The World of The Dragon: Genesis – Part I – The Antonine Wall
Welcome to Part I of this new blog series celebrating the release of the latest Eagles and Dragons series novel The Dragon: Genesis.
In this blog series, we’ll be sharing the research that went into the novel with you, looking at the history, settings, themes, and historical personages that are related to the story which takes place during the second century A.D.
When we think of the Roman Empire, what often comes to mind is the image of marching legions spreading out over the world. We also conjure images or memories of great ruins on the edges of Rome’s empire such as the massive amphitheater at El Jem in Tunisia, or the ruins of temples and other constructs that dot the European, Middle Eastern, and North African landscapes.
Roman frontiers were vast, stretching thousands of kilometers and encompassing many lands and peoples over time. These frontiers are perhaps what many think of when it comes to the Roman Empire, and none more so than Hadrian’s Wall, the great stone frontier fortification built by Emperor Hadrian in northern Britannia in the 120s A.D. It stretched 73 miles from modern Carlisle to Newcastle-upon-Tyne, and marked a decisive edge of the Roman Empire.
There was, however, another wall.
Approximately 100 miles to the north of Hadrian’s Wall, in modern Scotland, lie the somewhat less romantic, but highly significant, ruins of the Antonine Wall, another frontier of the Roman Empire, and an important cultural and heritage landscape today.
In the early 140s A.D., the emperor Antoninus Pius (A.D. 138-161) ordered a new frontier to be built in Caledonia. It was a massive building project, and the work was undertaken by the men of three legions: the II Augustan from Isca (Caerleon), the VI Victrix from Eburacum (York), and the XX Valeria Victrix from Deva (Chester). Until the forts and fortlets were constructed, the troops would have lived in tents in temporary camps, and among their numbers would have been specialists such as surveyors, masons, carpenters and many more.
At the outset, overall responsibility for the building project was given to the governor of Britannia at the time, Quintus Lollius Urbicus.
The purpose was, perhaps, two-fold: to attempt to push Rome’s permanent frontier father north, but also to hold back the warlike tribe (perhaps a confederation of tribes) we know as the Caledonii.
The Antonine Wall may be smaller in scale to Hadrian’s Wall, but it is still an imposing construction. It was 39 miles long, stretching from the Firth of Clyde in the West (near Glasgow) to the Firth of Forth in the East (near Edinburgh). It cinched the belt of Scotland.
But this was not just a wall! It was a manned frontier of the Roman Empire.
The Antonine Wall consisted of about seventeen forts and approximately 9 smaller fortlets every 2 miles, including two coastal forts at either end. The garrison of this frontier was in the range of 6000 to 7000 troops. This included legionaries, but the garrison was mainly comprised of auxiliary troops once the wall was complete.
Despite its importance, why isn’t the Antonine Wall as well-known as Hadrian’s Wall?
Part of the reason for this is that its ruins are less prominent. Less has survived.
The Antonine Wall was not built of stone on the imposing scale of Hadrian’s Wall. It was a turf and timber wall built on a stone foundation. For this reason, today the remains mostly consist of a grassy embankment, 13 feet high, that was part of the ditch (fossa) located to the north the wall. The wall itself consisted of a turf embankment (agger) topped by a wooden battlement or barricade of sorts (vallum) behind the ditch. You can read more about the specifics of Roman defences HERE.
Unlike Hadrian’s Wall, which had ditches, or fossae, in front and behind, the Antonine Wall had but one fossa in front. It also had a military road running the length of the wall behind it so as to allow for quick, efficient movement of troops and supplies along the way, as well as the relaying of commands and news.
When completed, the Antonine Wall would have been an imposing defensive line in Caledonia. Interestingly, it was not the first such network.
There was a defensive line of forts from the Agricolan invasion of Caledonia in the first century A.D. that pre-dated both Hadrian’s Wall and the Antonine Wall. This frontier is known today as the Gask Ridge, and many of the forts along this first frontier were refortified during the Antonine period.
The Antonine Wall joined up with the Gask Ridge frontier roughly at the fort of Camelon, and together, the two frontiers further hemmed the Caledonii in on the highlands.
To read more about the Gask Ridge frontier, which is the setting for the novel Warriors of Epona, CLICK HERE.
The novel The Dragon: Genesis begins during construction on the Antonine Wall, specifically at the site of Bar Hill fort which was the highest point of the wall. This fort had commanding views from its vantage point, and it was one of the larger forts along the wall, complete with principia, or headquarters building. It is interesting to note that the fort here was not flush with the wall like some others, but rather was set back, just south of the military road.
The location of this fort made it the ideal place to start the novel.
It is perhaps an attestation to the resistance put up by the tribes of Caledonia that the Antonine Wall was abandoned in A.D. 162, just twenty years after construction began.
It lay in this state of abandonment until about A.D. 208 and the Severan invasion of Caledonia. At that time the Antonine Wall and many of the Gask Ridge frontier forts were re-garrisoned. To read more about the Romans in Scotland, CLICK HERE.
After the two phases of the massive Severan invasion of Caledonia, the Antonine Wall became silent once more, the frontier moving back again to Hadrian’s stone construction.
Today, you can visit the remains of the Antonine Wall on any number of walks to visit the locations of several of the forts listed on the map above, including the fort at Bar Hill. It really is an amazing landscape with many fascinating sites along the way. It’s no wonder that in 2008 it was officially given World Heritage Site status by UNESCO as part of the ‘Frontiers of the Roman Empire’.
To read a lot more about the Antonine Wall and the individual forts that are a part of it, be sure to check out the official website HERE.
I hope you’ve enjoyed this first part in The World of The Dragon: Genesis.
The book is not for sale anywhere, but if you are interested in reading it, you can get a copy for FREE by clicking HERE, or by clicking on the book cover image above.
Stay tuned for Part II of The World of The Dragon: Genesis, when we will be looking at the cursus honorum in ancient Rome.
Thank you for reading.
Cities for the Legions: A Brief look at the Roman Fortress
The Roman army. Those few words conjure images of blood and battle, marching legions spreading out across the ancient world. It was perhaps the most efficient military force in history, synonymous with skill, discipline, and invention.
Wherever we travel today in lands that were formerly part of the Roman Empire, we see the remains of that ancient civilization, and the remnants of Rome’s legions.
Few signs of ancient Rome’s built heritage compare with the military fortresses and forts that dot the landscape to this day. These ruins have been crucial in painting a picture of what life was like for the men of Rome’s legions, how they lived while on campaign.
There were, of course, many different types and sizes of camps and structures built by Rome’s armies across the Empire. There was the castrum (legionary fortress), the castellum (smaller camp or fort), the burgus (a small structure such as a tower, also known as a turris), signal stations and more.
In this blog, we’re going to take a brief look at that most important construction (other than roads!) of the Roman army: the legionary fortress.
In the early days of the Roman Republic, the Roman army was a field army that went out, fought actions, and then returned. But as Rome conquered more of its neighbours around the Mediterranean basin, and north and northwest into Europe, it gathered more territories that would require garrisons if they were to be held.
There were two varieties of the Roman army camp, or castrum– the temporary summer marching camp, or castra aestiva, and the more permanent winter camp, or castra hiberna.
Temporary camps were constructed at the end of every day by the men of a legion on the march, and then torn down the next day before setting out again so that the fort could not be used by the enemy. Roman legionaries, who came to be known as ‘Marius’ mules’, carried everything they needed on their backs, and that included two wooden stakes for fortifications, and a dolabra, or pick axe, which they used to shift earth for those fortifications.
Can you imagine marching twenty to twenty-five miles in one day and then having to dig ditches and create fortifications at the end of it? The men of the legions did this as a matter of routine!
The temporary camps were a sort of organized tent city where every eight-man tent (leather or canvas) for a contubernium was pitched in the same place at the end of every day. Efficiency and order were the name of the game, and the Romans were masters of both.
But the men of the legions, when at the outer reaches of Rome’s growing empire, needed warmer, more permanent quarters during the winter months outside of the campaigning season. Hence, the castra hiberna.
The requirement for permanent winter camps for every legion, in the provinces in which they were based, was issued by the emperor Augustus. The largest of these permanent camps could hold as many as two full legions! That’s over ten thousand men.
During the Julio-Claudian era, the walls of permanent camps were made of earth and wood, but from the Flavian era onward, walls were constructed of brick and stone, buttressed with earth. The structures within the permanent fortresses also evolved from their initial timber construction to more solid, long-lasting stone structures.
But how did the Romans decide where to put their camps, and how did they erect them? How were they defended? What did a legionary fortress or fort look like on the inside?
We’ll explore these questions next.
One simple formula for a camp is employed, which is adopted at all times in all places. (Polybius)
It would be a mistake to think that every legionary camp or base was exactly the same wherever you went in the Roman Empire. There was in fact a lot of variation due things like the terrain, the size of the force, and the preferences of the commander etc. But, there were certain features that were always the same, as is hinted at in the quote by Polybius above.
The first step would be to pick a suitable site for a fort that was both safe and strategic. A hill top was preferable, as was a site near to a waterway and water supply, as well as the road network if there was already one in place. Communication, hydration, and sanitation were essential!
Once a site was chosen, the ground was levelled by the troops (some stood on guard duty while most dug in). Generally, the first place to be marked out in a legionary fortress was the site of the principia, the headquarters building, at the intersection of the via Principalis and via Praetoria. This was marked with a white flag, and from here the rest of the fort’s grid was set up using a groma, a planning instrument with four plumb lines that helped to plan straight roads and to lay out the streets of the fort at perfect right angles.
Here is a short video (see minute 5:15) from historian Adam Hart Davis on how the groma was used for planning roads:
https://www.youtube.com/watch?v=pUoSO5Rip7I
Using the groma, the intersections of the main streets of the fortress, the via Principalis and the via Praetoria, were laid out, thus allowing for the positioning of other buildings such as the tents or houses of the other officers, areas for cohorts, granaries etc.
Once the dimensions of the fort were set out, it was time to build what was perhaps the most important element of the fort: the walls.
When it came to linear defences, the Romans had everything covered. Actually, when it came to the defences of a fort, there were a few more elements besides the actual wall.
The fossa was a ditch in front of the rampart or wall of a Roman fort. There could be one or several fossae for a Roman fort, so this was variable. They could be up to twelve feet deep and three feet across, but these dimensions could also vary. Sometimes, sharpened stakes were also placed at the bottom, a little extra surprise for would-be attackers.
Behind the fossa or fossae of a fort were the vallum and agger, the raised embankments with sharpened stakes. So, after crossing the ditch of the fossa, an enemy would have to climb the embankment before tumbling down another ditch, after which he would be met with the wall of the fort.
The walls of camps varied in the materials used and the height they reached, but for the most part, the walls of permanent camps were eventually built in stone and could reach a height of ten to twelve feet, or up to four meters. During the Republican era, according to Polybius’ writings, forts tended to be square, but in the early Empire the preference was for irregular quadrilateral, and then a rectangular footprint. In the later Empire, any shape became possible, even circular!
Generally speaking, the walls of Roman forts were not very high, compared with their medieval equivalents, but the defences before those walls made it difficult for an enemy to breach the walls, especially under heavy fire from the legionaries on duty. There were not always towers on the walls of a Roman fort in the Republic and early Empire, but eventually, walls came to be toped by battlements called propugnaculae, and these were of different shapes and sizes.
Towers came into use too, with square ones being more common as they were quicker and easier to build, but later, after the reign of Marcus Aurelius, round and even pentagonal towers were built because of their superior strength. Sometimes, artillery was set atop the towers.
Because every Roman fort had four gates, these were also an important part of the fortress architecture, not least because they were a possible weak point. Early on, the gates were of a titulum or clavicula type, which means that an earthen wall was erected before the opening of the gate, directly in front (titulum) or on an angle (clavicula). However, from the time of Vespasian, gates were set into the walls themselves, sometimes with towers rising above them. These gates could allow up to ten men abreast to march through.
The last of the linear defences was the intervallum. This was a broad open space between the inside of the wall and the first buildings of the fort. In addition to this being a sort of buffer zone against enemy fire, it could also be used to store supplies and graze animals. However, the intervallum was eventually done away with and the buildings of the legionary base were built right up to the side of the interior walls of the fort.
So, what did one find inside the walls of a Roman legionary base?
A city for a legion.
There were myriad buildings with as many purposes within the walls of a legionary fortress, and most of these would have been present, on a lesser scale, in smaller forts. At first, they would have been built in timber, and later, stone.
The most common structure was, of course, the barrack block. This was the long, rectangular building that housed the troops. For a legionary fortress, there would have been up to sixty-four barrack blocks. Each of these held a century of eighty men, and a contubernium of eight men would have shared one suite. Centurions had their own suite of rooms at the end of each block, possibly with their own lavatory. There might also have been a small mess room, and storage rooms.
If you look at the previous blueprint of a fortress, you will see the barrack blocks in different sectors of the fortress.
The heart of the legionary base, however, was the principia, or headquarters building at the centre of the fortress.
The principia of a fortress was one of the larger buildings because it included the offices of the legate, camp prefect, and the six tribunes assigned to every legion. There was also the armoury, and the tabularium legionis and tabularium principis, the records offices of the legion and its commanders. These would have been located around a central courtyard where offerings could be made and assemblies addressed.
But there was more to the principia than that.
The treasury was also located in the principia, as well as that all-important room known as the sacellum, the place where the sacred standards and imagines of the legion were kept along with the most important emblem of Rome’s legions, the aquila, or eagle.
The treasury and the sacellum were often located within a covered basilica which was a part of the principia. In here, units could parade and officers could address the troops. This was especially useful in places like Britannia where the weather was often inclement.
Besides the principia of a fortress, the other important structure was the praetorium. This was the commanding officer’s, or legatus’, private house. The praetorium of a legionary fortress, and even of small forts, replicated the villas or town homes of wealthy Romans, complete with private baths, triclinium, several cubicula, a garden or peristylium, and more. These were rich accommodations befitting the senatorial status of a legionary legate.
Other officers too, such as the six tribunes (1 senatorial, and 5 equestrian) had private homes that were located along the via Principalis of the fortress. Though not as luxurious as the praetorium of the legate, the tribunes’ houses were also private and well-appointed, often with a smaller garden or peristylium.
But let us remember that this was pretty much a city that had to cater to upwards of five-thousand troops and various other workers. There was much more to a legionary fortress than offices, barracks, and officer accommodation.
There would also have been a large valetudinarium, a military hospital, that would have had enough space to accommodate up to ten percent of the garrison, whatever the size of the fortress or fort.
One would have found various fabricae, the workshops that made and repaired weapons and other armaments, bricks and roof tiles for building the fort and other projects nearby on which legionaries would have been employed.
Horrea, the granaries of a legionary base, were crucial to the legion’s survival, and these were carefully constructed to avoid damp by having them raised from the ground. The men needed to eat!
The men also needed to relax, and so that meant proper thermae, or baths, were needed within a fortress. Bathing to the Romans was, of course, not just about cleanliness, but also about socializing and relaxing. This was an important element of the fortress, for health and for morale. Along the theme of relaxing, there would also have been scholae, or clubhouses for various groups such as members of the centurionate, where men could gather with their peers to talk, drink, gamble and more.
And there were certainly stables in a fortress or fort too, whether for the officers’ horses, beasts of burden, or for any cavalry auxilia who were attached to the legion. It was important for the horses to be safely housed.
The structures noted above give you a sense of the massive scale of a legionary fortress, and the needs of a legion. There was, undoubtedly, some variation, depending on the size of the fort and its intended garrison, but most would have contained the structures noted above on some scale.
There are numerous remains of Roman fortresses and forts that you can visit today, whether they are remote, like the impressive remains of Ardoch, or one of the many dotting the line of Hadrian’s Wall, or whether their bones lie beneath our modern towns and cities, only to be glimpsed in select locations.
Vienna (Vindobona), Florence (Florentia), Chester (Deva), Caerleon (Isca Augusta), and York (Eburacum) are just a few examples of cities and towns that grew up around what were originally Roman legionary fortresses. Many of today’s most popular European cities were Roman army camps!
So, whether you are visiting the lands of the Sahara dessert in Algeria or Tunisia, or go as far north as the Gask Ridge in Scotland, you can be sure of that fact that, as you walk around taking photos and video, the Roman army was there before you.
I hope you’ve enjoyed this brief look at the Roman fortress. Please share this post with your fellow history-lovers and Romanophiles!
If you are interested in a virtual tour of a Roman fortress, check out the video below.
Thank you for reading.
Ancient Everyday – Education in Ancient Rome
It has to be admitted that learning does take something away – as a file takes something from a rough surface, or a whetstone from a blunt edge, or age from wine – but it takes away faults, and the work that has been polished by literary skills is diminished only in so far as it is improved… (Marcus Fabius Quintilianus)
Salvete, Romanophiles!
I think that most of us will agree that education is crucial to our quality of life and, if we are to take the Roman educator Quintilian’s word for it, learning only makes things better.
Education, however, is perhaps something that we take for granted in the West where most children have free access to a primary and secondary school education, and some beyond that. Today, education up to some level, is assumed.
But was it the same in ancient Rome?
In this new Ancient Everyday post, we’re going to take a very brief look at education in ancient Rome from the early Republican age on into the imperial period.
If you missed the previous two-part Ancient Everyday post on food and dining in ancient Rome, you can check that out by clicking HERE.
When I think of education in the ancient world, I have to admit that my first thoughts are of ancient Greece and the golden age of Athens which, let’s face it, created the foundations of education in the western world, especially a liberal arts education.
But even in ancient Greece, there were other systems. The Spartan agoge springs to mind, that educational machine of war that took young boys at 7 years of age and thrust them into a world of brutality and torture to create the best warriors of the ancient world.
When it comes to the Romans, however, education was more practical, a happier medium between philosophical discourses of Athens and the trials of Sparta’s agoge.
Throughout most of the Rome’s Republican age, homeschooling was how young boys, and sometimes girls, were educated. They were taught by members of their family, either the father and/or mother, or some other relative who may have been more qualified.
Boys were most often educated by their fathers in Republican Rome. The paterfamilias controlled everything, and made all the decisions about his children’s education, even whether or not they received one at all.
For another post on the role of the paterfamilias in Roman society, click HERE.
Cato thought it not right, as he tells us himself, that his son should be scolded by a slave, or have his ears tweaked when he was slow to learn, still less that he should be indebted to his slave for such a priceless thing as education. He was therefore himself not only the boy’s reading-teacher, but his tutor in law, and his athletic trainer, and he taught his son not merely to hurl the javelin and fight in armour and ride the horse, but also to box, to endure heat and cold, and to swim lustily through the eddies and billows of the Tiber. His History of Rome, as he tells us himself, he wrote out with his own hand and in large characters, that his son might have in his own home an aid to acquaintance with his country’s ancient traditions. (Plutarch, The Life of Cato the Elder)
From about the age of seven, Roman boys were trained by their fathers in the areas that were deemed most important to life as a Roman citizen: reading, writing, and weapons training. You can see from the quote above that Cato the Elder pursued this course with his own son.
Boys would also have accompanied their fathers on religious duties, as well as senatorial duties if they were from a senatorial family. Everything was geared toward an effective public life as a Roman citizen, and while boys were groomed for public life, girls were likewise groomed and trained in reading, writing, and arithmetic so as to be able to run an effective household.
At sixteen years of age, the boys of nobles were given a political apprenticeship, and then at seventeen, they spent the campaigning season with the army so as to learn the business of war, Rome’s bread and butter, so to speak.
This system of traditional homeschooling went on into the imperial age in some families, but it was in the third century B.C. that things changed and new ideas crept into the Roman educational system.
With the capture of the Greek colony of Tarentum in southern Italy in 272 B.C., and then the annexation of Sicily in 241 B.C., there was an influx of Greek prisoners of war and slaves into Roman society, and with them came Greek ideas.
Many of the Greeks who were brought into Roman society became teachers or private tutors.
Perhaps the most famous of this first wave of Greeks was Livius Andronicus (284-205 B.C.) who became a slave and tutor to his dominus’ children. He later was freed, and decided to stay in Rome where he is said to have become the first teacher of Greek education. He was also responsible for translating the Odyssey into Latin.
It was people like Andonicus who introduced the literary education to Rome, for prior to that, the focus in Roman education was more practical and martial.
But there remained differences between the Greek and Roman educational mindset for some time. For example, in the Greek educational system, music and athletics were of prime importance. These two areas were not taken seriously in Rome. To Greeks, music enriched the soul, but to Romans, music was perceived as a path to moral corruption.
I doubt that Cato the Elder was very musical!
Likewise, to the Greeks, the goal of athletic competition and training was to obtain a beautiful and healthy body, a noble goal in and of itself. In Rome, athletics were only seen as a way to maintain good soldiers who would fight for Rome.
Again, Romans were much more practical in their education and the goals of that education.
The study of literature, however, became more important in Rome as time went by, as it was seen to be beneficial in producing effective speakers. In a society where public life was so important, especially among the upper classes, this skill was crucial.
So, generally, what were the stages of the Roman educational system?
The first step was a sound moral education, and this began at home with fathers and mothers teaching their children (boys and girls) what Roman mores dictated were right and wrong, duties to family, to Rome, and to the gods themselves. In ancient Greece, community was central to moral education, but in Rome, it was all about family.
Formal early education began at age seven and lasted until age eleven. This included reading, writing and arithmetic taught by a litteratoror, in Greek, a paidagogus. Both boys and girls received this early education.
The rich tended to have private tutors for their children, but there were supposedly schools for the poor. This sort of school was known as a ludus litterarius. Because of the low wages paid to a litterator of the time, many such teachers also set up private schools of their own along the Greek tradition. These private schools did not have set locations, but rather moved around.
Secondary education in ancient Rome took place from twelve to fifteen years of age, and lessons were taught by a grammaticus.
The foci here were the literary subjects and the analysis and expression of ideas, and lessons were taught in both Greek and Latin. The purpose of the secondary education (more often of the upper classes) was for general education, but also to prepare for the all-important training in rhetoric. Many classical Greek texts were used, but as time passed and more Latin writers emerged, texts would have included the works of Ennius, Virgil and others.
Again, secondary education would have taken place in private, or in groups in various places.
The final major stage of education in ancient Rome was training in rhetoric.
Few studied rhetoric with a rhetor, but those who did tended to be boys over the age of sixteen years old with a view to public life and a long climb up the cursus honorem.
The goal of training in rhetoric was to perfect one’s political oratory and skill in debate so as to be ready for a senatorial career, or, during the imperial age when the senate lost influence, for a career as an advocate in the law courts.
After all of this, there was one possible final stage of education that was limited to a rare few from the elite of Rome’s upper classes, and that was the study of philosophy.
This required means, and perhaps leisure, but was seen as the pinnacle of education in philhellene circles. Students who sought an advanced education in philosophy usually went abroad to a centre of philosophy in Greece, such as one of the schools at Athens.
Most Romans did not pursue this course of learning, but those who did no doubt found their lives greatly enriched, and their speaking skills from the rostra of the forum expertly honed.
So, there you have it! A whirlwind look at the educational system of ancient Rome.
I hope you’ve found it informative and useful, and that the next time you go to a class of your own (or look back on one), remember that in our learning, we are standing on the shoulders of giants.
Thank you for reading.
Roman Ghosts – Roots of Death and the Imperial Spectre
Salvete, History-lovers!
It’s been several months now since our last Roman Ghosts blog post and, seeing as we are in the dark days of winter, I thought it was a good time for a new one that you can read by the light of a warm fire.
If you missed the previous post about the ghostly accounts of Pliny the Younger, you can read it by CLICKING HERE.
I was doing some research on ghost sightings in the city of Rome when I came across this fascinating story about the only known haunting by a Roman emperor.
Who was this purple-robed spectre?
Why, it was none other than Nero Claudius Caesar Augustus Germanicus, otherwise known as Emperor Nero (A.D. 54-68).
There are numerous stories and much gossip about Emperor Nero, the last of the Julio-Claudian dynasty. It is said he believed he was an actor and artist, more than anything else. He allegedly fiddled his way through the burning of Rome, and subsequently blamed the Christian community for doing it. His torture of the Christians after that has become the stuff of horrible legend.
Another of the labels applied to this young megalomaniac was that of a ‘matricide’, for Nero was supposed to have made three attempts on the life of his overbearing mother, Agrippina the Younger. He tried drowning her, and crushing her in a planned ‘accident’, and when neither of those worked, he had his men slay her.
However, when the deed was done, Nero was haunted by the ghost of his mother for the rest of his days, so much so that he supposedly engaged the services of magicians and necromancers to help rid him of the Furies he believed to be harassing him, and to conjure the ghost of his mother so that he could ask her to leave him alone.
I guess it never was easy for a young Roman man to be completely rid of his mother!
Needless to say, Emperor Nero was a tortured soul.
But we are not here to determine whether the rumours about Nero were true or not. We are here to talk about the story of what happened after his death.
It seems that after he departed the mortal world, the shade of Nero lingered in Rome, and his is the only known imperial ghost on record.
You see, after his suicide, Nero was buried in the tomb of the Domitii Ahenobarbi, the family tomb at the foot of the Pincian hill. This was located near a grove of poplar trees in what is now the Borghese Gardens near Piazza del Popolo.
Legend has it that in the place where the tomb of Nero was located, adjacent to the Porta Flaminia, a sort of nut tree sprouted, and this tree was filled with black crows.
It was said that about the tree, or in it, Emperor Nero’s ghost continued his lavish feasts, except now he dined alongside demons and witches!
Over the centuries, Romans living in the area of the Pincian hill, near the Porta Flaminia, reported feelings of terror, possessions, beatings and injuries, inexplicable strangulations and killings. Hundreds of years later, in 1099, Nero’s ghost and his wicked dinner companions were still bothering the living.
Frightened Romans complained to Pope Pasquale II about the spectre and the terrible goings on around the tree at the foot of the Pincian hill. The pope stepped up and performed an exorcism in the area which ended with him striking the tree itself. When the pope did this, a series of loud screams apparently rent the air.
Pasquale II ordered the tree torn down then, and when it was removed, they found Nero’s tomb buried beneath it, among the tangled roots. The pope ordered the tomb and its contents to be thrown into the Tiber, and ordered a church built on the site, the altar of which was placed overtop of the spot where the tree had been.
In 1475, Pope Sixtus IV enlarged the church that Pasquale built, and it was re-consecrated as the Chiesa de Santa Maria di Popolo.
Apparently, the hauntings of Nero did stop after the original chapel was built in 1099, however, it is said that some people still report supernatural activity there.
Who knows for certain…
What we can be pretty sure of, if one believes in such things, is that in a city as ancient and populated as Rome, there were plenty of ghosts to go around. But there was only one imperial ghost…the ghost of Nero!
Guest Post: Archaeology and Living History: A Tasty Look at the Life of a Roman Re-enactor
Salvete, history lovers!
This week on the blog, I’m thrilled to invite archaeologist, Roman history re-enactor, and owner of Apicius Sauces Ltd., Rita Roberts, to share her story about her wonderful experiences with living history and how, through a bit of serendipity and creativity, she was able to launch a successful (and tasty!) enterprise with a little help from the famous gastronome of ancient Rome, Apicius.
Get ready for a fascinating look at the life of a Roman re-enactor. Be sure to read all the way to the end for an amazing recipe!
Take it away, Rita!
Living History
While working as an archaeologist at the Hereford and Worcestershire Archaeology Section in England, analyzing ancient pottery, I had the opportunity to travel around schools of the area. At this particular time, the Roman period was entered in the school curriculum. This meant that on occasion I was able to talk to the children in a class whose age varied between eight and twelve years old about the Roman pottery which I had been working on.
At this age children are very receptive and were eager to learn, besides the fact I had the original roman pots for them to see and handle. I was delighted at their reaction and soon realized that the living history, and hands on the objects, I was demonstrating was likely to be a real boost for education purposes.
Once teachers heard of my enterprise I was called to some of the schools regularly, especially to review the homework I gave the children once I had finished talking about the different types of Roman pottery. I was amazed as the teacher had made them draw the different shapes of the vessels.
One of the children wanted to know what kind of food was cooked, and in which vessel it was cooked in. It was from this little girl’s question I decided that on my next visit to a school, I would take along with me a Roman mortarium and mix the sauce which would have been served with chicken. Their teacher had already agreed on my return visit to demonstrate this to the class. Upon my arrival, and with the ingredients needed to make the sauce, I found the history teacher was waiting with the children who were all dressed up in Roman style outfits.
This seemed to make the children even more excited because after all, it was a living history lesson and they were eager for me to proceed. But first I needed to explain about the Roman cook Apicius.
Gaius Apicius lived during the reign of Emperor Tiberius in the 1stcentury A.D. The cookery books which he wrote were published some three hundred years later and are the main source of our knowledge of Roman food.
Apicius was able to buy a large selection of herbs and spices from Roman and Greek traders who travelled to the spice markets of South Asia. These were then offered for sale in the markets of Rome. Some of the sauces made by Apicius were flavoured with up to twelve different herbs and spices. Many spices such as pepper, cinnamon, ginger, nutmeg and cloves came from India, Sri Lanka and China.
The highly flavoured sauces made by Apicius were often used to mask food which may have become stale or rancid because of over-storing. The most commonly-used seasoning was called liquamen. Apicius became a very wealthy man, but it is believed he committed suicide by poisoning himself. As a result of his buying so many expensive foods from every part of the known world, he realized that he had only about ten million sesterces left and he did not consider this enough to maintain his high standard of living.
Procedure for Making Apicius Sauce
Once I had the ingredients displayed on the table in front of the class, the children interacted by passing the herbs and taking turns in grinding them in a Roman mortarium, after which the liquids were added. The sauce was then ready for tasting. Mr Townsend, the history teacher, had the first sample. Then one by one the pupils very gingerly came forward to taste. There were many different comments such as ‘it’s quite nice really’, or ‘better than I expected’. Some of them did not like it at all. Another said it tasted a bit like curry.
However, Mr. Townsend was quite impressed, saying it had a unique flavour and that I should market it. I thought about this but knowing there would be a lot involved such as adhering to the Trading Standards and Health and Safety regulations. But first I thought about a trial period where I could sell my produce from a stall at The Woman’s Institute, and also The Woman’s Guild, which held events all year round. This proved successful, so after passing all exams needed for Trading Standards and Health and Safety Regulations, Apicius Sauces Ltd., was launched.
I had approached many museums, historical houses, English Heritage and The National Trust who all agreed to sell Apicius Sauces in their gift shops. We were also producing a variety of sauces from other historical times by request, ranging from the Medieval to the Stuart and Tudor times. Also, we were invited to join the Re-enactors Societies with the offer of a special stall with which to trade from. Below are some photographs taken at Kirby Hall.
Our product proved a positive success for almost fifteen years. We then retired to the island of Crete Greece.
The following is my recipe for ‘Sauce Apicius’ adapted for the modern kitchen and to be used with chicken. This recipe is for just one serving.
Ingredients for Sauce Apicius
A pinch each of – Pepper, cumin, thyme, fennel seeds, mint and rue.
A drop of asafoetida essence – obtained from a pharmacy and used sparingly
2 tablespoons of vinegar
4 oz of stoned dates
1 tablespoon of honey
1 tablespoon of olive oil
1 teaspoon of anchovy essence. This is to replace the roman liquamen or garum as anchovy was one of the ingredients used by the Roman cook to make the liquamen.
Method
First mince the dates then pound all the herbs in a mortar and moisten with the asafoetida essence. Add the vinegar and minced dates and pound until well blended. Stir in the honey, olive oil and anchovy essence. The mixture will then become a little sticky. Stir again until a smooth consistency is formed. Of course this is much easier with modern equipment. Serve with your favourite poultry warm or cold. You can also spread a little over the chicken once cooked and pop it back in the oven for about 5-10 mins giving it a nice crispy coating.
It took many hours, in fact days, to work out the quantities of herbs and the liquids needed to make a large mix of the sauce, for an order of about 96 of each variety for the British Museum. This was their usual order per month. Besides other people’s orders we had to meet.
Although referred to as a sauce I prefer to use it as a relish but if you require it as a pouring sauce just add a little more of the liquids to your liking.
Try the sauce with turkey, ham, or even pork pie.
My book Toffee Apples & Togas can be obtained from Amazon Books.
I’d like to thank Rita for taking the time to tell us her story. It really was fascinating, and I can’t wait to try out that sauce recipe!
Having worked as an historical re-enactor myself in museums, I can stress enough how effective living history is in getting people interested in history, especially children who always love to see history come to life. It’s so much more interesting than being lectured to!
Living history demonstrations and re-enactors also do a lot to further our knowledge of the ancient world, so it is thanks to people like Rita, who have a passion for history, that we are able to sample a bit of the ancient world.
Be sure to check out Rita’s book, Toffee Apples and Togas, for a more in-depth look at her life and the journey she has taken. You can get a copy by CLICKING HERE.
If you have any questions for Rita, be sure to leave a comment a the bottom of the blog.
Thank you again to Rita, and as ever, thank you to all of you for reading.
A New Year for Eagles and Dragons Publishing
Happy New Year, everyone!
Erm… Well… To honest, I’ve never been crazy for New Year. I don’t know what it is. Maybe it’s because I’m an historian, and I prefer looking to the past…the distant past.
I don’t usually do a ‘round-up’ post for the past year, or a ‘looking ahead’ post for New Year.
However, this year is different.
You see, 2019 is the 10-year anniversary of this blog, Writing the Past.
Amazing, right? Ten years! I still can’t believe it. I remember starting this blog on the Blogger platform (Click Here to see the old site) after hearing someone from a think-tank in Boston speak about the power and importance of blogging as a way to get ideas out into the world.
Ten years later, and here we are.
Eagles and Dragons Publishing was born out of the Writing the Pastblog. Some of you have been along for the ride since the beginning, but most of you joined this mailing list after 2016.
And let me tell you, the Eagles and Dragons publishing team and I thrilled you’re here!
For this post, I’m not going to go into the history of Writing the Past– we’ll save that for some special posts later this year – but rather, I wanted to touch on some of the great things that happened last year, and then get into what you can expect in 2019.
One of the things we were really excited about last year was the launch of Eagles and Dragons Publishing’s new non-fiction series of books, Historia.
I had been wanting to get these titles out for some time, but fiction always took precedence. However, it was enormously gratifying to see that when the first three books in the Historiaseries did come out, all three of them were #1 New Releases in the Amazon store.
Our fiction offering for 2018, however, was Saturnalia: A Tale of Wickedness and Redemption in Ancient Rome.
Most of you will be familiar with this title, as it was launched just a couple of months ago. If you missed the announcement blog, or the blog about the Roman festival of Saturnalia itself then be sure to check them out.
I’m happy to say it was pretty well-received, and I’m grateful for the emails some of you have sent me to say now much you have enjoyed this Roman retelling of a classic tale.
I think that perhaps the most exciting thing for me last year was when I finished the first drafts of the next two Eagles and Dragons novels: Isle of the Blessed, and The Stolen Throne.
I know many of you have been waiting patiently for these next books, and though it will still be a few months before they come back from the editor, 2019 will be the year!
2018, all said, was a pretty good year. Sure, there were ups and downs of different kinds, but when are there not?
But what is coming for me, and for Eagles and Dragons Publishing in 2019?
With the 10-year anniversary of Writing the Past, we’ve decided that we need to do something special. We’re not sure what yet – maybe a contest with prizes of some sort, a Facebook Live event? We’ll have to wait and see. If you have any ideas, let us know in the comments below!
For me personally, it’s about writing and new releases.
As I mentioned, the next two books in the Eagles and Dragons series are forthcoming, and I can’t wait to share them with you. They are…well…epic and moving. It has been quite a journey!
But there is also another Eagles and Dragons book that will be coming out soon, and this will be available only for Eagles and Dragons Publishing subscribers. It will not be for sale anywhere else. I’ve been writing this book for a little under two months, getting up at 5 a.m. every morning to do so. I only have two more chapters of the first draft to write and, as ever, when it comes out, there will be some accompanying ‘World of’ blog posts.
So, if you haven’t yet signed up for the mailing list, you’ll want to do so immediately so you don’t miss out! You can do that HERE.
In 2019 we will also launch the fourth book in the Historianon-fiction series. This one is exciting because it will also be accompanied by a mini-documentary that we filmed in Britain a little over a year ago. We’re still polishing off that book and sifting through the raw video footage, but itiscoming in 2019.
For those of you who are Arthurian enthusiasts and archaeologists, you will definitely be interested in Historia IV!
2019 may also see the emergence of some new endeavours for Eagles and Dragons Publishing, perhaps in the form of an on-line course. We’ll have to wait and see. However, fiction is always our focus, so we need to be mindful of time since, when it comes to history, our enthusiasm can indeed get the better of us!
But that’s a good thing!
There will of course continue to be bi-weekly blog posts in the Ancient Everyday and Roman Ghosts series, as well as one-off posts about various topics on ancient and medieval history, archaeology, writing and more. And if you are one of our special Patreon patrons, then you can expect some special offerings just for you throughout the year, such as short stories and behind-the-scene pics and sneak-peeks! If any of you’re interested in becoming a patron, you can check out the website HERE and watch me in my awkward, but honest video.
There is a lot more Eagles and Dragons Publishing would like to do, and you can see the list of these goals on the Patreon page. Who knows? Perhaps someday, we’ll get there!
In the meantime, I just want to say that the Eagles and Dragons Publishing team and I are thrilled to have you along for this amazing journey into the past through our fiction, the blog, non-fiction and more. It really isan honour to create content for you, so if there is anything you would like to see more of, let us know in the comments below or send us a message through the Contact Us page.
May 2019 be an epic year for us all!
Thank you for reading.
Happy Holidays from Eagles and Dragons Publishing!
Adam and the Eagles and Dragons Publishing team would like to wish all our followers a safe, healthy and joyous Holiday Season.
It’s been a wonderful year with several exciting releases and new ventures, ancient history blog posts, completed novels, and so much more! We would like to thank all of you for joining on this stage of the journey. You really are the very best of fans!
There is a lot more to come in 2019, such as another Historia release and, perhaps most exciting, three more Eagles and Dragons series novels.
For now, before we take a break, we wanted to thank you for the interactions, support, reviews, kind comments and so much more.
See you in 2019!
Thank you for reading,
Adam and the Eagles and Dragons Team
Io Saturnalia! – Celebrating ‘The best of days’ in Ancient Rome
Happy Saturnalia, everyone! Or, as the Romans said, Io Saturnalia!
December 17th was the official start of Saturnalia in the Roman Empire, and for seven days the Roman world, and especially Rome itself, experienced what can only be described as a carnival atmosphere.
Just as Christmas is a time of year that many people look forward to, so too was Saturnalia for Romans, free and slave.
Today we’re going to take a brief look at some of the customs that surrounded this ‘the best of days,” as the poet Catullus called it.
Saturnalia was basically a winter solstice festival in honour of the god Saturn, the chthonic (of the earth) Roman god of seed sowing, who was often equated with the Greek god Cronus. As an agricultural deity, his symbol was a scythe.
The primary temple for this Roman deity was at the foot of the Capitoline Hill, across from the Rostra, the Temple of Concord, and the arch of Septimius Severus.
The festival of Saturnalia was originally a single day, but eventually ran from December 17th to December 23rd, ending on the Dies Natalis Solis Invicti, or the birthday of the Unconquerable Sun. The three days from December 17th to the 19th were considered to be legal holidays on which no work was done. Schools, gymnasia and courts were closed, and no war was waged.
Saturnalia was a sacred time of year in the Roman calendar, but oddly enough, there is no single, full description of the festival. What we know comes from various references in ancient sources, mainly Macrobius whose work on Roman religious lore is set during the festival.
So, what do we know about the festival of Saturnalia, and what traditions did people keep at that time of year?
In ancient Rome, we know that the festivities began on December 17th with a sacrifice at the Temple of Saturn in the Forum, in which the priest performed the ceremony in the Greek fashion, ritus Graecus, with his head uncovered. In the temple, the feet of Saturn’s statue were normally bound up with wool, but for Saturnalia, the wool was removed, and some believe this symbolized the liberation that many felt during the festival.
After the sacrifice, which may have been a suckling pig, there followed a grand public banquet, or convivium publicum, which was paid for by the state. A statue of Saturn was placed upon a couch for this event so that the god could preside over the festivities.
As a festival of light, or the solstice, wax candles, or cerei, were lit everywhere and given as gifts. The light may also have been considered a symbol of the quest for knowledge and truth, something to go along with this season of hope for many in the dark days of winter.
Another symbol of the season was holly, which was considered sacred to Saturn. Sprigs of this were also given as token gifts. Many other gifts were given at this time of year, mainly on December 19th, which was the day of the sigillaria, the day of gift-giving.
In addition to wax candles, gifts could include pottery, writing tablets, dice, knucklebones, combs, toothpicks, hats, knives, lamps, balls, perfumes, and toys for children. If you were among the rich, exotic animals or slaves might even be given!
Figurines were also a gift that was given, and these have something of an interesting history. One thought is that this particular gift stemmed from the giving of toys to children. However, another, darker possibility for the giving of figurines is that they were intended as substitutes for the human blood offerings that may have originally been offered to the earth god Saturn, in the early days of Rome, perhaps in the form of gladiatorial combat to the death.
In addition to the public celebrations of Saturnalia, the festivities continued at home.
On December 18th and 19th, domestic rituals of the family were observed, such as bathing, and the common sacrifice of a suckling pig to Saturn.
Gifts were given among the family on the day of the sigillaria, but also in the days to come.
One interesting tradition was that the usual clothes worn by Romans, such as the toga or plain tunica, were discarded during Saturnalia in favour of colourful clothes known as synthesis, which were a mish-mash of patterns and colours. They were the Roman party clothes of Saturnalia! Along with the synthesis, Roman men also wore a felt or leather conical cap known as a pileus.
Saturnalia was a time of role reversal, a time when the opposite of normal was acceptable.
For instance, during Saturnalia gambling was permitted in public, with the stakes being either coins or, oddly enough, nuts!
Overeating and drunkenness were common, as was guising, which was the wearing of masks or costumes to take on another persona.
Thou knowest not what evening may bring.
(Macrobius. Saturnalia)
However, perhaps the most commonly known tradition of Saturnalia was the role reversal of masters and slaves. Traditionally, masters would serve their slaves a meal of the sort that they would usually enjoy, sigillaria would be given, and the slaves were even at liberty to insult their masters without fear of retribution.
Citizens or slaves might even be elected the ‘King of Saturnalia’ at the banquet at which time they could give absurd orders that had to be obeyed.
If this seems like a hectic summary with myriad different traditions and goings on, you’d be right. Just as with Christmas today, everyone likely had their own unique take on the traditions of the season. Roman religion was highly customizable!
You’d also be correct in assuming that some of the traditions of Saturnalia feel very familiar. At Christmastime, people eat and drink more than is usual (if they are so fortunate), there are a couple of days off work, gifts are given, holly (and perhaps ivy) is hung, candles are lit, and more.
Around the winter solstice, it seems that many cultures and religions find cause to celebrate.
So, from December 17th this year and in the run-up to Christmas, spare a thought for the Romans who certainly knew how to throw a good party this time of year.
Thank you for reading, and Io Saturnalia!
For those of you who are fans of historical fantasy set in ancient Rome, you may want to check out one of Eagles and Dragons Publishing’s latest releases, Saturnalia: A Tale of Wickedness and Redemption in Ancient Rome.
Much of the research for this post was done for the writing of this new book, so if you would like to see many of these ancient traditions come to life, you’ll want to check it out by CLICKING HERE.
Lastly, and for a bit of fun at this festive time of year, check out this hilarious video and song by the Ashmolean Latin Inscriptions Project and members of Oxford’s Faculty of Classics: