Rewarding Sacrifice: What today’s world leaders can learn from Alexander the Great

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Every year around this time, I try to write a post dedicated to the theme of Remembrance Day, something of a hat-tip to the service men and women who are scattered over the Earth trying to protect the world from itself.

After all, everyone one of my books deals with warriors, the struggle of war, and the changes war wreaks upon the fighters, their families, and the world around them. Eagles and Dragons Publishing’s #1 best selling book in 2016, A Dragon among the Eagles, is dedicated to men and women in service (and I mean that with utmost sincerity), and every year I attend my local Remembrance Day ceremony and think of all those who have laid down, or are currently risking their lives for the rest of us.

D-Day at Omaha Beach, Normandy

D-Day at Omaha Beach, Normandy

I think of my two grandfathers who fought in the World Wars as part of the British Army and Greek Merchant Navy respectively, and of my cousin who lost her husband outside of Kandahar more recently.

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But is this enough of a tribute?

I don’t think so.

Frankly, I feel like anything I do or say or write, no matter how sincere and heartfelt it is, is not enough to be of sufficient thanks.

And I’m not talking about honouring war or the politicians who send men and women to war for their own selfish ends. I’m not going to sully this post with talk of political motives.

The troops are not responsible for the wars that happened in the past, or that are happening as we speak.

British Troops in Afghanistan

British Troops in Afghanistan

Sadly, we’ve seen a whole new generation of veterans emerge, people younger than you or I. When I was young, the word veteran was relegated to grandparents wearing poppies, or stories from history.

Not so anymore.

And we’ve a seen a resurgence of anti-war, pro-soldier art in the form of books, music, illustration, poetry, film and more. So much that seeks to honour the sacrifices being made.

Is it important to create these works of art?

Absolutely.

But again, is it enough?

I still don’t think so…

A new generation of troops

A new generation of troops

Let me say this now. I don’t have any answers. You won’t leave this post thinking, wow, he’s hit it on the head!

That is not my intent. But my hope is that we can all be a bit more aware and leave this post with some questions in our minds.

My original intent with this post was to rant about the lack of support for troops returning from various tours in the current hell-holes of the earth.

But ranting isn’t productive either.

WWII veterans visiting a cemetery in Normandy

WWII veterans visiting a cemetery in Normandy

In truth, when I started research for this post, I did some digging on-line for programs intended to support veterans and their families here in Canada, as well as in the USA and United Kingdom.

To my surprise, there are a lot of support systems in place.

That’s good, because veterans of any age are dealing with a tonne of shite that you and I can only imagine. Here are just a few:

  • extreme uncertainty

  • re-integration into civilian society

  • proper health care for injuries sustained in line of duty

  • PTSD (Post-Traumatic Stress Disorder)

  • relationship difficulties

  • unemployment

  • homelessness

  • financial uncertainty and debt

That is a pretty heavy list, and there are a lot more that could be added to it.

pained-serviceman

The support that is out there is largely charity and foundation-driven. Many groups seem to be doing some outstanding work, and they do get some government support, but perhaps not enough.

Shouldn’t the people sending troops into danger do their utmost to help those same troops when they return home and are in crisis as a result of combat?

Alexander riding into battle at the head of his troops

Alexander riding into battle at the head of his troops

This leads me to the title of this post: Rewarding Sacrifice: What today’s world leaders can learn from Alexander the Great

Whenever I think of the prime example of a true leader, I think of Alexander the Great.

Yes, I know many think of him as blood-thirsty tyrant, a maniacal conqueror, maybe even a selfish psychopath.

Whatever you think of Alexander the Great, however, you can’t deny that he shared in his soldiers’ hardships, and led by example. He inspired his troops to do what many thought was impossible, and after it all, including looming mutinies, they still loved him.

Alexander led from the front in every engagement, and when the battles were over, he knew how to reward his soldiers.

He knew that they had given everything to him, that they had been away from their families for years. They had fought and died, and Alexander, though disappointed with their grumblings at times, knew how to reward their sacrifices.

So what can world leaders learn from Alexander the Great?

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What prompted this question was a passage I came across while doing some research for the (still ongoing) Alexander novels.

When Alexander’s army had crossed the Gedrosian Desert at the end of their long march to India, and they arrived at Opis, the troops, jealous of ranks given to Persians, threatened mutiny again.

Alexander delivered his famous ‘speech at Opis’ then, speaking to his disgruntled troops, not as the son of Zeus, or the new ‘Great King’, but as one of them. He could do this, and his words did move them, for he had shared their toils. If you would like to read the full speech in Arrian’s Anabasis, CLICK HERE.

But what we are concerned with here is not the mutiny, or the speech itself. It is how Alexander rewarded the veterans, those unfit for service due to old age and injury, or those unwilling to go further.

According to A.P. Dascalakis in his book Alexander the Great and Hellenism, Alexander:

“…had paid off all their debts, without asking how they had been contracted: they received high pay, besides what they seized as booty after every siege. Most of them had golden wreaths, as immortal guerdons of their valor and of honor from him. And if any died, their death was glorious, their burial splendid; bronze statues of most of them were set up in their towns, their parents were honoured and were exempt of all tax or levy.”

Think about some of that for a moment…and then think of the list of things troops returning home have to deal with after serving.

Canadian troops in Afghanistan

Canadian troops in Afghanistan

From what I can tell, there are support programs to help veterans with PTSD, injuries, and general health care, but we still hear a lot about veterans living on the streets, unable to afford a home, however small, or even get a job.

Some might say ‘Hey, a lot of other people are out there facing those same things!’, and that is true, but not everyone steps forward to defend their fellow citizens on the battlefield.

Alexander the Great honoured his soldiers with wreaths and statues and his love, but more practically, he paid off their debts, gave them good pensions, and rewarded their families by exempting them from taxation. He also ordered that soldiers’ children be given a proper education.

This got me to wondering…

If returning veterans did not have to worry about debt, taxation, homelessness, little to no pension, or further education for themselves or their children, they could focus more on the intense healing needed for them to deal with PTSD, health issues, new disabilities, and re-integration into the society which they had stepped up to defend.

Out of the trenches in WWI

Out of the trenches in WWI

I think Alexander the Great had it right. Give your veterans the rewards they deserve, commensurate with the sacrifices they have made.

I know this is more practical, but sometimes I’m guessing that is what’s needed.

Here are some crazy ideas Alexander the Great would approve, and that world leaders could implement for veterans:

  • Forgive all debts for veterans and their families so that they can have a fresh start

  • Give them boundless health care to overcome their wounds (mental and physical)

  • Ensure all vets get high-level pensions

  • Create legislation that forces all colleges and universities to provide free tuition for veterans and veterans’ children

Some of this may already be done in some countries, but I suspect most not.

Does this mean higher taxes for the rest of us civilians?

Likely, yes. But these are things that I think we can do for those who put themselves on the line for the rest of us.

Greek Resistance fighters in WWII

Greek Resistance fighters in WWII

Call me naïve and idealistic, but with everything else vets are dealing with, money worries should not be among them.

As I said before, I don’t have all the answers, and I don’t know about all the programs for veterans and their families that are out there.

Here are a few that I know of and which I came across while researching this post:

In Canada:

Vets Canada

Veterans Transition Network

Wounded Warriors Canada

Veterans Affairs Canada

In the United Kingdom:

Veterans Aid

Veterans’ Foundation

Royal British Legion

Veterans UK

In the United States:

Disabled Veterans National Foundation

Veterans Support Foundation

United States Veterans Initiative

US Department of Veterans Affairs

If any of you know of some particularly helpful charities or programs in the country where you are, please do share the information in the comments below. You never know who will be reading and whether something here might help.

Also, if you haven’t heard about Theatre of War, you may want to check out this post on healing PTSD with ancient Greek tragedy. PTSD was a condition that afflicted ancient warriors as well as modern ones, and this particular theatre group has been making great headway in helping veterans to cope with PTSD. CLICK HERE to check it out.

As for what us civilians can do, it may not be enough, but every little must help.

Pin a poppy on your jacket, donate to a veterans’ charity, go to a ceremony, write a blog post, shake a vet’s hand, say thank you to a veteran.

It’s all better than doing nothing, lest we forget…

Thank you for reading

lone-poppy-lest-we-forget

 

This year, Eagles and Dragons Publishing is happy to make a donation to Wounded Warriors Canada and their COPE program which provides therapy to military families dealing with PTSD.

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Ancient Everyday – Garum: MSG of the Roman World

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Here is lordly garum, a costly gift, made from the blood

of a still-gasping mackerel

(Marcus Valerius Martialis)

If you are a fan of the Roman Empire, or read any fiction or non-fiction about Roman civilization, chances are you will come across a certain salty condiment that many ancients went mad for.

In this edition of Ancient Everyday, we’re going to look at garum.

fish-mosaic

Now, let me say this: I’m not a big fish-eater.

Yes, I know, I’m half island Greek and don’t all Greeks love to eat fish?

Not this one.

So let me tell you that when I first found out what garum was, what it was made of, I had a titanic wave of nausea wash over me.

But whereas garum would have had me running, most Romans across the Empire loved this stuff!

So, as this is supposed to be an educational piece, I shall set aside my disgust and press on in the interests of history.

A Roman Banquet - spot the hints of garum!

A Roman Banquet – spot the hints of garum!

So, what exactly is garum?

Basically, it is fermented fish sauce that was used as a condiment on just about anything. It was created from fish intestines and other parts mixed with salt.

It was immensely popular and supposedly quite healthy in that it was packed with protein, amino acids, minerals and vitamin B.

It was also rich in monosodium glutamate. That’s right…MSG!

Many of you will know MSG as a long-standing chemical compound used in modern food flavouring. It’s been called a ‘silent killer’, and linked to adverse health effects including something called ‘Chinese restaurant syndrome’.

fish-parts-and-salt-the-main-ingredients-for-garum

Fish bits used to make garum

Now I don’t know if the Romans experienced anything like garumitis (today’s made-up word), and that doesn’t really matter here. What we need to know is that Romans put it on everything from seafood and chicken, to olives, porridge and more. It was the food seasoning of choice for those who could afford it.

They couldn’t get enough of garum!

Here is Pliny the Elder, the famed natural historian, speaking about garum:

Another liquid, too, of a very exquisite nature, is that known as “garum:” it is prepared from the intestines of fish and various parts which would otherwise be thrown away, macerated in salt; so that it is, in fact, the result of their putrefaction. Garum was formerly prepared from a fish, called “garos” by the Greeks; who assert, also, that a fumigation made with its head has the effect of bringing away the afterbirth.

At the present day, however, the most esteemed kind of garum is that prepared from the scomber, in the fisheries of Carthago Spartaria: it is known as “garum of the allies,” and for a couple of congii we have to pay but little less than one thousand sesterces. Indeed, there is no liquid hardly, with the exception of the unguents, that has sold at higher prices of late; so much so, that the nations which produce it have become quite ennobled thereby. There are fisheries, too, of the scomber on the coasts of Mauretania and at Carteia in Bætica, near the Straits which lie at the entrance to the Ocean; this being the only use that is made of the fish. For the production of garum, Clazomenæ is also famed, Pompeii, too, and Leptis; while for their muria, Antipolis, Thurii, and of late, Dalmatia, enjoy a high reputation.

(Pliny the Elder, Natural History 31.43)

Artist impression of a garum factory

Artist impression of a garum factory

After the garum liquid was extracted, the macerated remains, a pulp called allec, was used by the poorer classes, those who could not afford garum, to flavour their porridge – a grisly tapenade of sorts.

FYI – I prefer maple syrup on my porridge.

Garum production and export was a BIG industry in the Roman Empire, with production centres, a system of distribution by land and sea, amphora marked by the producer etc. etc.

It was also a smelly industry, for obvious reasons, so garum factories were often located outside of cities.

Garum amphorae

Garum amphorae

Just as with wine and olive oil, there were different grades of garum that were priced accordingly, as Pliny alludes to in the quote above.

Not all gara were created equal, and there were different recipes from different ports. The best was said to be from the Iberian Peninsula, in Hispania, particularly from Carthago Novo (Cartagena), and Gades (modern Cadiz in Andalusia).

Ruins of a garum factory in Spain

Ruins of a garum factory in Spain

Different fish were used in garum too, depending on the company, recipe, and place where it was made. Some of the most common were mackerel, anchovies, sprats, sardines, tuna, and even shell fish. Archaeology has also revealed the production of kosher garum among Roman Jews.

You might think that every person in the Empire loved garum, but not everyone was a fan, including Seneca, whose family was from Hispania:

What? Do you suppose that those oysters, a sluggish food fattened on slime, do not weigh one down with mud-begotten heaviness? What? Do you not think that the so-called “Sauce from the Provinces,” the costly extract of poisonous fish, burns up the stomach with its salted putrefaction? What? Do you judge that the corrupted dishes which a man swallows almost burning from the kitchen fire, are quenched in the digestive system without doing harm? How repulsive, then, and how unhealthy are their belchings, and how disgusted men are with themselves when they breathe forth the fumes of yesterday’s debauch! You may be sure that their food is not being digested, but is rotting.

(Seneca, Ad Lucilium Epistulae Morales 95.25)

Seneca seemed like a rather more health-conscious person, so, perhaps like people today who ask for their Chinese food without MSG, he was aware (or disgusted by) the adverse effects of consuming too much of the over-pricey liquid that Pliny believed was “exquisite in nature”.

I suppose the tastes of the people in the Roman world were as vast and varied as the Empire itself.

Modern garum

Modern garum

For myself, I’ll give garum or its modern equivalent a miss, but that’s not to say people don’t go in for it today. Maybe you do as well?

Thank you for reading!

 

the-classical-cookbook

If you are curious about an ancient recipe that uses garum, and you want to try it out, the Classical Cookbook has a few. Here is one by Apicius for soft-boiled eggs (page 117) that you may want to try.

Ingredients:

– 4 oz pine kernels, soaked overnight in white wine

– 1 teaspoon chopped fresh lovage or celery leaf

– 1 tablespoon of Garum (Fish Sauce)

– 1 tablespoon of honey

– 1 tablespoon of white wine vinegar

– ½ teaspoon of ground black pepper

– 4 soft-boiled eggs

Strain the pine kernels and pound or process them to a smooth paste. Add the lovage, fish sauce, honey, vinegar and pepper and continue to pound or process until you have a smooth mixture. Finish the dish as if you were making egg mayonnaise and garnish with cucumber.

Bon appétit! Or rather, Bene sapiat!

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Samhain at the Gates of Annwn

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It’s the end of October, and as it is the ancient Celtic festival of Samhain I thought it would be a good idea to look a place that is both mysterious and iconic: Glastonbury Tor.

To most, the mere mention of Glastonbury will likely conjure images of wild, scantily clad or naked youths and aged hippies. You’ll think of thousands of people covered in mud as they wend their way, higher than the Hindu Kush, among the tent rows to see their favourite artists rock the Pyramid Stage.

It’s a great party, but to me that’s not the real Glastonbury.

This small town in southwest Britain is an ancient place. The real Glastonbury is a place of mystery, lore and legend. It is a place that was sacred to the Celts, pagan and Christian alike, Saxons, and Normans. For many it is the heart of Arthurian tradition, and for some it is the resting place of the Holy Grail.

Today, Glastonbury is a place where those seeking spiritual enlightenment are drawn. The New Age movement is going strong there, yet another layer of belief to cloak the place.

I lived in the countryside outside of the town for about 3 years and I never tired of walking around Glastonbury and exploring the many sites that make it truly unique.

From where I lived on the other side of the peat moors, I awoke every morning to see Glastonbury’s majestic Tor shrouded in mist.

My morning view of the Tor across the Somerset levels

My morning view of the Tor across the Somerset levels

Tor is a word of Celtic origin referring to ‘belly’ in Welsh or a ‘bulging hill’ in Gaelic. Glastonbury Tor thrusts up from the Somerset levels like a beacon for miles around. Every angle is interesting. On the top is the tower of what was the church of St. Michael, a remnant of the 14th century. Before that, there was a monastery that dated to about the 9th century A.D.

However, habitation of this place goes much farther back in time with some evidence for people in the area around 3000 B.C. But it was not always a religious centre. In the Dark Ages, the Tor served a more militaristic purpose and there are remains from this period.

In Arthurian lore, the Isle of Avalon is a sort of mist-shrouded world that is surrounded by water and can only be reached by boat or secret path. In fact, during the Dark Ages and into later centuries, until the drainage dykes were built, the Somerset levels were prone to flooding. This flooding made Glastonbury Tor and the smaller hills around it true islands. With the early morning mist that covers the levels, this watery land would have been a relatively safe refuge for the Druids, and early Christians, Dark Age warlords and late medieval monks.

The Tor surrounded by flooded levels - Avalon!

The Tor surrounded by flooded levels – Avalon!

In Celtic myth, Glastonbury Tor is said to be the home of Gwynn ap Nudd, the Faery King and Lord of Annwn, the Celtic otherworld.

Gwynn ap Nudd is the Guardian of the Gates of Annwn. He is an Underworld god. It is at Samhain that the gates of Annwn open. This was also the place where the soul of a Celt awaited rebirth. (Quick hint: We delve into this in the upcoming Eagles and Dragons novel, Warriors of Epona!)

If you are on the Tor at Samhain, you may hear the sound of hounds and hunting horns as the lord of Annwn emerges for the Wild Hunt of legend.

The Wild Hunt 1872 by Peter Nicolai Arbo

The Wild Hunt 1872 by Peter Nicolai Arbo

In Arthurian romance, there is a tradition of the wicked Melwas imprisoning Guinevere on the Tor. Arthur rides to the rescue, attacks Melwas and saves Guinevere. This particular story mirrors an episode in Culhwch ac Olwen, one part of the Welsh Mabinogion, in which Gwythyr ap Greidawl attempts to save Creiddylad, daughter of Lludd, whom he is supposed to marry, from Gwynn ap Nudd himself.

Another even more fascinating Arthurian connection can be found in a pre-Christian version of the ‘Quest of the Holy Grail’, called the ‘Spoils of Annwn’ which was found in the ‘Book of Taliesin’. In this tale, Arthur and his companions enter Annwn to bring back a magical cauldron of plenty. In this, some say that ‘Corbenic Castle’ (the ‘Grail Castle’) is actually Glastonbury Tor. It isn’t just Herakles and Odysseus who journeyed to the Underworld!

Glastonbury Tor is not only associated with Celtic religion, myth and legend. It is also said by some to be a place of power or a sort of vortex in the land that lies along some of the key ley-lines, including what is called the St. Michael ley-line. The majority of sites associated with St. Michael, the slayer of Satan, along the ley-line were indeed places of power and belief of the old religion.

But this is nothing new. Christians built on top of sites sacred to the pagans they were eager to overcome. What better way to symbolize your ‘victory’ than to build right on top of a site and make it yours.

‘Gates of Annwn and Gwynn ap Nudd? Let’s build a church of St. Michael on top of it! That’ll show ‘em!’

Artist impression of Gwynn ap Nudd at the hunt

Artist impression of Gwynn ap Nudd at the hunt

But myth and legend persist through story and place, and the Tor is a prime example of how successive traditions do not overcome each other, but rather combine to make up the various aspects of that place.

If you ever get to Glastonbury, the Tor is a definite must. Walk to the top and sit awhile. Look out over the landscape and watch the crows and magpies dive in the wind around the steep slopes. Close your eyes and listen. While you’re there, you can decide whether you are sitting on a natural formation, a ceremonial labyrinth, a hill fort, a sleeping dragon, the mound where Arthur sleeps until he is needed once more, or the doorstep of the Gates of Annwn itself! The Tor is all of these things and more.

However, no matter what you believe, one thing is certain: Glastonbury Tor remains a site of extreme beauty and mystery that is well worth a visit, even if it is just to watch the sun sink in the West.

Have a safe and happy Samhain.

samhain-bonfire

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The World of Killing the Hydra – Part V – Desert Legion: The Fortress of Lambaesis – Imagining Saharan Frontier Life

The World of Killing the Hydra

What was it like to live on the very edge of the Roman Empire?

When writing Killing the Hydra, this was something I asked myself many times. What was life like for soldiers, commanders, women, children, and locals under Roman rule? What was it like to be so isolated in a place that, for many, sat on the precipice of the known world?

algerian-desert

The Numidian Desert – the Sahara in modern Algeria

In this fifth and final part of The World of Killing the Hydra, we’re going to look at the place where Lucius Metellus Anguis is posted to, and where his family joins him – the legionary base at Lambaesis.

Lambaesis was located in the province of Numidia (modern Algeria), and was the base for the III Augustan legion at the beginning of the third century A.D. when this story takes place. Lambaesis was established by Emperor Hadrian between A.D. 123-129 when the III Augustan legion moved there.

Hadrian toured the Empire and on his visit to Lambaesis, he addressed the troops of this desert legion. Evidence of this address has come down to us in the form of a pillar inscription that was located on the large outdoor parade ground of the base.

Part of the inscription from Lambaesis documenting Hadrian's address to the troops when he visited there.

Part of the inscription from Lambaesis documenting Hadrian’s address to the troops when he visited there.

The III Augustan legion, however, was older than that. It originated under Pompey the Great in the civil war against Julius Caesar and was eventually moved to North Africa in 30 B.C. by Octavian (who became Augustus) after his victory over Mark Antony.

Eventually, the III Augustan came to be based at Lambaesis, one of only two Roman legions in North Africa, the other being based in Aegyptus.

The III Augustan played an important role in the security and urbanization of North Africa, helping to build roads, aqueducts, fortifications, theatres and more. This work in turn connected towns and cities, facilitated trade, and provided protection for outlying settlements. The work of the army engineers and surveyors brought Roman civilization to this remote frontier.

The Praetorium of Lambaesis

The Praetorium of Lambaesis

The III Augustan was a veteran legion, and of the remains present in that place, apart from the arches of Septimius Severus and Commodus, temples, baths and cemeteries, the principia with its open courtyard is the most stunning of its remains.

This base was on the edge of the deep desert in modern Algeria, backed by the Aures Mountains. At first glance, this seems to have been a lonely windswept place, just as it is today. However, during the Roman period, Lambaesis would have been a busy, thriving place.

Artist impression of Lambaesis by Jean Claude Golvin

Artist impression of Lambaesis by Jean Claude Golvin

This was not so much an active frontier like that of the Danube or Parthian fronts, but rather a more peaceful place, punctuated with occasional incursions by Garamantians, nomadic Berber tribes and others.

For the most part, the veterans of the III Augustan took part in public building works and improvements, as well as patrols. The men of the legions were a part of society at Lambaesis and the surrounds.

Previously, men of the legions were not permitted to marry, but this law was changed under Septimius Severus, and so many men would have had families living in the vicus outside the base’s walls, or in some instances within the walls.

Add to this the presence of the large, prosperous colonia of Thamugadi, just seventeen miles away, and you have a frontier that was busy, social, and economically vibrant.

Aerial view of the colonia of Thamugadi

Aerial view of the colonia of Thamugadi

The colonia of Thamugadi was where veterans of the III Augustan legion retired to once their military service was at an end. It was founded by Emperor Trajan in about A.D. 100 under the name of Marciana Traiana Thamugadi. It was a walled settlement, but not fortified, and had a population of about 15,000.

Today, it is made up of some of the most intact and vast ruins of Roman North Africa, including the well-preserved arch of Trajan. It had twelve public baths, theatres, a public library, a basilica and a magnificent temple of Jupiter.

The arch of Trajan in Thamugadi

The arch of Trajan in Thamugadi

One imagines that it was lonely for soldiers’ wives and their children, being posted to such a remote location, compared with other parts of the Empire, but with the changed laws regarding marriage for troops, the close proximity of Thamugadi to Lambaesis, and the thriving economy of Roman North Africa at this point in time, it seems like Saharan frontier life may not have been the sort of lonely, wasteland existence that I had in mind when I started my research and writing.

I always try to travel to the places I am writing about, but sometimes that just isn’t possible, or safe. Lambaesis was one of those places.

At the time of my Tunisian research for Children of Apollo and Killing the Hydra, we were told there was a travel ban to Algeria where the remains of both Lambaesis and Thamugadi are located.

Artist impression of Thamugadi by Jean Claude Golvin

Artist impression of Thamugadi by Jean Claude Golvin – this was not a tiny village, but a bustling settlement!

Our 4X4 skirted the military border between the two countries, distant guard towers and barbed wire visible as a long grey line cutting across the North African landscape.

We asked our guide if we could drive into Algeria but he was adamant that it wasn’t possible. “No chance. It is forbidden. They will shoot at us,” he said.

I don’t know if that was true or not, but some things are not worth the risk. After all, we have the internet now and a myriad of resources on-line.

So, we had to settle for pulling our truck over on the gravelly roadside and gazing westward across the guarded border to the Aures Mountains of Algeria and imagining what remnants of Rome lay scattered in that vast expanse.

Mosaic fragment from Lambaesis

Mosaic fragment from Lambaesis

The light was dull that day, an iron-grey winter sky, so the feeling of loneliness and desolation was acute. Somewhere out there was the base of the veteran III Augustan legion. There was a colonia for veterans filled with the amenities of Roman civilization.

This was a land where my character was to be posted, along with his family, and the families of his fellow officers and troops. Many would have had family and friends in Thamugadi, done business there, and used the network of roads that really did, in one way or another, lead back to Rome…

It was hard to imagine as I stood there with the dust whipping around us, our guide looking nervously in our direction as if we might attempt something stupid.

The relief on his face when we said “OK. Let’s go.” was darkly comic. It was also real.

But maybe that hints at Saharan frontier life in the Roman Empire?

Aerial view of Lambaesis

Aerial view of Lambaesis

Despite the fact that this was not one of the most active (militarily) fronts of the Empire, or that Roman civilization was indeed present and thriving in this remote place far from the heart of the Empire, Lambaesis was nevertheless a place of war, a place of danger, a place where one could not let one’s guard down. When war was not being waged, there were still battles to be fought on the political front, and enemies lurking in the shadows.

History has taught us that complacency can lead to trouble, and in the Roman Empire this was a fact of life.

Will Lucius Metellus Anguis come out of it alive? Will he be able to protect his family in that remote corner of the world?

Well, you would have to read the book to find out.

Killing the Hydra (Eagles and Dragons - Book II)

I hope you have enjoyed this series on The World of Killing the Hydra.

Writing this book was a fantastic adventure that took me to places I never expected to reach, but which are endlessly fascinating. If you read it, I do hope you enjoy it.

And if you missed any of the posts in this blog series, you can read the full set of blog posts by CLICKING HERE.

If you have not yet read any of the Eagles and Dragons series books, remember you can always get the first book, A Dragon among the Eagles, for FREE. Just CLICK HERE.

Thank you for reading.

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The World of Killing the Hydra – Part IV – Horse Warriors: The Sarmatians

The World of Killing the Hydra

In this fourth installment of The World of Killing the Hydra, we’re going to look at a group of warriors who also have ties to myth, and who, as a fighting force, became legendary in the Roman world.

We are, of course, going to talk about the Sarmatians.

In Killing the Hydra, Lucius Metellus Anguis finds himself getting to know the men of the cavalry ala of Sarmatians who have been sent to join the III Augustan Legion at Lambaesis, in Numidia.

Artist impression of Sarmatian Cavalry

Artist impression of Sarmatian Cavalry

The leader of this fighting force is Mar, a king of his people who led them against Rome in the wars with Emperor Marcus Aurelius. Mar is joined by his royal nephew, Dagon, and both men play a key part in the story.

But who were the Sarmatians?

The average person has not heard about this group of warriors that came to form the elite heavy cavalry of the Roman Empire. Most people probably know of them only from the role they play in the movie King Arthur, with Clive Owen.

Researching Sarmatian warrior culture was a fascinating part of the research for Killing the Hydra.

The Sarmatians were a Scythian-speaking people from north of the Black Sea, and the high point of their civilization spanned from the 5th B.C. to the 4th century A.D. when they eventually went into decline because of pressure from the Huns and Goths.

Lance head of a Sarmatian 'contos', a 16 foot lance

Lance head of a Sarmatian ‘contos’, a 16 foot lance

The Sarmatians were a nomadic Steppe culture whose lands extended from the Black Sea to beyond the Volga in western Scythia.

Herodotus believed the Sarmatians (or ‘Sauromatae’) were descended from intermarriage between Scythian men and Amazon women, and that ever since the two peoples joined:

“the women of the Sauromatae have kept their old ways, riding to the hunt on horseback sometimes with, sometimes without, their men, taking part in war and wearing the same sort of clothes as men… They have a marriage law which forbids a girl to marry until she has killed an enemy in battle; some of their women, unable to fulfill this condition, grow old and die unmarried.” 

(Herodotus, The Histories, Book IV)

Indeed Sarmatian grave discoveries have revealed armed women warriors, so it seems likely that such tales would easily have given rise to the Greek perception that the Sarmatians were descended from the Amazons, those beautiful and terrible daughters of Ares.

Amazons in battle

Amazons in battle

 In Killing the Hydra, Mar, in conversation with Lucius, relates to the young Roman how the women of their people also fought:

“The women of our land are brave souls. We do not lock them up before the hearths of our homes. They are free to ride with us and wield the sacred sword. Some are priestesses and others have been gifted by our gods with foresight. Sarmatian women are nobler than what your Latin word ‘noble’ implies.”

(Mar, in Killing the Hydra)

And what of the men? Sarmatian men were fierce warriors and skilled horsemen, and according to the Roman writer Ammianus Marcellinus, they:

“…have very long spears and cuirasses made from smooth and polished pieces of horn, fastened like scales to linen shirts; most of their horses are made serviceable by gelding, in order that they may not at sight of mares become excited and run away, or when in ambush become unruly and betray their riders by loud neighing. And they run over very great distances, pursuing others or themselves turning their backs, being mounted on swift and obedient horses and leading one, or sometimes even two, to the end that an exchange may keep up the strength of their mounts and that their freshness may be renewed by alternate periods of rest.” (Ammianus Marcelinus, Roman History, Book XVII)

A Sarmatian crown

A Sarmatian crown

Sarmatian art and culture is also very rich.

Animal imagery was common in their artwork and often included such totem animals as dragons, griffins, eagles, sphinxes, snake women, and of course, horses. Often, these images were tattooed on their bodies.

The characters of Mar and Dagon are naturally curious about the dragon imagery on Lucius’ armour and weapons. They see it as a sign.

Also, if you remember the Sibyl’s prophecy from Children of Apollo, you will know that Lucius’ meeting with the Sarmatians is no coincidence.

The Sarmatians take their gods very seriously, but the one they most revered was their war god who was represented by the Sacred Sword.

Sarmatian Warriors on Trajan's Column

Sarmatian Warriors on
Trajan’s Column

The Sarmatians’ favourite trial of strength was single combat.

They believed that there was mystical power in battle, and when they defeated their enemies, it’s said they often took the heads, scalps, and beards of the vanquished, drinking blood from the skulls of the slain.

Ancient cultures often did have what we might perceive as barbaric rituals, but it’s sometimes difficult to detect truth in the midst of Greek and Roman propaganda or storytelling.

The picture painted does make for a wonderfully colourful group of warriors.

Despite the tales of fighting women, magic swords, scalping, and the drinking of blood, there is one fact that remains certain – the Sarmatians were some of the best cavalry the world had ever seen.

They were sometimes known as ‘lizard people’ because of their scale armour which covered both the horse and rider almost completely.

The Sarmatians were heavy cataphracts, the shock troops that were used to ride down the enemy while wielding their long swords, and the contos, a lance of about five meters, or sixteen feet long.

Artist impression of a Draconarius carrying a Draco

Artist impression of a
Draconarius carrying a Draco

The image that the Sarmatians are probably most known for, however, is the draconarius.

This was their war standard which they carried into battle. It consisted of a bronze dragon’s head with a long wind sock attached to it. It was held on a pole and carried at a gallop. When the wind passed through the draco, it made a loud howling sound that was said to terrify the enemy.

The draco was adopted as a standard by all Roman cavalry in the 3rd century A.D.

It’s amazing that, as a highly disciplined fighting force, the Sarmatians remained active for as long as nine centuries.

When Marcus Aurelius won a decisive victory over the Sarmatians in A.D. 175, he obtained an elite heavy cavalry for Rome that would make the auxiliaries much more of a force to be reckoned with.

Coin of Marcus Aurelius showing Sarmatian captives

Coin of Marcus Aurelius showing Sarmatian captives

As ever, the Romans knew a good thing when they saw it.

In the aftermath of Rome’s victory, Marcus Aurelius obtained 8000 heavy Sarmatian cataphracts which became the most skilled cavalry of the age.

It is these warriors, descended from the Amazons and mighty Scythians of the Steppes, who now step into The World of Killing the Hydra.

Mar, Dagon, and their warriors turn the tides of war against the nomads in Numidia, and become an important new force in the life of Lucius Metellus Anguis.

Draco standard

Draco standard

The Dragons are now in the thick of it with the Eagles of Rome.

Thank you for reading.

 

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The World of Killing the Hydra – Part III – Thugga: Walking through a Roman Ghost Town

The World of Killing the Hydra

We’re heading back into the province of Africa Proconsularis this week with a brief look at one of the best preserved ‘small towns’ of Roman North Africa – Thugga.

I visited Thugga (also spelled ‘Dougga’) a few years ago, when I was doing research in Tunisia for Children of Apollo and Killing the Hydra.

I was with a small group that headed out in two 4x4s from the ruins of Carthage, south to Thysdrus (El Jem), across the great salt plains of Chott El Jerid and into the soft, sand-seas of the Sahara.

douz-desert

When we turned north again, skirting the edge of the guarded Algerian border, we came once more into the lush plains of northern Tunisia where grey mountains sprout from green, olive-dotted valley floors, and where low clouds hovered comfortably around their peaks in what was the mildest January I’ve ever experienced.

The countryside was beautiful and lonely, and I missed the desert dunes very much by that point, our time in the South having been all-too-short.

Countryside of Northern Tunisia

Countryside of Northern Tunisia

Admittedly, I had not heard of our next destination, ‘the place of Dougga’ as our guide called it. Our truck pounded along the winding, potted roads, climbing higher and higher, the land getting greener by the mile.

I also had a fever at this point in the journey, the result of having opted for what I thought was boiled soup, rather than camel meat a couple nights before.

Quick tip: they don’t boil the soup, and eating it is equivalent to drinking a murky glass of Saharan tap water.

A public latrine in Thugga

A public latrine in Thugga

Nevertheless, the historian in me could not help but spot the distant ruins perched on a hillside in the distance. As we came closer, and the road got rougher, it became apparent that there was much more to ‘the place of Dougga’ than we had been led to believe.

The sprawling remains of Thugga

The sprawling remains of Thugga

This wasn’t a small gathering of weathered ruins – it was a city! Or rather, it felt as such in that lonely, windswept place.

I stepped out of the truck, grateful that the ‘Couscous Beats’ soundtrack our driver had been torturing us with since the beginning of the trip finally stopped. Everything was quiet, but for the wind, and the crunch of gravel beneath our feet as we approached the small, shuttered kiosk.

When I saw no one was there, I wondered if we would be able to get in, and craned my neck to try and see the tantalizing view beyond the gates.

From the side came a man with a shot gun slung over his shoulder. We had just woken him from his obviously important duty. He smiled however, and spoke in hushed tones with our guide who evidently knew the man, or appeared to know him.

Our man turned to us and nodded. “You have one hour,” he said, and the gates opened.

One of the main streets of Thugga

One of the main streets of Thugga

I’m not going to go into the history of Thugga a great deal here – there is an uncharacteristically good Wikipedia page on this site which you can read by CLICKING HERE.

But, before we walk the streets of this Roman ghost town, there are a few things worth mentioning.

Thugga has had a long a varied history of settlement, having gone from its origins as a Numidian-Berber settlement, to a place under Punic control during the ages of Carthaginian hegemony, to a major Roman town, and finally under Byzantine control prior to Arab dominance in the region.

In the first century B.C., the Greek historian, Diodorus Siculus mentioned the “beautiful enormity” of Thugga.

The Forum of Thugga

The Forum of Thugga

It is a big site – about sixty-five hectares (about 161 acres) – which makes it surprising that Thugga is considered a ‘small’ Roman town. Its population when it was at its most prosperous in the 2nd and 3rd centuries A.D. is said to have been about five thousand residents.

UNESCO made it a World Heritage Site in 1997, and cited it as the “best preserved Roman small town in North Africa”.

Thugga was a thriving settlement because of agriculture, its location on the fields of northern Tunisia ideal for crops. But its fortunes took an even better turn in A.D. 205 when it was made a municipium by order of Septimius Severus and his son, Caracalla, acquiring the title of Municipium Septimium Aurelium Liberum Thugga. After that, Thugga received more rights and freedoms, and magistrates of the town were made Roman citizens.

Thugga didn’t enjoy the imperial favour that Severus’ hometown of Leptis Magna did, but it did prosper under Severus, aided by the fertile landscape that surrounded it, olives, oil, and grain being key to the running of the Empire.

Theatre of Thugga

Theatre of Thugga

I didn’t know any of this however, as I stepped through the gate of the archaeological site and entered the labyrinthine streets of Thugga as our guide settled himself beneath an olive tree and left us to our own devices.

One hour was not nearly enough time!

Our small group quickly broke apart as people set about exploring the site with confidence, as if they were walkers in some sort of past-life recollection, certain of where they needed to go.

For myself and my friend, it was more a feeling of overwhelm that snared us. The streets stretched out before us in great slabs of polished white and grey stone. We didn’t know where to start, so we headed in the direction of the biggest monument near the entrance – the theatre.

The theatre of Thugga is incredibly intact, and as we climbed the concentric rows of seating to the top, the picture of Thugga became much more clear as it spread out before us.

The Capitol of Thugga - the Temple of Jupiter, Juno, and Minerva

The Capitol of Thugga – the Temple of Jupiter, Juno, and Minerva

From the top row of the theatre I could see the high part of the town with the capitolium and agora beside it, the market place, the curve of one of the main streets passing the baths and going farther down into the residential part of ancient Thugga.

Five thousand residents may not seem like many, but when you look at a sprawling site like this, so quiet and complex, you begin to hear the voices of the past in a way that makes visiting an isolated archaeological site a truly unique experience.

To me, Thugga is a place of ghosts.

At every turn, I felt like I was intruding upon someone – a priest sacrificing in the Temple of Jupiter, Juno and Minerva, a slave buying supplies in the marketplace, a couple of locals discussing business in the agora, or two ladies whispering in hushed tones in the baths where they stand upon the black and white geometric mosaic floor that was open to the sky. From the marble-framed doorway of a private domus, a mother watches me pass while her child plays on the stoop at her feet… It was the same, everywhere we went.

Inside one of the public baths, mosaics open to the sky!

Inside one of the public baths, mosaics open to the sky!

As we walked around, the voices Thugga’s residents became louder in my ears, their shades passing around me as they went about their daily business.

I was blown away by the fact that this almost completely intact city was just sitting there, deserted, its mosaics open to the sky.

Even more shocking was that as I walked around, the seeds of my story began to take shape in my mind. I saw Lucius walking through these very streets, visiting the temple, the marketplace, being pursued by local thugs.

What I didn’t see was the young prostitute who would approach him on that very street I was walking on, and how she would be the only person who could help him in a time of need.

Wandering with the ghosts of Thugga down the main street

Seeing my characters wander down this main street…

As a writer, it’s a magnificent experience to have your story take shape like that. I didn’t realize it fully at the time as I stepped into the ruins of the brothel, or the public latrine, following the road down toward the second century B.C. Libyan-Punic mausoleum to look out over the valley.

As I stood there, our short, almost cruel, hour hard upon us, I can’t recall hearing any birdsong, tractors in neighbouring fields, or distant cars.

What sticks with me from my time in Thugga, apart from the wondrous physical remains, is the sound of the wind and the ghostly whispers of its citizens in my ears.

It really is one of the most amazing places I have ever travelled to, and the fact that it was deserted was a gift.

View of the lower town from the baths

View of the lower town from the baths

Reluctantly, I climbed back into the 4×4, my fever quite forgotten for the past hour, and the engine erupted, intruding on my reverie, drowning out the voices and the wind.

As we drove away from this ancient ‘small town’, I thought about how much that trip was a journey of discovery and inspiration, and how it helped me to realize that the Roman Empire was much more vast than I had ever imagined.

I knew I would go back to Thugga, but next time, it would be on the pages of my book.

thugga-forum-map

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The World of Killing the Hydra – Part II – Prostitution in the Roman Empire

The World of Killing the Hydra

We’re going to a different sort of place in this instalment of The World of Killing the Hydra.

In Part I, we explored the beauty of Leptis Magna which is where the book begins, and which was also the home of Emperor Septimius Severus.

But the Roman Empire was not all about beautiful monuments, lavish banquets, and the adoration of the people for the ruler of the time.

In fact, the Roman Empire had its own maze of back streets and alleyways where life was seedier, and more visceral. It wasn’t all polished marble, but rather slick brick and stinking cells.

WARNING: This post is not suitable for readers under 18 years of age. Also, if you are easily offended, some of the pictures of Pompeian frescoes in this post might be a bit too saucy for you. Just a word of warning for the innocent-minded.

eroticpair

We’re going to take a very brief look today at prostitutes and brothels in the Roman Empire.

Now, if you’re suddenly hoping that Killing the Hydra is my attempt at historical erotica, well, you’re looking in the wrong place. The book is not an orgy extravaganza. If you want that, check out the film Caligula with Malcolm McDowell in the title role.

However, you can’t really write about the Roman world without touching on the long-standing role that prostitution and brothels had to play in society.

They existed, and they most certainly flourished. People of all classes, mostly men, made it a normal practice to visit their favourite brothel from time to time.

If you liked the HBO show ROME, you might have an image of Titus Pullo whoring his way through the Subura with his jug of wine in hand. Certainly, this sort of behaviour was not uncommon, especially for troops fresh back from the wars and looking for a good time.

The flip side might be the richer, upper class nobility who may have believed visiting prostitutes was fine, as long as it was done in moderation and didn’t cause a scandal.

The prostitution scene in the Empire was as large and varied as the workers and clients who kept it running. There was something for everyone!

But let’s look at things a bit more closely.

The She-Wolf, or 'lupa', suckling Romulus and Remus

The She-Wolf, or ‘lupa’, suckling Romulus and Remus

 One could say that prostitution has ties to the founding of Rome itself.

You may have read about Romulus and Remus, the brothers who founded Rome and were suckled by the She Wolf, or Lupa.

We have heard of lost children being raised by wolves before, but in the instance of Romulus and Remus, many believe that they were actually raised by a prostitute who found them on the banks of the Tiber. The slang word for prostitute in Latin was lupa.

Nude_couple_in_bed__Roman_fresco_from_the_Casa_del_ristorante__room_f__western_wall__in_Pompeii__c__62-79_AD

And the word for brothel was in fact lupanar or lupanarium.

Clients were drawn in by the sexual allure of displayed ‘wares’, sometimes lined up naked on the curbside, and the various experiences to be had within. The latter were sometimes illustrated in frescoes or mosaics on the walls of the lupanar. These were intended to add to the atmosphere, or were a sort of menu of pleasures to be had.

There were of course ‘high-class’ prostitutes who catered to wealthy and powerful patrons, women who were skilled at conversation, music and poetry. These high end lupae provided an escape, or a feast with friends, in lavish surroundings coupled with a sort of blissful oblivion. Some might have been purchased by their wealthy clients to keep for themselves, and if that was the case they might have ‘enjoyed’ a relatively easy life compared to the alternative.

A lupa's 'office' - a cement bed

A lupa’s ‘office’ – a cement bed

The truth for most, however, was that they were slaves. And slaves in ancient Rome, as we all know, were objects, property to be used and disposed of on a whim.

Prostitutes – women, men, boys, girls, eunuchs etc. – were at the bottom of the social scale, along with actors and gladiators. They could be adored by clients one moment, and shunned the next. And if a lupa was no longer profitable, the leno (pimp), or the lena (madam) might sell them off as a liability, sending them to a life that was possibly even worse.

In ancient Rome, prostitution was legal and licensed, and it was normal for men of any social rank to enjoy the range of pleasures that were on offer. Every budget and taste was catered to, and because of Rome’s conquests, and the length and breadth of the Roman Empire in the early 3rd century, there would have been slaves of every nationality and colour. Clients of the lupanar would have had their choice of Egyptians, Parthians and Numidians, Germans, Britons, slaves from the far East and anywhere else, including Italians.

However, even though prostitution was regulated, don’t kid yourselves. This was not a question of morality, or curbing venereal diseases. This was about maximizing profit – prostitution was also taxed!

In Pompeii, prostitution became a sort of tourist trade. On the street pavement you just had to follow the phalluses to find the nearest brothel! There were something like thirty-five brothels in the town, and that’s not counting the small curbside cells or niches where the cheapest lupae provided quickies to passers-by.

The Great Lupanar of Pompeii

The Great Lupanar of Pompeii

The biggest brothel in Pompeii however, was the ‘Great Lupanar’ located at a crossroads two blocks from the Forum. Many of the frescoes pictured here are from that building which had ten rooms, where most lupanars had just a few.

But we’ve only been looking at prostitution and brothels in Rome and Pompeii. What would they have been like on the fringes of the Empire?

In Killing the Hydra, Lucius finds himself alone and in trouble in the Numidian town of Thugga. This is where he meets one of the secondary characters of the book, Dido.

Dido is a Punic girl who has lost her family and is all alone in the world. She is beautiful, and kind-hearted. But in a world where people were desperate to survive, those who didn’t have protection had few choices. For a young beautiful Punic girl on the North Africa frontier, there would not have been many places that offered a roof, a bed, food and clothing.

Wall painting from Pompeii

Wall painting from Pompeii

Dido is a prostitute in the Thugga brothel known as the ‘House of the Cyclops’, and she spots Lucius, a young, good-looking Roman walking by – a sure bet in her eyes, and perhaps better than her usual clientele.

But she doesn’t know Lucius yet. He’s not the average man out for a good time. He has much more pressing issues on his mind as he walks the streets of Thugga.

The 'House of the Cyclops' in Thugga, modern Tunisia

The ‘House of the Cyclops’ in Thugga, modern Tunisia

When I was doing my research for Killing the Hydra in Thugga (in central Tunisia), Lucius and Dido’s meeting played out in my mind as if they were walking alongside me.

Without giving too much away, Lucius ends up needing this young lupa’s help because he has no one else he can trust.

Can he trust this unknown, Punic girl? Will he go into the lupanar and seek her behind the curtain of her tiny cubiculum?

You have to read the book to find that part out. It is funny how one can find help in the most unexpected places!

sexual_scene_on_pompeian_mural_4

One might think that the subject of this particular post was rather fun to write, that the images above are titillating. And sure, they are to an extent. I don’t mind a bit of risqué material on occasion. Why not?

But then, I can’t help thinking of the lives that these female and male prostitutes had to endure. Very few enjoyed the favour of kind wealthy clients, living in luxurious surroundings.

Prostitutes were slaves and most were probably pumped and beaten for a bronze coin or two before having to receive their next tormentor. These people were objects to the rest of the world, not human beings. They were people’s daughters and sons, mothers, fathers, sisters and brothers. In many cases they’d been taken from their homes on the other side of the world. Perhaps they were all that was left of their family?

For most prostitutes in the Roman Empire, life was a living Hades – just something to remember when looking at this aspect of the larger world of Killing the Hydra.

erotic_scene__c_1-50ad__venereum__private_building__pompeii__man__naples__pd

If you are interested in learning more about prostitution in the Roman Empire, the video below is an excellent documentary that will give you an inside look at the Great Lupanar of Pompeii.

Thank you for reading.

 

https://youtu.be/5uHuFYYO4go

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The World of Killing the Hydra – Part I – Leptis Magna: The Jewel of Roman North Africa

The World of Killing the Hydra

As with The World of Children of Apollo, this blog series will take a look at many of the people and places that the series protagonist, Lucius Metellus Anguis, encounters throughout his journey.

So, let’s step back in time to the early 3rd century A.D., and explore the first place Lucius comes to in Book II.

The ruins of Leptis Magna are located at what is now Khoms, a site by the Mediterranean Sea at the northwestern corner of Libya. As a Roman city and archaeological site, it is not really familiar to the average person. Mainly academics have studied it, and excavated its wealth of cultural treasures.

Aerial view of Leptis Magna

Aerial view of Leptis Magna

It was founded around 1000 B.C. by Berbers and Phoenicians. Later, Carthage held sway over the polis until that great civilization finally succumbed to the Roman war machine at the end of the Third Punic War in 146 B.C.

It was during the reign of Emperor Tiberius (A.D. 14-37) that the city was officially incorporated into the Empire’s province of Africa Proconsularis. In A.D. 110, the Emperor Trajan (c. A.D. 98-117) made Leptis Magna a colonia, an official settlement for retired men of the Legions and Roman citizens. From then on, the city experienced a period of growth and success, making it the third largest city of Roman North Africa after Carthage and Alexandria.

Theatre of Leptis Magna

Theatre of Leptis Magna

It had a theatre that was built during the reign of Augustus (27 B.C. – A.D. 14), and one of the most flourishing North African markets of its day. In Leptis Magna, you could buy slaves, exotic animals, olive oil from the rich estates that surrounded the city, garum (Romans’ favourite fish sauce), salted fish, ivory, precious gems, spices, etc. etc. etc.

There was also a forum, the heart of every city, which had a curia, a basilica, a Temple of Liber Pater, a Temple of Hercules, and a Temple of Rome and Augustus.

Finally, what’s a Roman city without a bath complex? In A.D. 126, on his tour of the Empire, Emperor Hadrian had a huge bath complex with a palaestra (exercise field or hall) built for the city. It certainly seemed like the emperors paid attention to this hot, wind-kissed settlement on the south side of the Middle Sea.

Emperor Septimius Severus

Emperor Septimius Severus

But the real heyday for Leptis Magna came when her own favoured son, Lucius Septimius Severus, became Emperor (A.D. 193-211). It was through this half-Punic (Carthaginian), and half-Roman ruler that the city truly felt the warmth of the sun on its face.

You can read more about the Severus and his family HERE.

Septimius Severus did what most rulers will do for their favourite cities – he gave it infrastructure, and he gave it beauty. Give a city these two things and it will attract population, trade, and the Empire’s attention.

Around A.D. 203 the imperial family and court descended on Leptis Magna; the Emperor had returned home and there were festivals, banquets, and the unveiling or dedication of monuments.

The Severan Basilica

The Severan Basilica

The ruins that have been uncovered in Leptis Magna reveal an ancient city that was wealthy, efficient, and enjoying the good life.

Among the things that Severus built in Leptis Magna were a new harbour and docks, complete with a lighthouse, warehouses and a Temple of Jupiter. For a city involved heavily in trade, this was a big bonus.

Leading from the docks to the nymphaeum (a monument, spring, or fountain dedicated to the Nymphs), Severus ordered the building of a long colonnaded street that was sixty-five feet wide.

Gorgon head from the Forum of Leptis Magna

Gorgon head from the Forum of Leptis Magna

He added many new public buildings too, including a large basilica which was decorated with red granite columns with white marble capitals. And even though Leptis Magna already possessed a forum, Severus built a new one that was graced with the enormous Medusa heads that remain to this day.

One of the most interesting pieces of new architecture that appeared in the city during Severus’ reign was the four-sided Arch of Severus. Its design was something new, the friezes and political and religious scenes displaying an artistic style that had not been seen before.

It must have felt like a true ‘Golden Age’ to the citizens of Leptis Magna.

The four-sided arch of Severus at Leptis Magna

The four-sided arch of Severus at Leptis Magna

You can imagine the palpable excitement among the people in the streets as the Emperor, Empress and their sons disembarked from their ship in the harbour and processed to their palace. The entourage would have been enormous, as well as the force of Praetorians who would have followed the Emperor. After all, Gaius Fulvius Plautianus, Prefect of the Praetorian Guard, was also a son of Leptis Magna.

It is in the midst of all this excitement, among all these powerful and wealthy people, that Lucius Metellus Anguis’ journey in Killing the Hydra begins.

There is a lot going on in the world, and many dangers lurking in the shadows about Lucius.

He will have to tread very carefully indeed…

Thank you for reading!

In the meantime, here are a few more stunning photos of the magnificent artwork discovered at Leptis Magna:

Libyan and Italian archaeologists uncover chariot race mosaic at Roman villa (National Geographic)

Libyan and Italian archaeologists uncover chariot race mosaic at Roman villa (National Geographic)

An magnificent array of more Leptis Magna mosaics

An magnificent array of more Leptis Magna mosaics

Site map of Leptis Magna (Wikimedia Commons)

Site map of Leptis Magna (Wikimedia Commons)

 

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Ancient Everyday – Happy Hour in the Roman Empire

ancient everyday header 1

Hello history-lovers!

It’s been a while since the last Ancient Everyday post back in April, so I thought it high-time for another one.

Last time we looked at Childbirth in the Ancient World, but this time we’re going to be a bit more light-hearted. Today, I wanted to look at drinking cups in the Roman Empire.

So, pour yourself a glass of your favourite vintage, sit back, and join me for a brief look at the variety of cups the Romans used to pour everything from water to nectar down their throats!

Mycenaean Greek Bronze Age golden cup from a Laconian tomb

Mycenaean Greek Bronze Age golden cup from a Laconian tomb

Cups, throughout history, have come in an astonishing variety of shapes, sizes and materials. When I think of Romans drinking, the first image to come to my mind of rich aristocrats drinking from golden cups.

But there was much more to it than that! If you go into any museum with a Roman collection, chances are you’ll find a wide variety used every day by regular Romans. In fact, golden cups like the ancient Greek one above, were more of a rarity in the Roman Empire. Silver was much more common, and even that was more common among the ‘elite’.

Let’s start at the bottom, shall we?

Plain Roman clay cup

Plain Roman clay cup

The most basic type of wine that an average Roman would have drunk was called posca. This was a mixture of sour wine and vinegar which eventually became the normal ration among the men of the legions, as well as the poorer classes in the Empire.

And they did not drink this sour, sometimes herby mixture from silver cups. No. Posca was most often drunk from basic wood, bone, or more likely, unornamented clay cups. These were rough, unfinished, and mass produced cups. They were cheap and served one purpose – to get the drink from point A (the table or jar) to point B (one’s mouth).

Two-handled Roman Cup clay 1st cent. A.D.

Two-handled Roman Cup clay 1st cent. A.D.

After this mean style of cup came what is probably the most recognizable Roman cup around – the Terra Sigillata (‘clay bearing images’). This style is often referred to Aretine ware (made in Arezzo), and Samian ware (made in Roman Gaul).

These types of cups were mass produced in specific factories, or fabricae, around the Empire. They were relatively affordable, but obviously cost more than the rough, undecorated cups.

Terra Sigillata skyphos style cup

Terra Sigillata skyphos style cup

Something like Samian ware didn’t just come in cup form either! You could get a whole set of Samian dishes and serving platters to match your cups, all of them adorned with mythological, banquet or gladiatorial combat scenes. Or for the more frisky of Romans, love scenes or orgies. A set of these might have been nice on the Roman bridal registry!

Samian cup 1st cent A.D. - Features gladiatorial combat scenes

Samian cup 1st cent A.D. – Features gladiatorial combat scenes

Some factories specialized in Roman Black ware, also known as Castor ware. Maybe these were intended for a more subdued household…

Roman black ware cup, or 'Castor Ware'

Roman black ware cup, or ‘Castor Ware’

A step up on the price list would be something that the Romans came to perfect – Glass ware. When it came to making and using glass, no one did it better than the Romans. And it wasn’t just for windows, phials, perfume bottles or vases. They also made beautiful drinking cups and beakers out of glass.

It took the Romans time, however, to get it right and outdo the Hellenistic kingdoms in the art of glass-making. It wasn’t until later, in the reign of Augustus and his Pax Romana, that the Roman glass industry really took off. In part, the development of glass-blowing in the first century A.D. allowed the Romans to produce more glass pieces with fewer flaws.

Roman glass beaker

Roman glass beaker

Roman glasses were available in a variety of dazzling colours and thicknesses, from green and yellow (like the one above), to the brilliant blue glass that they became so well-known for.

Roman glass-making was a true art-form with varying levels of quality, of course, but the main component in Roman glass was beach sand.

When you go into a museum and see collections of Roman glass objects, you can’t help but stare at the colours and the delicate shape of some of the objects. They look like they were meant to adorn the dressing table of a fine lady, or indeed sipped from in an intimate gathering.

Roman blue glass Kantharos

Roman blue glass Kantharos

When it comes down to it though, the choice of drinking cup for a gathering of aristocratic patricians would probably have been silver. The hosts would have pulled out their best pieces in order to show off.

These would not have been plain, smooth-surfaced, silver cups, however, but rather works of art depicting elaborate scenes from mythology or other themes recognizable to rich Romans.

Silver Roman Cup - 1st cent. AD

Silver Roman Cup – 1st cent. AD

As with Samian Ware, there were also entire silver sets of plates, platters, pitchers, beakers, serving trays, cups and more, and these would have cost a fortune. A set like that would have been used to impress guests, to enjoy the luxuries of the Empire.

An example of a silver hoard like this is the famous Berthouville treasure, and the cup below is just one of the many intricately crafted items found in this treasure.

Roman Silver cup from Berthouville Treasure

Roman Silver cup from Berthouville Treasure

Isn’t that stunning? I can just imagine sipping a fine Falernian or Chian wine out of that cup while lounging in a peristyle garden beneath an olive tree. Ahh…

Believe it or not, there is yet one more step above such silvery works of art, and that is the type of cup that was commissioned by a very wealthy person from a highly skilled artisan, or, one might say, magician!

Enter the Lycurgus Cup.

Split image of the Lycurgus Cup lit from the front (left) and from the back (right)

Split image of the Lycurgus Cup lit from the front (left) and from the back (right)

This piece is one-of-a-kind, and would have cost a fortune, but the person who would have commissioned this was probably not someone who worried about how many denarii they had in the vault. The owner of this cup probably dealt in talents (71 Roman lbs. in gold), and drank only the finest vintages.

The Lycurgus Cup, so named after the mythological scene on it, is what is called a Roman Glass ‘cage cup’. I won’t go into the details of how it was made, but you can read more by clicking HERE.

What is spectacular about it is the type of glass used behind the ornate, gilded bronze cage. The glass, known as dichroic glass, actually changes colour when light hits it from the front, compared to when the light comes from behind, as seen in the split image above.

To be honest, I can’t imagine drinking out of such a cup. I’d be too afraid to break it!

Roman banquet

Cheers everyone!

Or, as the Romans might say, Salutaria!

Thank you for reading.

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The World of Heart of Fire – Part X – A Novel of the Ancient Olympics

World of Heart of Fire - banner

This is the final post in The World of Heart of Fire blog series.

I sincerely hope you have enjoyed it.

Writing Heart of Fire has been a tremendous journey into the world of Ancient Greece. Yes, I am an historian and I already knew much of the material, but I still learned a great deal.

The intense, and in-depth, research, some of which you have read about in this ten-part blog series, made me excited to get stuck in every day. A lot of people, after an intensive struggle to write a paper or book, are fed up with their subject afterward, but that is not the case for me.

In writing this story, and meeting the historical characters of Kyniska, Xenophon, Agesilaus, and Plato, in closely studying their world, I have fallen even more in love with the ancient world. I developed an even deeper appreciation of it than I had before.

Altis sunlight

In creating the character of Stefanos of Argos, and watching him develop of his own accord as the story progressed (yes, that does happen!), I felt that I was able to understand the nuances of Ancient Greece, and to feel a deeper connection to the past that goes beyond the cerebral or academic.

I’ve come to realized that in some ways we are very different from the ancient Greeks. However, it seems to me that there are more ways in which we have a lot in common.

Sport and the ancient Olympics are the perfect example of this.

We all toil at something, every day of our lives. Few of us achieve glory in our chosen pursuits, but those who do, those who dedicate themselves to a skill, who sacrifice everything else in order to reach such heights of glory, it is they who are set apart.

Athens 2004 runners 2

Hoplite runners

In writing, and finishing, Heart of Fire, I certainly feel that I have toiled as hard as I could in this endeavour. My ponos has indeed been great.

There is another Ancient Greek idea that applies here, that comes after the great effort that effects victory. It is called Mochthos.

Mochthos is the ancient word for ‘relief from exertion’.

Athens 2004 - Mochthos

Athens 2004 – Mochthos

My moment of mochthos will come when I return soon to ancient Olympia. I have been there many times before, but this time will be different, for I will see it in a new light – the stadium, the ruins of the palaestra and gymnasium, the Altis, and the temples of Zeus and Hera… all of it.

For me, Olympia has exploded with life.

When I next walk the sacred grounds of the Altis, I’ll be thinking about the Olympians who competed this summer and in the years to come.

They deserve our thoughts, for to reach the heights of prowess that they do to get to the Games, they have indeed sacrificed.

Athens 2004

Athens 2004

I always feel a thrill when I see modern Olympians on the podium, see them experience the fruit of their toils, their many sacrifices.

It is possible that they may have been shunned by loved ones or friends for their intense dedication and focus. It can be a supremely lonely experience to pursue your dreams.

Whatever their situation, Olympic competitors deserve our respect, and just as in Ancient Greece, their country of origin should matter little to us.

Yes, we count the medals for our respective countries, but what really matters is that each man and woman at the Games has likely been to hell and back to get there.

Athens 2004 proud winner

Athens 2004 proud winner

When I see the victors on the podium, when I witness the agony and the ecstasy of Olympic competition, I can honestly say that I have tears in my eyes.

Perhaps you do too? Perhaps the ancient Greeks did as well, for in each individual victor, they knew they were witnessing the Gods’ grace.

It’s been so for thousands of years, and it all started with a single footrace.

It is humbling and inspiring to think about.

Heart of Fire – A Novel of the Ancient Olympics is out now, and I hope that I have done justice to the ancient Games and the athletes whose images graced the Altis in ages past.

Heart of Fire

A Mercenary… A Spartan Princess… And Olympic Glory…

When Stefanos, an Argive mercenary, returns home from the wars raging across the Greek world, his life’s path is changed by his dying father’s last wish – that he win in the Olympic Games.

As Stefanos sets out on a road to redemption to atone for the life of violence he has led, his life is turned upside down by Kyniska, a Spartan princess destined to make Olympic history.

In a world of prejudice and hate, can the two lovers from enemy city-states gain the Gods’ favour and claim Olympic immortality? Or are they destined for humiliation and defeat?

Remember… There can be no victory without sacrifice.

Krypte

Be sure to keep an eye out for some short videos I will be shooting at ancient Olympia in the places where Heart of Fire takes place. I’m excited to share this wonderful story with you!

Thank you for reading, and whatever your own noble toils, may the Gods smile on you!

 

 If you missed any of the posts on the ancient Olympic Games, CLICK HERE to read the full, ten-part blog series of The World of Heart of Fire!

 

If Heart of Fire – A Novel of the Ancient Olympics sounds like a story you enjoy, you can download the e-book or get the paperback from Amazon, Kobo, Create Space and Apple iBooks/iTunes. Just CLICK HERE.

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