave goods were interred with the dead, only to be stolen by grave robbers to disappear for all time?

Standing in front of the Treasury of Atreus

The dromos leading to the tomb is cut into the rock of the hillside and is lined with massive rectangular blocks. It is thirty-six meters long and six meters wide, and the height of the entrance to the tomb is a stunning ten and a half meters high. The actually doorway measures just under five-and-a-half meters high and nearly three meters wide.

Passing beneath the lintel and the gaping triangle that would have been faced with ornate columns of green stone and a fresco or sculpture is an eerie experience. Remains of these can be seen in the National Archaeological Museum in Athens.

As we walked from the blistering heat and sunlight into the cool darkness of the tomb, it was indeed like stepping into another world, a world of the Dead.

Though there were many tourists by the time we reached the Treasury of Atreus, their presence seemed to be swallowed up by the tomb’s darkness, allowing us to observe our surroundings in relative peace.

Ceiling of the ‘Treasury of Atreus’

The main chamber of the tomb measures just over fourteen-and-a-half meters in diameter. It is a broad space one steps into upon entering the tomb, but the first thing that really draws the eye is the soaring ceiling of the tomb’s mesmerizing beehive construction.

The ceiling reached to a height of about thirteen-and-a-half meters high with thirty-three courses, or ‘rings’, of perfectly joined stones making up the construction. It is a true feat of engineering, that much is obvious, but it was also ornate, a home fit for kings in the Afterlife, though the ornamentation that would have decorated the circular walls is all gone, stolen since long before the visit of Pausanias in the second century C.E.

It is not only incredible to think that this tomb may have held the remains for such legendary figures as Atreus or Agamemnon but also, perhaps more so, it is stunning that it is still intact. The construction of this tomb has survived since the thirteenth century B.C.E.

The ante-chamber within the ‘Treasury of Atreus’

One feature that sets this particular Mycenaean chamber tomb apart from the others is the addition of an ante-chamber within the tomb. This large room is located to the right as one enters the treasury and was another burial chamber, in addition to the main chamber. The ante-chamber is blocked off and is deep and dark, but if you have a flashlight handy you can just make out the interior.

Once we finished explored the tomb, the air growing somewhat heavy within, we bid farewell to the shades of Atreus and Agamemnon, and made our way to the doorway and the light outside in the land of the living.

The tomb’s maw spat us out and we shielded our eyes as we walked in the sliver of shade offered by the walls of the dromos. It was time to leave Mycenae and the dead behind but, just as Orpheus could not help but turn to seek Eurydice at the gates of the Underworld, we also felt the need to turn around for one final glance at the magnificent entrance of the Treasury of Atreus.

The light outside the ‘Treasury of Atreus’

If you ever go to Mycenae, after exploring the citadel itself, be sure to leave time to visit the tombs of Mycenae, those great houses of the Dead that surround it.

They are some of the most stunning pieces of Mycenaean architecture that you will ever see, and when you emerge from them, from the deep darkness into the light, those tombs, and the shades of their inhabitants, will leave a lasting impression.

The ‘Lion Gate’ of Mycenae

If you are interested in visiting Mycenae for yourself, be sure to check out the deals that are available from Eagles and Dragons Publishing’s subsidiary, Ancient World Travel here: 

https://www.ancientworldtravel.net/travel-resources-1  

Check out our specially-curated deals on visits, tours (many from Athens) and tickets to Ancient Mycenae at the following link: 

https://viator.tp.st/4DfkV2n1 

Also, read the review of La Petite Planète, a lovely hotel (with an amazing terrace for dinner!) in the village of Mycenae where you can stay here: 

https://www.ancientworldtravel.net/post/hotel-review-la-petite-planète-a-warm-welcome-in-the-shadow-of-ancient-mycenae

Lastly, check out the new video tour, The Tombs of Mycenae, on the Eagles and Dragons Publishing YouTube and Rumble channels.

Come with us as we explore the interior of these magnificent tombs of the Mycenaean age!

Thank you for watching, and thank you for reading!

 

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Return to Mycenae

Mycenae…

The name conjures something deep inside, something out of myth and legend. There is a feeling of mystery about the name, of power, and perhaps of dread.

How is that? It’s just a name after all, isn’t it?

Not really. It’s much more than that.

Mycenae.

It echoes in the mind, in the memory of time. For me, it is something of a sign post in far away antiquity. It’s not just a place, but also a culture, a people… It is a warlike period that stands out in the vast Bronze Age, between the Age of Heroes and the Archaic period.

Mycenae itself, the place, is a symbol of a brutal time, long ago, that continues to captivate our imaginations, the same way that it has done for our ancestors since then.

Mycenaean Warriors

A barrage of names comes to mind when I think of Mycenae, like so many barbed bronze arrows raining down in the midst of a battle – Atreus, Agamemnon, Achilles, Menelaus, Helen, Clytemnestra, Electra, Orestes and all the heroes of the Trojan War. I think of Homer whose epic Iliada immortalized them all, and even of Alexander the Great who is said to have slept with a copy of that epic beneath his pillow.

Before the summer of 2023, the last time I had visited Mycenae, that dread cyclopean-walled palace whose corridors echoed with war and murder, was on a warm day in March over twenty-years ago.

On my first visit, it was springtime, the ruins surrounded by wild flowers.

I had been back to Greece frequently since then, of course, visiting other archaeological sites, writing about them in my novels and articles, but in all that time, I avoided Mycenae.

I don’t know why exactly, but my natural tendency was to give it a wide berth, to be near it, but only orbiting it. I avoided the tourist assault upon the great ‘Lion Gate’, and the blazing heat that one experiences when visiting it in high summer.

I felt like returning to Mycenae too soon was like returning to the scene of a crime. There is a lingering sadness, a sense of loss about the place that is difficult to describe.

As the epics teach us, however, life is beautiful, and terrible, and fleeting. Since my first visit long ago, time seemed to have flowed more quickly than I would have wished when I as a child.

The citadel of Mycenae as seen from the approach on the road from the modern village of Mykines.

When I first visited Mycenae I was much younger, a little naive, and definitely more idealistic. I was just setting out for my own battles beneath the walls of a distant, metaphorical Troy.

Older now, and having endured my own toils, I wondered if I was ready to return to the flattened halls of Mycenae with a perspective that is afforded by age and experience.

With my wife, and our own children bearing the same excitement and idealism I once possessed, the decision was taken. We would make our way to Mycenae.

Aerial view of the archaeological site

Though it is mostly known as the fortress of King Agamemnon, who led the Greek army at Troy, Mycenae has a long, rich and mythical past.

Briefly then…

Although it is believed that there has been habitation on the acropolis of Mycenae since roughly c. 2500 B.C.E, legend has it that Mycenae was originally founded by Perseus, the son of Zeus and Danae, and first King of Mycenae. Perseus is said to have used the legendary Cyclops to build Mycenae’s great walls some time in the first half of the 14th century B.C.E.

For a long time, Mycenae thrived under the descendants of Perseus, including Eurystheus for whom Herakles performed his famed Labours. After Eurystheus was killed in battle against the children of Herakles and the Athenians, the people of Mycenae chose Atreus, the son of Pelops and Hippodameia to rule them.

Many years of prosperity and greatness followed under the Atreidai dynasty, beginning with King Atreus, and then under his son, King Agamemnon, who was said to be the greatest king in Greece, ruling over the plains of Argos to the south, and the entire northeastern Peloponnese, including Corinth, sometime between 1220-1190.

Mycenae was at the heart of this world, and one of the most important cultural and political centres during Greece’s Bronze Age until its destruction toward the end of the 12th century B.C.E.

It was (and remains) a place where the history of the curse of the Atreidai, written about by ancient playwrights, still echoes about the landscape, and behind the mass of Mycenae’s great Cyclopean walls.

Ajax, Agamemnon, and Odysseus

The later traveller Pausanias, who visited Mycenae in the middle of the second century C.E. is thought to be the last ancient author to write about Mycenae:

There still remain, however, parts of the city wall, including the gate, upon which stand lions. These, too, are said to be the work of the Cyclopes, who made for Proetus the wall at Tiryns.

In the ruins of Mycenae is a fountain called Persea; there are also underground chambers of Atreus and his children, in which were stored their treasures. There is the grave of Atreus, along with the graves of such as returned with Agamemnon from Troy, and were murdered by Aegisthus after he had given them a banquet. As for the tomb of Cassandra, it is claimed by the Lacedaemonians who dwell around Amyclae. Agamemnon has his tomb, and so has Eurymedon the charioteer, while another is shared by Teledamus and Pelops, twin sons, they say, of Cassandra, whom while yet babies Aegisthus slew after their parents. Electra has her tomb, for Orestes married her to Pylades. Hellanicus adds that the children of Pylades by Electra were Medon and Strophius. Clytemnestra and Aegisthus were buried at some little distance from the wall. They were thought unworthy of a place within it, where lay Agamemnon himself and those who were murdered with him.

(Pausanias, Description of Greece, 2.16)

The Murder of Aegisthus by Orestes

When we made the decision to visit Mycenae again, these are the stories and people whom I was thinking about the night before as we ate dinner on a terrace beneath the stars.

The night was hot and calm, those ancient mountains black against the purple and indigo night sky pocked with stars. From our hotel in the modern village of Mykines, I was constantly aware of the citadel up the hill, surrounded by the tombs of legends. As I sipped cool wine from a glass and listened to the bark of a distant dog, or the screech of a fox, I wondered if, from the palace of Mycenae itself, Agamemnon and Clytemnestra, Orestes and Electra, or even a young Iphigenia, had seen what I was seeing.

Had those people of myth and legend looked from their palace walls to see the flickering of fires atop the walls of Argos across the plain? Had they travelled to make offerings to Hera at her sanctuary down the mountainside on the way to Tiryns? Did they enjoy the slash of brilliant blue afforded by the Gulf of Argos that lit the distance on a clear day? Did they too savour the wine, oil, and fruit of that very same land as I was in that moment?

It that ancient landscape laced with history and myth, I felt certain that they had done all of that.

The myths are everywhere in the Argolid.

Dinnertime view from the village of Mycenae to the south from the terrace of our hotel, La Petite Planète.

The next morning we rose early with the crowing of a nearby cock and the barking of a dog, had a hearty breakfast, and drove the short kilometre up the road to the archaeological site in the hopes of beating the crowds.

It was just 8 a.m. and yet the car park was already half-full, the sun beating down, priming us for yet another day of 45 degrees Celsius.

While most of the sweating hordes of tourists went first to the museum, or a stop at the loos, we marched directly up the curving path toward the high walls of Mycenae and found ourselves with a blessedly unobstructed view of the famed ‘Lion Gate’ of the citadel.

The ‘Lion Gate’ of Mycenae

It took my breath away, though I had been before, and seen it countless times in books while doing research.

To stand in the shadow of those Cyclopean walls, before that monumental gate, to imagine Mycenaean warriors with their spears and boar’s tusk helmets staring down at you, is an experience unlike any other.

The pictures don’t do it justice.

How many kings and warriors had walked through that gate? How many chariots with bronze warriors had driven up to it? How many Trojan slaves, like Cassandra, had been forced within that stoney curtain of unimaginable size?

After taking it in, we filmed what we needed to, and pressed forward to begin our exploration of the vast ruins.

It can be overwhelming to visit a site as big as Mycenae, especially if you don’t know what you’re looking at.

Fortunately, that was not us. It helps to be familiar with the site and to come armed with a proper map such as we were. There is no grid pattern such as one might find in ancient Roman settlements. Mycenae is spread out over the top of a high rock, and surrounded by higher mountains with deep chasms on the north and south sides, and and rocky cliffs that fall away to plains covered in olive groves and fruit trees in the valleys to the northwest and southwest toward Argos and the sea.

Inside the Lion Gate, and past the guardhouse on the left, we made directly for one of the most famous locations within the citadel: Grave Circle ‘A’.

This vast, deep circle surrounded by upright slabs was the royal cemetery, intended to impress those who entered the fortress, and to honour the dead rulers of Mycenae. This is where Heinrich Schliemann, the German archaeologist who discovered Troy, found the six grave shafts in 1876 and the remains of nineteen skeletons, including eight men, nine women, and two children. They were buried with riches, gifts, food and furnishings for their journey to the Underworld.

Bronze daggers found in ‘Grave Circle A’

It is also here that Schliemann and Greek archaeologist, Panagiotis A. Stamatakis, discovered among the grave goods some of the most famous artifacts from the period, including the bronze swords and daggers, golden goblets and cups, five golden death masks and other objects with elaborate gold leaf designs, amber and more.

Though Schliemann was determined that one of the graves and the golden death mask within it, belonged to Agamemnon, it was later determined that these burials predated that period by a few hundred years.

Still, the beauty of those finds is unmistakable, and the site unlike anything else.

Site of the Royal Tombs in Grave Circle ‘A’

After visiting Grave Circle ‘A’, most people will begin the trek to the upper acropolis where the palace is located, but before one does, it’s a good idea to continue ahead to view the southern sector of the citadel where there was a temple and the dwellings of the priests of Mycenae. From here, beneath the shade of a lone fig tree, one can look out across the plain to the distant mountains and sea.

I stood there for a few moments, the air white hot and dusty, the light blinding as I looked over my map to see my route up the stairs and the path that leads to the propylon of the palace.

View from the ‘Great Court’ and propylon of the megaron of the palace toward the Argolic Gulf and Argos across the plain.

On my first visit to Mycenae I didn’t really know what I was looking at. It was all quite overwhelming. Of course I knew about the Trojan War, and something of Agamemnon, but the importance of that place, those stories and characters in the identity of the west, and corpus of literature of western civilization, was still unknown to me.

However, on this visit, as I passed through the propylon, the grand entrance to the palace, I knew what lay ahead, knew that I was walking in the footsteps of legends.

The pathway leads up until, on your right, you come to a series of rooms that were the beating heart of the palace. There is a guest chamber where dignitaries would have stayed, and the ‘Great Court’ where courtiers and guests would have waited for an audience with the king. And then from the ‘Great Court’, you can see another propylon leading to what was the megaron of Mycenae, the throne room.

Artist impression of the megaron of Mycenae

On my first visit to Mycenae, I was able to walk though the ‘Great Court’ unimpeded, forward through the propylon, and on into the megaron itself. I remembered looking at the outline of a great circle in the middle where the hearth fire was supposed to have been located.

Sadly, today, the ‘Great Court’ and megaron are closed off, so I could only admire them from the path higher up. There is also now a small shelter over the location of the hearth fire, shielding it from the elements, and also from the prying eyes of tourists.

The megaron of Mycenae today. Note the roof covering the site of the hearth fire in the centre.

Perhaps one of the most interesting parts of the site, that may be linked to one of the bloodier episodes purported to have taken place at Mycenae, is the room adjacent to the throne room. This long oddly shaped room that has some low walls is thought to be the bathroom where, as legend has it, Clytemnestra murdered her husband, Agamemnon, as he bathed.

The Murder of Agamemnon, painting by Pierre-Narcisse Guérin (1817) – though not in the bath in this representation.

Having taken in the heart of the site, it is worth crossing the path and climbing up the ruins on the other side for a magnificent 360 degree view of the site and surrounding countryside. There was a later temple on this high spot, believed to be dedicated to either Hera or Athena. The temple is long gone sadly, but it is still worth standing there and taking it all in.

That done, we proceeded down the path that led to the eastern quarter of the citadel where it is believed there were artists’ quarters, store rooms, and other structures that formed part of the palace’s east wing.

Stairs leading down to the cistern of Mycenae

If you pass this eastern area of the citadel and proceed to the end of the path, you will find low ruins of buildings flanked by an arched ‘sally port’ on the right, and to the left the north ‘sally port’ beside which is the arched tunnel that leads down a staircase to the underground cistern of Mycenae. It is definitely worth having a look down there, but if you do go, bring a good flashlight so that you can properly peer into the darkness below.

The ‘North Gate’ of Mycenae’s citadel

After we emerged from the cool dark of the cistern, we exited the citadel at the North ‘Sally Port’ and took a path along the outside of the north wall to re-enter the citadel at the sturdy north gate of the acropolis. From here, the cliff falls away to olive groves and the site museum down the hill, built to look like the palace itself might have done.

Beautiful views are a constant when one visits Mycenae. You just have to remember to look up.

From there, the path leads along the inside of the north wall back to the guardhouse and the inside of the ‘Lion Gate’.

When we arrived back at the main gate, it was to a great invasion of tourists, all of them crowded beneath the monumental sculpture which they admired, taking advantage of the shade afforded by those magnificent Cyclopean walls.

I was grateful we had come early, and felt blessed to have had a quiet moment alone with the Lions of Mycenae.

One of the golden death masks found in Grave Circle ‘A’ at Mycenae. This one was believed by Schliemann to be the ‘face of Agamemnon’

Admittedly, the heat had been so intense, my mind so taken up with the site itself, that the museum which we visited afterward, was a bit of a blur. The most impressive finds from Mycenae are in the National Archaeological Museum in Athens, but there is still a lot to see in the site museum at Mycenae itself. Once you have rested, it is definitely worth a look.

There is another aspect to my return to Mycenae that I have not covered, and that is my exploration of the great tombs that surround it.

Mycenae, it seems to me, is surrounded by the Dead, and after a brief rest, we went in search of them.

But that is a story for next time…

Stayed tuned for the next post on the ‘Tombs of Mycenae’

If you are interested in visiting Mycenae for yourself, be sure to check out the deals that are available from Eagles and Dragons Publishing’s subsidiary, Ancient World Travel here: 

https://www.ancientworldtravel.net/travel-resources-1  

Check out our specially-curated deals on visits, tours (many from Athens) and tickets to Ancient Mycenae by CLICKING HERE. 

If you want to see the magnificent collection of artifacts from Mycenae, you can get affordable tickets to the National Archaeological Museum in Athens by CLICKING HERE.

Also, read the review of La Petite Planète, a lovely hotel (with an amazing terrace for dinner!) in the village of Mycenae where you can stay here: 

https://www.ancientworldtravel.net/post/hotel-review-la-petite-planète-a-warm-welcome-in-the-shadow-of-ancient-mycenae

Lastly, check out the video of our site visit to Mycenae on the Eagles and Dragons Publishing YouTube and Rumble channels.

Walk with us through the ruins of this legendary site!

Stay tuned for our next post about the Tombs of Mycenae…

Thank you for watching, and thank you for reading!

 

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Mythologia – New Paperback and Hardcover Releases!

New Release Alert!

Eagles and Dragons Publishing is pleased to announce the release of the first paperback and hardcover editions in the Mythologia series of retellings from Greek Mythology!

As some of you may know, the four books in the Mythologia series have only been available in e-book format.

That is, until now!

Eagles and Dragons Publishing is happy to announce the publication of the first trade paperback and hardcover editions in the Mythologia series.

The Mythologia: First Omnibus Edition includes the first three books in the series… Chariot of the Son: The Story of Phaethon, Wheels of Fate: The Story of Pelops and Hippodameia, and lastly A Song for the Underworld: The Story of Orpheus and Eurydice.

As the fourth book in the series, The Reluctant Hero: The Story of Bellerophon and the Chimera, is a full length novel, we are also releasing it for the first time in a sturdy trade paperback edition and a beautiful hardcover edition.

All editions are now available, so if you are interested in getting a copy, just get the ISBN number for the edition of your preference on the book’s page on our website. You can then order at your favourite on-line store, independent bookshop, or borrow a copy from your local public library.

To check out the new artwork, and to order copies of the new books, CLICK HERE.

Lastly, if you are interested in the Greek and Roman myths these books relate, as well as the research that went into writing them, be sure to check out the following articles:

Exploring the World of Gods, Goddesses and Heroes

From Zero to Hero – The Story of an Epic Race

A Song for the Underworld – Researching the Story of Orpheus and Eurydice

The Reluctant Hero – Retelling the Myth of Bellerophon and the Chimera

Long ago, when gods and heroes walked the earth in triumph and tragedy, true love and epic deeds were set among the stars…

Thank you for reading.

 

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New Video! – Ancient Akrotiri: A Short Tour

Greetings History-Lovers!

Today we’ve got a new video tour that will transport you back in time to one of the greatest volcanic eruptions in the world’s history: the Minoan Eruption of Thera (Santorini).

This past summer, we had the wonderful opportunity to tour the archaeological site and it was, to be honest, quite a moving experience.

As we walked around, we forgot about the heat and the crowds around us. Our thoughts were solely of the Minoans, the people who had inhabited ancient Akrotiri. We wandered the ruins of this advanced, ancient civilization, looking at their homes, their streets, the pottery, and the walls that were adorned by some of the most beautiful frescoes ever discovered.

The ‘Spring Fresco’ from Akrotiri (National Archaeological Museum)

This is an ancient ghost town, a place that was once full of life, and art, and song, but which is now covered by layer upon layer of volcanic rock and ash.

In this short video, you will experience the excavations up close and personal to see how archaeologists have, over the years, brought Akrotiri back into the light.

For those of you who have not read it, be sure to check out our previous blog post Ghosts of Akrotiri by CLICKING HERE.

And so, without further ado, Eagles and Dragons Publishing presents our newest mini documentary Ancient Akrotiri: A Short Tour.

We hope you enjoy it!

Be sure to subscribe to the Eagles and Dragons Publishing YouTube channel so that you don’t miss any new releases.

Thank you for reading, and thank you for watching.

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